A small-time reporter tries to convince the police she saw a murder in the apartment across from hers.A small-time reporter tries to convince the police she saw a murder in the apartment across from hers.A small-time reporter tries to convince the police she saw a murder in the apartment across from hers.
- Awards
- 1 nomination total
William Finley
- Emil Breton
- (as Bill Finley)
Cathy Berry
- Lobster child
- (uncredited)
Eddie Carmel
- Giant
- (uncredited)
Olympia Dukakis
- Louise Wilanski
- (uncredited)
Art Evans
- African Room Waiter
- (uncredited)
Catherine Gaffigan
- Arlene
- (uncredited)
Justine Johnston
- Elaine D'Anna
- (uncredited)
James Mapes
- Guard
- (uncredited)
Laun Maurer
- Druggist
- (uncredited)
Bob Melvin
- Extra
- (uncredited)
Burt Richards
- Hospital Attendant
- (uncredited)
Storyline
Did you know
- TriviaBrian De Palma said the film's producer doubted anyone could be stuffed into a sofa bed, but the director recalls, "I shot it in one shot to show that you can in fact fit somebody into the sofa bed."
- GoofsAfter leaving Danielle's apartment, Grace and her mother exit that building, and Grace's mother suggests she should change clothes. Grace then reenters the lobby of the same building, to go up to her own apartment.
Although it may not be apparent, Grace and Danielle live in the same apartment complex, in the same building. The former "Alexander Hamilton" - now 36 Hamilton Avenue - in Staten Island is an H-shaped building, meaning apartments on its inner courts face each other across two courtyards. Therefore, Grace has a view across one of the courtyards directly into Danielle's windows. In addition, the elevators that characters take to and from both apartments are identical.
- Alternate versionsFor the original 1973 UK cinema release cuts were made by the BBFC to edit the violent stabbing of Phillip Woode. All later releases were fully uncut.
- ConnectionsFeatured in Terror in the Aisles (1984)
Featured review
SPOILER: A movie that doesn't really make a lick of sense when you think about it but that is so stylishly entertaining that you can't look away....yep, you guessed it, another Brian De Palma movie.
In this one Margot Kidder plays a woman whose Siamese twin died when they were separated and who now has a good twin/bad twin split personality. The good twin is a mousy thing with a French accent; the bad twin hacks people up with butcher knives. A busy body reporter (Jennifer Salt) who lives across the way witnesses one of the murders and tries to convince the police to investigate. When they don't take her claims seriously, she enlists the help of a private detective (Charles Durning). I'm not sure why she does so, because he does barely anything and she goes off on her own to investigate the crime herself. This leads her to a mental institution where.....oh, just see the wackadoodle thing yourself.
De Palma again tips his not so subtle hat to Hitchcock, and even hires frequent Hitchcock collaborator Bernard Herrmann to compose the film's terrific score. Themes of voyeurism (again, see Hitchcock) abound, but I'm not sure what De Palma is really using them to say, or indeed if he's trying to say anything at all. I just enjoyed watching his groovy use of split screens.
Grade: B+
In this one Margot Kidder plays a woman whose Siamese twin died when they were separated and who now has a good twin/bad twin split personality. The good twin is a mousy thing with a French accent; the bad twin hacks people up with butcher knives. A busy body reporter (Jennifer Salt) who lives across the way witnesses one of the murders and tries to convince the police to investigate. When they don't take her claims seriously, she enlists the help of a private detective (Charles Durning). I'm not sure why she does so, because he does barely anything and she goes off on her own to investigate the crime herself. This leads her to a mental institution where.....oh, just see the wackadoodle thing yourself.
De Palma again tips his not so subtle hat to Hitchcock, and even hires frequent Hitchcock collaborator Bernard Herrmann to compose the film's terrific score. Themes of voyeurism (again, see Hitchcock) abound, but I'm not sure what De Palma is really using them to say, or indeed if he's trying to say anything at all. I just enjoyed watching his groovy use of split screens.
Grade: B+
- evanston_dad
- Feb 15, 2017
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Details
- Release date
- Country of origin
- Languages
- Also known as
- Siamesas diabólicas
- Filming locations
- 1757 Victory Boulevard, Staten Island, New York City, New York, USA(formerly Four Corners Bakery)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $500,000 (estimated)
- Gross worldwide
- $318,348
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