In Uruguay in the early 1970s, an official of the US Agency for International Development (a group used as a front for training foreign police in counterinsurgency methods) is kidnapped by a group of urban guerillas. Using his interrogation as a backdrop, the film explores the often brutal consequences of the struggle between Uruguay's government and the leftist Tupamaro guerillas.
Erich Schneider <firstname.lastname@example.org>
Adapted from a True Story, Entirely Filmed on Location in South America
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Did You Know?
This film is part of the Criterion Collection, spine #760. See more
The name of the Brazilian Ambassador in Uruguay is Fernando Campos (the name is revealed throughout the film). But in the beginning of the film right before his kidnap his name appears on a sign at his house as Roberto Campos. The filmmakers probably decided to make this change to avoid confusion with the real Brazilian minister of planning - Roberto Campos. See more
The frequent use of torture's intruments has been proved by the investigating comission. Remember, that this comission is composed by members of all parties present in the parliament. Your conclusions, voted by uninamity, are those. First: it has been proved that torture has become a frequent and habitual system in our country. Second: those tortures are practiced against people who even being innocent, are not submitted to a legal questioning, and against people who, submitted to a legal ...
Featured in The Dancer Upstairs
Fantasia in G minor, BWV 542 ('Great')
Written by Johann Sebastian Bach
Played by the organ at the end of the funeral near the end of the movie. See more