It's time for Christmas break, and the sorority sisters make plans for the holiday, but the strange anonymous phone calls are beginning to put them on edge. When Clare disappears, they contact the police, who don't express much concern. Meanwhile Jess is planning to get an abortion, but boyfriend Peter is very much against it. The police finally begin to get concerned when a 13-year-old girl is found dead in the park. They set up a wiretap to the sorority house, but will they be in time to prevent a sorority girl attrition problem?Written by
Ed Sutton <email@example.com>
The film is listed number 87 on Bravo Channel's 100 Scariest Movie Moments. See more »
When Billy first enters the attic through the window at the beginning of the film, his shadow reflected on the wall clearly shows the camera equipment he is carrying. See more »
Little baby bunting/Daddy's went a-hunting/Gonna fetch a rabbit skin to wrap his baby Agnes in.
See more »
A telephone is continously ringing throughout the final credits. See more »
Original US theatrical release opened with the 1970s black and red Warner Bros. logo and had the title changed to "Silent Night Evil Night" (this was also what it was named on the original posters). But all home video and subsequent theatrical releases in the US remove the logo and revert back to the original Black Christmas title. See more »
"Black Christmas" is truly a forgotten gem. Even though the producers intended the film for cinema, "Black Christmas" has the look and feel of its precursors, the made-for-television gothic suspense thrillers between 1969 and early 1974. This four year period featured inexpensively-produced but having hi-quality production values that older viewers will remember. These include, "A Howling In the Woods", "When Michael Calls", "How Awful About Allen", "Don't Be Afraid of the Dark", "Home for the Holidays", et al. "Black Christmas", produced at the tail-end of this short-lived genre, clearly displays the same suspenseful and moodily atmospheric elements involving human angst, fears, anxieties, and complicated, sometimes destructive relationships. In one small aspect, "Black Christmas" is a transitional film set between the television gothic supsense thrillers and the onset of the slasher genre epitomized by 1978's "Halloween" and 1979's "Friday the 13th". The violence was certainly more graphic than its television precursors, but not gratuitous. Foul language sprinkled throughout "Black Christmas" would never have made it past the television censors. And look again at "Halloween". It's reliance on atmosphere, moodiness, suspense, and the fright of awaiting something that is surely around the next dark bend of the house harkens back to the early 70s gothic thrillers. "Black Christmas" is from a unique genre long gone and will probably not return, but for those seeking quality shockers without the schlock will no doubt find repeat viewings of this suspense film noir satisfying.
33 of 51 people found this review helpful.
Was this review helpful to you?
| Report this