That famous jewel, The Pink Panther, has once again been stolen and Inspector Jacque Clouseau (Peter Sellers) is called in to catch the thief. The Inspector is convinced that "The Phantom" has returned and utilizes all of his resources, himself and his oriental manservant, to reveal the true identity of "The Phantom".Written by
Graeme Roy <firstname.lastname@example.org>
In this movie, Peter Sellers played Clouseau with an exaggerated French accent, including running gags involving his mispronunciation of words. In his previous performances, he used a straightforward accent. Clouseau is also portrayed as considerably more inept than he was in his previous appearances. See more »
During Clouseau's exchange with the accordion player outside of a bank, there's a Halles Lépante across the street. No car is parked there until one shot, where a tan Volkswagen bus is visible. See more »
During the animated opening credits, the credit for the Hal David song "The Greatest Gift" is the first credit seen after the title, occurring between the star and supporting cast credits. In the 1970s, songwriting credits usually appeared about midway though the opening credits and usually were paired with the film's composer credit; it was unusual for a song credit to be singled out in such a way. See more »
The original UK cinema version was cut by the BBFC for a 'U' certificate to remove Sir Charles's audible use of the word 'shit' (though he can still be seen to mouth the word). Despite later releases being upgraded to a PG they all feature the original edited print. See more »
Silly, with Sellers in familiar form, but the first two are more classic
Return of the Pink Panther (1975)
Complete with the great Mancini sax theme, the nutty smart Blake Edwards directing, the sassy cartoon panther himself, and of course Peter Sellers as Inspector Clouseau (taking on many absurd disguises). This is the third of the original Pink Panther movies series (omitting the oddball fourth one from 1968 that didn't have Mancini, Sellers, or Edwards), and it comes over a decade after the first two. Was the public interested? Yes--it did well. It was a great formula. Is it still a good formula in 2012?
Good question. It depends on your taste. But surely the names repeated above are all cinema greats that, like Chaplin, rise above their time. But of course, Sellers, as terrific as he was, was no Charles Chaplin. At his best, the comedy is hilarious. And that makes the movie worth watching for sure. But he is sometimes a bit off in his timing, or is stuck playing a stunt that isn't worthy of him.
There's also a lag in the filler material, the scenes between the great stuff. Some marginal characters (including the leading woman, who is totally a late 60s type, not a 1975 type, and she feels oddly unnecessary) don't command their parts, or their scenes. The drift begins to drift. And then you realize there isn't much of a plot. The whole recovery (sort of) of the famous Pink Panther diamond after an elaborate theft isn't really the driving force of the movie. What takes its place is a slow interplay of the characters all stumbling over each other trying to trick the perpetrator into revealing the gem.
So then you are back to the stumbling as comedy, and sometimes it's great. There are so many ridiculous moments with Sellers being a bumbling fool like no one, you are sure to laugh. And that's what you're here for. "The Pink Panther" is the original, and at times also a bit sluggish, but it's the first. And "A Shot in the Dark" is the best of the three, I think. But if you like them, you'll be just fine here. If you haven't seen any, you might go in order, since the sets and music are really spot on in the first two, and a bit more transporting. There is something a little off kilter here that make it an awkward, but decent, third.
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