A rich but lonely woman, Frances Austen, one day invites a homeless young man from a nearby park to her apartment and offers to let him live there. However, she has no intention of ever letting him leave again.
A fictionalized former President Richard M. Nixon offers a solitary, stream-of-consciousness reflection on his life and political career - and the "true" reasons for the Watergate scandal and his resignation.
Two convicts break out of Mississippi State Penitentiary in 1936 to join a third on a long spree of bank robbing, their special talent and claim to fame. The youngest of the three falls in love along the way with a girl met at their hideout, the older man is a happy professional criminal with a romance of his own, the third is a fast lover and hard drinker fond of his work. The young lovers begin to move out of the sphere in which they have met, a last robbery in Yazoo City goes badly and puts paid to the gang once and for all as a profitable venture, but isn't the end of the story quite yet, as all three are wanted and notorious men with altogether different points of view on the situation they are faced with.Written by
On the night before the law officers come to the Grapes Motor Hotel, a thunderstorm occurs. Keechie has a conversation with Mattie out in the motor hotel's courtyard, with both of them covering their heads from the rain. The next morning, when Keechie leaves her cabin and walks to the motel's office, the ground in the courtyard is dry. But when the law officers arrive a few minutes later, the ground in the courtyard is suddenly muddy and filled with puddles. See more »
I think it'll be a boy.
Lady in Train Station:
Can you tell?
Well I hope it is. But if it is, he sure will not be named after his dad, God rest his soul. He crossed me up once too often, lying. He didn't deserve to have no baby named after him.
See more »
Altman's unique, humanist approach to gangsters in the 30s
A gentle, slow, and moving study of some none-too-bright bank robbers in the 1930s. Keith Carradine and Shelly Duvall are terrific, and their scenes together are alive and wonderful. Some of the surrounding acting and story lines are good, but not nearly as strong as the film's center. Beautiful production design, and a feeling, as with 'McCabe and Mrs. Miller', of both tremendous reality, of 'being there', while still somehow feeling Brechtian and ironic at the same time. There are moments where the radio music in the background -- used in place of score - is a bit on the nose, and a few moments feel forced or slow. But this is a unique, odd and special movie, examining thieves in the depression without any hint of glamorization on one hand, or forced empathy on the other, while still breaking our hearts.
7 of 8 people found this review helpful.
Was this review helpful to you?
| Report this