At the age of twenty-nine, Elgar Enders "runs away" from home. This running away consists of buying a building in a black ghetto in the Park Slope section of Brooklyn. Initially his ... See full summary »
Thirty-something George Roundy is a Beverly Hills hairdresser, who spends as much time sleeping with his female clients as he does doing their hair. Whether they want to admit it, all the women in his life are on the most part aware that they are are not the only one with whom he is sleeping. And some, such as the wealthy and married Felicia Karpf, have a stronger emotional dependence on George than they would like to admit. George's current girlfriend is Jill, an up and coming actress. Jill's best friend is Jackie Shawn, one of George's old girlfriends who left him because he couldn't make a true commitment to her. In turn, Jackie is currently having an affair with Lester Karpf, Felicia's wealthy businessman husband. George is unhappy working at a salon owned by Norman, with whom he is constantly butting heads. In his first act of wanting finally to be a grown up, George wants to open his own salon, but doesn't have the financial resources to do it, and no bank will lend him money ...Written by
Loosely based on "The Country Wife," a Restoration comedy written in 1675 by William Wycherley, whose protagonist Horner feigns impotence in order to be allowed into the company of married women, whom he then seduces. George in "Shampoo" would be considered non-threatening due to the stereotype that hair-dressers are gay, such as the scene in Jackie's bathroom when Lester walks in and the bistro sequence when George is fluffing Lester's hair. "Shampoo" only retains a distant reflection of the Horner character, but reportedly, the screenplay was inspired by the 1969 Chichester Festival production, according to a 2003 edition of the play edited by James Ogden. See more »
After George cuts Jackie's hair, her formerly streaked tresses are a uniform blonde tint, although he had not colored her hair. See more »
You know what George did the other night? He wakes me up at 2 o'clock in the morning, just to do my hair.
I don't know! I don't know. He just woke me up and he said, "Come on, get up, I'm gonna make you the grooviest looking chick in this town."
So, what did you do?
Well, I looked at him and I said, "George, if you love me, I am the grooviest little chick in this town."
Did he cut your hair?
No. We didn't get around to that.
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In the opening credits, horror film producer/actor William Castle is billed as "Bill Castle," but in the end credits he is back to "William Castle." See more »
Beatty says he approached Towne to do a modern version of the classic restoration comedy called The Country Wife (hilarious by the way). In the original play, the hero beds all the wives by confessing to their husbands that he's impotent so the husbands make fun of him and think nothing of leaving their frustrated and underappreciated wives in his care.
Here in the updated "Shampoo", Beatty and Towne make the hero an assumed-to-be-gay hairdresser (instead of impotent)and the results are inspired bedroom farce mixed with social satire.
Younger viewers may find the film a little dated but it was a "period" film when it was made (set in 68 when it was shot in 74) so Ashby consciously gave it that dated look. For me this and Heaven Can Wait are Beatty's best work. Walks a fine comic/tragic line. And this really feels like the closest character to Beatty's heart. It was after this that I went back and saw Splendor in the Grass and began to appreciate Beatty as an actor rather than just a gigolo celebrity.
Great dialogue by Towne, Jack Warden's hilarious and Julie Christie is stunning.
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