Lone survivor, doctor Robert Neville, struggles to create a cure for the plague that wiped out most of the human race while fighting The Family, a savage luddite death cult formed by the zombie-like infected to erase the past.
It's 2274, and on the surface, it all seems to be an idyllic society. Living in a city within an enclosed dome, there is little or no work for humans to perform, and inhabitants are free to pursue all of the pleasures of life. There is one catch however: your life is limited and when you reach thirty, it is terminated in a quasi-religious ceremony known as "carrousel". Some, known as "runners", try to escape their fate when the time comes, and it's the job of Sandmen to track them down and kill them. Logan (Michael York) is such a man, and with several years before his own termination date, thinks nothing of the job he does. Soon after meeting a young woman, Jessica-6 (Jenny Agutter), he is ordered to become a runner and infiltrate a community outside the dome known as "Sanctuary" and to destroy it. Pursued by his friend Francis (Richard Jordan), also a Sandman, Logan and Jessica find their way to the outside. There, they discover a beautiful, virtually uninhabited world. Logan ...Written by
When Francis jumps down from the balcony, he is obviously headed for a spot at least ten feet from where Logan is standing, but when the shot changes we see him landing directly on Logan. See more »
[tapping on a glass window of maternity room]
Logan, you are here. I couldn't believe it when they told me. What are you doing?
Logan 6. Well it's not everyday that they authorize a new sandman. I tell you Francis,
Well maybe, maybe not. What does it matter? Anyway, he isn't yours anymore.
[continues tapping lightly on the glass]
All right, you want me to wake him?
[bangs loudly on the glass with his baton]
[...] See more »
A bootleg audio recording exists of the May 1976 sneak preview in San Diego, suggesting that the preview cut ran approximately 130 minutes. In addition to the inclusion of the scene after the titles where Francis kills a runner who falls into a pool to applause from onlookers, it includes:
A longer exchange in the Nursery.
A longer Carousel sequence, with no overdubbed computer voice announcing Last Day.
Slightly longer scenes between Logan and Jessica, including one where Jessica asks if Logan thinks "flame-out" is the ultimate kill. Another cut bit includes Logan explaining the danger of cubs "flying on Muscle," an unauthorized drug that "speeds up the reflexes" but is "no good for anyone over 13; shake you and me to pieces."
A brief snip where Francis hears Logan's page to Cathedral and announces he will go to help him.
A longer introduction to Holly, who announces that she is "Holly 13" and that "in ancient times, my number was unlucky."
A longer Sex Shop sequence.
There is a reference in Box's dialogue to the ice sculpture existing in the preview print because he says "What a pair! I'd like to sculpt you...Let me sculpt you and I'll show you where the others have gone...over there, arms 'round each other...nude, of course..." The dialogue between Logan and Jessica as they pose also sheds light on the plot hole of why Logan signaled the Sandmen to the Runners' hideout. Logan admits that he tried to send her back because he was going to return to the city all along. "That was the plan. I'd been ordered to find out where the Runners had gone and destroy it. That's why I brought in the Sandmen that killed them." He expresses remorse and confusion at his change of heart.
And I Thought Turning 40 Was Supposed To Be the Bad Age....
I must admit that I should be ashamed as a sci-fi fan: I hadn't seen this film until recently, and I wanted to better understand the parody from "Free Enterprise".
But I enjoyed the film.
Watching this film against the more recent glut of sci-fi films, I have to say that they made them a little more original back in the 70's-80's, instead of everything being techno-computer-CG-spaceship fights. A grim look at the downside of maintaining an "ideal", utopian society. When you hit 30, you either have the option of willingly submitting yourself to be killed under a pretense of renewal, or having the Sandmen play with you before they go in for the kill. Neither option seems really appealing. But the idea of one of the killers having to face their mortality is an interesting idea.
A little slow in places (but I did keep wanting to see what would happen next), and some of the special effects look really dated (even to '77's "Star Wars"), but the story holds up well, and it's an entertaining ride overall.
It's truly a classic of the genre, and I wish I had seen it sooner.
93 of 109 people found this review helpful.
Was this review helpful to you?
| Report this