A detective sick and tired of the rampant crime and violence in his city, and constantly at odds with his superiors, is finally kicked out of the department for a "questionable" shooting of... See full summary »
A biker's brother is killed while investigating the kidnapping of a young boy, the byproduct of a war between two crime families. The biker vows to get revenge by finding the kidnapped boy and destroying the two families.
Carlo Antonelli, an engineer from Genoa, gets mugged and decides to take justice into his own hands. At first the muggers seem to get the upper hand, but then he's helped by Tommy, a young robber who takes his side.
When Milano police lieutenant Giorga's chief is murdered by an organized crime ring, he vows to avenge his boss's death. Going undercover to continue the chief's investigation, he plans to ... See full summary »
A crime syndicate starts a crime wave in Turin, they rob a bank, taking a hostage to get away from Police Inspector Betti and Ferrari, his partner. However, the hostage turned out to be their accomplice in disguise.
Italian mobster, Michele Barresi heads for the safer climate of Brooklyn after his chief rival is gunned down in the small Sicilian town of Corleone. Commissioner Berni learns of his ... See full summary »
A mostly complete 35mm print was located and reassembled by the Night Terrors Film Society in Calgary, Canada. Obtained from South Africa, it's thought to be the only remaining 35mm print of the film in existence. See more »
The opening credits are played while the camera in first person view mode (From a criminal's POV) drives through Rome looking at banks and building societies and leaves the city through a long, dark tunnel as the credits end. See more »
The American release by Aquarius Distribution entitled "Assault with a Deadly Weapon" is missing the first 10 minutes, the beginning credits, and the ending credits. The American version also has several of the scenes reshot so that the originally Italian words on buildings and on people's notes appear in English. Also, the beginning credits list a variety of made-up Americanized names and credit Terry Levene (the head of Aquarius Distribution) as the film's producer. See more »
I don't know how the uncut Italian version runs, but the American version released by Aquarius under the ASSAULT W/A DEADLY WEAPON title is probably one of the most fastmoving, violently over-the-top Euro crime movies you'll ever see. The closest thing I could compare it to would be Kinji Fukasaku's early 1970s yakuza movies like BATTLES WITHOUT HONOR & HUMANITY series(aka THE YAKUZA PAPERS) with Bunta Sugawara or Kosaku Yamashita's TRUE ACCOUNT OF THE YAMAGUCHI GANG (released here in fastmoving but severely edited form as THE TATTOOED HITMAN). Although not as well written as its Japanese counterparts, Dardanco Sacchetti's screenplay is suitably deranged with Maurizio Merli portraying an apoplectic, hot tempered cop who makes Dirty Harry seem like a flower child. Super charismatic Tomas Milian is stupendous as the wisecracking hunchback psycho villain who occasionally likes to gratuitously machine gun innocent bystanders. My only problem with the English voice dubbing is that they didn't have Milian, who speaks English and dubbed many of his films himself, do his own voice. The guy who does it isn't terrible but it would have definitely added another aura of dementia with Milian's own vocal performance. Also unfortunately whomever the fast buck artists were who released the film here to USA grindhouses back in the 1970s created a completely fictitious credit list for the titles where Merli, Milian and even American movie veteran Arthur Kennedy receive no screen billing whatsoever. A crime! Likewise the adrenaline pumping, nerve pounding score by Franco Micalizzi and Umberto Lenzi's expert direction (this is the best film I've seen by Lenzi by the way) are credited to imaginary persons. Although it has a completely predictable cliche-ridden story, the treatment is fresh, the dialogue memorable (and often hilarious) and the ultra violence and degenerate depravity continous. Strangely satisfying and watchable as only the best of grindhouse cinema can be. As one of the other reviewers asked, where's the DVD release!?
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