From the Life of the Marionettes (1980 TV Movie)
- Summaries (3)
An account of the events before and after a murder committed by Peter Egermann (Robert Atzorn), a disturbed businessman in a strained marriage, and what led Peter to perform such a shocking act.
Made during Writer, Producer, and Director Ingmar Bergman's tax-related exile in Germany, the movie continues the story of Katarina (Christine Buchegger) and Peter Egermann (Robert Atzorn), the feuding, childless, professional couple who appear in one episode of "Scenes From A Marriage". After Peter perpetrates a horrendous crime in its first scene, the rest of the movie consists of a non-linear examination of his motivations, incorporating a police psychological investigation, scenes from the Egermanns' married life, and dream sequences.
Peter Egermann (Robert Atzorn), from a privileged background, has just killed prostitute Katarina Krafft (Rita Russek), "Ka" to most who know her, a fact that he has informed his longtime friend and therapist Mogens Jensen (Martin Benrath), a professor of psychiatry, to help him deal with and understand it. Two weeks earlier, Peter had mentioned to Mogens that he was having homicidal thoughts of killing his own wife, Katarina Egermann (Christine Buchegger), despite the two loving each other in their own way, including having a symbiotic sex life. Mogens' initial thoughts are that Ka was either meant to be a prelude to killing Katarina or surrogate instead of Katarina. Several episodes in Peter and Katarina's joint and individual lives leading up to the murder are presented which may provide some insight into Peter's homicidal mindset. Several post-murder episodes related to the event are also presented, most of them interviews by the Inspector leading the investigation, including one with Peter's self-absorbed and overbearing actress mother Cordelia Egermann (Lola Müthel), and another with Katarina's homosexual business partner Tim Mandelbaum (Walter Schmidinger). All of these episodes lead to Mogens providing his own professional assessment of Peter and the murder.
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