While taking a shower, Kate Miller, a middle-aged, sexually frustrated New York City housewife, has a rape fantasy while her husband stands at the sink shaving. Later that day, after complaining to her psychiatrist Dr. Robert Elliott about her husband's pathetic performance in bed, she meets a strange man at a museum and returns to his apartment where they continue an adulterous encounter that began in the taxicab. Before she leaves his apartment, she finds papers which certify that the man has a venereal disease. Panicked, Kate rushes into the elevator, but has to return to his apartment when she realizes she's forgotten her wedding ring. When the elevator doors open, she's brutally slashed to death by a tall blonde woman wearing dark sunglasses. Liz Blake, a high-class call girl, is the only witness to the murder and she becomes the prime suspect and the murderer's next target. Liz is rescued from being killed by Kate's son Peter, who enlists the help of Liz to catch his mother's ...Written by
Angie Dickinson said on The Tonight Show Starring Johnny Carson (1962) that of all the movies she was in, this one is her favorite. It's funny that she loves this movie so much; a movie that has been decried by many critics as misogynistic; and she hates Policewoman; which is seen by many as turning point for feminist television; being the first police procedural that starred a woman. See more »
After Liz grabs the razor the killer drops in the elevator, she begins to running toward the screaming housekeeper, with her purse left on the ground in front of the elevator door. As Liz leaves from the apartment door the housekeeper goes into, her purse now appears over her arm.
Liz wears her purse at her right arm throughout the scene. The bag on the floor is left behind by her companion. See more »
Look, Liz, I've got to get home and get to work.
Gee, I'm gonna miss having you on my tail. You made me feel kind of safe.
Want to come home with me? I'd love the company.
Wouldn't Mike mind?
Mike's out of town on a business trip. We've got plenty of room.
Great. I could sure use the vacation.
Good, good. I'll get the check.
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In the opening shower sequence, the following changes were made to avoid an X rating in the USA release. Two close-ups of Kate's fingers caressing her pubic hair were replaced with one shot of her caressing her belly, and the other shot being her breast. Two shots of the man raping Kate, showing the two bodies around the waist moving, were cut. A shot of the man's hand covering Kate's own hand over her pubic area was also cut. See more »
When you compare what Brian De Palma was doing in the 80's to what passes for entertainment today, his films keep looking better and better. "Dressed To Kill, "Blow Out", "Body Double", "Scarface" and "Carlito's Way" are all superb works of a cinematic craftsman at the peak of his powers. The guy had a long run of better than average films. This is pure Hitchcock with an 80's dash of lurid perversion, an affectionately told tale of lust and murder with plenty of twists, huge helpings of style, a stunning Pino Donaggio score, and a trashy, giallo-inspired plot. De Palma's love of complex camera-work and luscious, blood-smudged visuals helps overcome the logical holes while the terrific performances of Dennis Franz, Keith Gordon (a good director in his own right), Nancy Allen (De Palma's wife at the time) and Michael Caine make every scene special. Let the virtuoso take you on a surreal, scary, erotically charged odyssey and you'll enjoy every frame of "Dressed To Kill".
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