An archaeology professor discovers an ancient crypt which contains living dead corpses. The zombies go on a rampage and attack a group of people which the professor had invited to celebrate his discovery.
In the small New England town of Dunwich, a priest commits suicide by hanging himself in the church cemetery which somehow opens the gates of hell allowing the dead to rise. Peter, a New York City reporter, teams up with a young psychic, named Mary, to travel to the town where they team up with another couple, psychiatrist Jerry and patient Sandra, to find a way to close the gates before All Saints Day or the dead all over the world will rise up and kill the living.Written by
The British Cinema version was cut by around 1 minute to remove the drill sequence. This version was released on video in the UK before 1984, after which all videos were required to be submitted to the British Board of Film Classification. When it was finally given a video certificate by the BBFC, further cuts were made to remove the intestinal vomit scene, and the brain squashing scenes. The UK video has a total of 2m 21s of cuts. See more »
This is a much cleverer film than its reputation , and the chortling audience, might suggest. Fulci's use of space is always impressive, the way he opens out a flat composition at the approach of menace. Alternately, the claustrophobic scenes in the catacombs (which really smell like death!), and the premature burial is horribly vivid. The Gothic decay of the content is contained by Fulci's form, his neo-classical use of symmetry, mirrorings, patterns, echoes, fooling his audience into a false sense of reassurance. Shame about his storytelling abilities.
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