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Conan the Barbarian (1982)

A young boy, Conan, becomes a slave after his parents are killed and tribe destroyed by a savage warlord and sorcerer, Thulsa Doom. When he grows up he becomes a fearless, invincible fighter. Set free, he plots revenge against Thulsa Doom.

Director:

John Milius

Writers:

Robert E. Howard (based on the character created by), John Milius | 1 more credit »
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Cast

Cast overview, first billed only:
Arnold Schwarzenegger ... Conan
James Earl Jones ... Thulsa Doom
Max von Sydow ... King Osric (as Max Von Sydow)
Sandahl Bergman ... Valeria
Ben Davidson Ben Davidson ... Rexor
Cassandra Gava ... The Witch (as Cassandra Gaviola)
Gerry Lopez ... Subotai
Mako ... The Wizard / Narrator
Valérie Quennessen ... The Princess (as Valerie Quennessen)
William Smith ... Conan's Father
Luis Barboo ... Red Hair
Franco Columbu ... Pictish Scout
Leslie Foldvary Leslie Foldvary ... Sacrificial Snake Girl
Gary Herman Gary Herman ... Osric's Guard
Erik Holmey Erik Holmey ... Turanian War Officer (as Erick Holmey)
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Storyline

A village is attacked by the evil ruler of the Snake Cult, Thulsa Doom (James Earl Jones) and his evil warriors, when Thulsa Doom and his warriors kills his parents, a young boy named Conan (Jorge Sanz) is enslaved. Years later, Conan grows up and becomes a mighty warrior and is trained as a fighter. After years as a slave and as a gladiator, Conan is set free. Conan sets out on a quest as he vows to avenge his parents and solve the riddle of steel. Joined by a archer named Subotai (Gerry Lopez), a beautiful thief who falls in love with Conan, Valeria (Sandahl Bergman) and a Chinese wizard (Mako), Conan and his companions sets out to rescue Princess Yasmina (Valérie Quennessen), daughter of King Osric (Max von Sydow), from the Snake Cult, and get his revenge on Thulsa Doom and avenge his parents. Written by Daniel Williamson

Plot Summary | Plot Synopsis

Taglines:

Slave. Barbarian. Warrior. Thief... Conan. See more »


Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site

Country:

USA | Spain | Mexico

Language:

English

Release Date:

14 May 1982 (USA) See more »

Also Known As:

Conan the Barbarian See more »

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Box Office

Budget:

$20,000,000 (estimated)

Opening Weekend USA:

$9,603,139, 16 May 1982

Gross USA:

$39,565,475

Cumulative Worldwide Gross:

$68,851,475
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Robert E. Howard based much of his original characterization of Thulsa Doom/Kathulos on the popular literary villain Fu Manchu by Sax Rohmer. Like Fu Manchu, his base of operations is London, and he heads a vast conspiracy of Asians, Africans, and Semites against the Western civilization. He is served by an Asian woman who falls in love with the hero of the story, much as Fu Manchu's female associates served as love interests to his enemies. See more »

Goofs

At various points in the movie the sound of the common loon (a type of duck) is heard. It has a haunting, mystical sound. The movie takes place in arid, desert conditions, however the common loon is a waterfowl that only inhabits lakes and other bodies of water. Loons would not be heard in the kinds of settings depicted in the film. See more »

Quotes

[first lines]
The Wizard: Between the time when the oceans drank Atlantis and the rise of the sons of Aryas, there was an age undreamed of. And unto this, Conan, destined to wear the jeweled crown of Aquilonia upon a troubled brow. It is I, his chronicler, who alone can tell thee of his saga. Let me tell you of the days of high adventure!
See more »

Crazy Credits

"A SPECIAL THANKS TO ALFREDO" See more »

Alternate Versions

The DVD special edition includes added scenes between Subotai and Conan, the princess makes more of an appearance at the ending when Conan is sitting on the steps thinking, and is with Conan while they infiltrate Thulsa Doom's domain, and Conan and the princess walking towards the sunrise together. There's also a verbal epilogue by Akiro the Wizard at the ending credits. See more »

Connections

Referenced in Karnevolucija (1997) See more »

Frequently Asked Questions

See more »

User Reviews

 
Under-appreciated classic
15 April 2012 | by dave13-1See all my reviews

When Conan came out in 1981, critics griped about its elephantine pacing and ponderous dialogue, and long stretches in which nothing much happened, giving evidence that they expected traditional action- adventure in the vein of, say, Sinbad. But director John Milius had set out to create something very different: an epic Aryan myth which translated the qualities of Wagnerian opera to cinema, and in large part he succeeded.

Conan has a sweeping epic feel, and is heavily dependent upon and driven by its setting and music to a degree that is very rare. As important as the deeds of the legendary hero, which are shown in brief and violent spurts of action, are the place and the culture that shaped that legend. The journey that created the myth, in short, is equal to the myth itself, and this is the logic and justification for the setting-heavy approach taken by Milius. And Basil Poledouris' wonderful music, which starts out Wagnerian and brassy, but adds middle Eastern touches as Conan's journey takes him in that direction, tracks along with Conan to show up the breadth of his epic journey while celebrating his heroic achievements.

Ultimately the story that gets told is somewhat less worthy of Milius' Wagnerian ambitions than are the music and the visuals, but the overall results more than justify the effort, especially when compared to the Italian sword and sandal knock-offs which followed this much copied but never equaled classic of the fantasy genre.


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