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The French Lieutenant's Woman (1981)

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1:59 | Trailer
Wife and husband, both actors, play a couple in love from the Victorian era. Soon they begin to feel that fiction interweaves into reality.

Director:

Karel Reisz

Writers:

John Fowles (novel), Harold Pinter (screenplay)
Nominated for 5 Oscars. Another 9 wins & 15 nominations. See more awards »

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Cast

Cast overview, first billed only:
Meryl Streep ... Sarah and Anna
Jeremy Irons ... Charles and Mike
Hilton McRae Hilton McRae ... Sam
Emily Morgan Emily Morgan ... Mary
Charlotte Mitchell Charlotte Mitchell ... Mrs. Tranter
Lynsey Baxter ... Ernestina
Jean Faulds Jean Faulds ... Cook
Peter Vaughan ... Mr. Freeman
Colin Jeavons ... Vicar
Liz Smith ... Mrs. Fairley
Patience Collier ... Mrs. Poulteney
John Barrett ... Dairyman
Leo McKern ... Dr. Grogan
Arabella Weir ... Girl on Undercliff
Ben Forster ... Boy on Undercliff
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Storyline

A movie is being made of a story, set in nineteenth century England, about Charles, a biologist who's engaged to be married, but who falls in love with outcast Sarah, whose melancholy makes her leave him after a short, but passionate affair. Anna (Meryl Streep) and Mike (Jeremy Irons), who play the characters of Sarah and Charles, go, during the shooting of the movie, through a relationship that runs parallel to that of their characters. Written by Leon Wolters <wolters@strw.LeidenUniv.nl>

Plot Summary | Add Synopsis

Taglines:

She was lost from the moment she saw him.

Genres:

Drama | Romance

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK

Language:

English

Release Date:

16 October 1981 (USA) See more »

Also Known As:

The French Lieutenant's Woman See more »

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Box Office

Gross USA:

$26,890,068

Cumulative Worldwide Gross:

$26,890,068
See more on IMDbPro »

Company Credits

Production Co:

Juniper Films See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

When the source novel was originally in development during the late 1960s, there was a cycle of theatrical movie adaptations of D.H. Lawrence novels, which included The Fox (1967), Women in Love (1969), and The Virgin and the Gypsy (1970). As this movie took over a decade to get made and released, when it eventually was, it was launched in the same year as three D.H. Lawrence filmed adaptations: The Trespasser (1981), Masterpiece Theatre: Sons and Lovers (1981), and Lady Chatterley's Lover (1981). See more »

Goofs

Early in the film, as Charles is going on to the jetty to warn Sarah, his cape changes in how it is buttoned from shot to shot. See more »

Quotes

Charles Henry Smithson: [to Sarah] There is talk in the town of committing you to an institution.
See more »

Connections

Referenced in Caution, Danger! (1983) See more »

Soundtracks

Prelude in C minor
Written by Johann Sebastian Bach
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Frequently Asked Questions

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User Reviews

Narrative Folding
18 August 2000 | by tedgSee all my reviews

Haunting environments, two of the century's greatest film actors, one of the half-dozen or so best modern playwrights and Fowles' experiment in parallel narratives. Fowles' work was pale compared to Nabokov's "Pale Fire," for instance in building a convoluted, layered narrative, but is comparable in extent. Here, Pinter's obsession with time refines the vision -- his "Proust Screenplay," also centered on layered time, is much studied and admired.

Everything clicks here. Gorton's designs are detailed and hypnotizing, especially the use of the Lyme groin and related tunnel-like streets. Francis' camera (after "Elephant Man") captures a dim grey sky, made sharp in modern sequences. With the director, they have contrived to quote great paintings. In particular, the first shot after the three year search when Irons gets the telegram directly and obviously references a famous Monet painting -- in fact the first impressionistic painting, a turning point in the artist's perspective. Davis' music -- the only thing that spans time -- supports.

And Meryl is lovely, but so different in each role. We really wonder if her modern madness created the modern affair in quest of the perfect chemistry for the Sarah role It makes Sarah's imagination deeper and more self-referential than in the book. One scene is uniquely masterful: the modern actors "walk" through a scene, then they do it again. Streep turns on, "steps into" the role and becomes Sarah, and a moment later, she pulls the whole scene into the past. This will stick with you, I promise.

The director, Reisz, is supposed to have suggested the concept to Pinter, and then attracted the very best. His tightness of vision is apparent. I wish he were still making films. In a sense he is: he literally "wrote the book" on modern film editing.


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