The abusive and traumatic adoptive upbringing of Christina Crawford at the hands of her mother, screen queen Joan Crawford, is depicted.

Director:

Frank Perry

Writers:

Christina Crawford (book), Frank Yablans (screenplay) | 3 more credits »
9 wins & 11 nominations. See more awards »

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Cast

Cast overview, first billed only:
Faye Dunaway ... Joan Crawford
Diana Scarwid ... Christina Crawford (Adult)
Steve Forrest ... Greg Savitt
Howard Da Silva ... L.B. Mayer
Mara Hobel Mara Hobel ... Christina Crawford (Child)
Rutanya Alda ... Carol Ann
Harry Goz Harry Goz ... Al Steele
Michael Edwards ... Ted Gelber
Jocelyn Brando ... Barbara Bennett
Priscilla Pointer ... Mrs. Chadwick
Joe Abdullah Joe Abdullah ... Captain
Gary Allen Gary Allen ... Jimmy (Photographer)
Selma Archerd ... Connie
Adrian Aron Adrian Aron ... Wedding Guest
Xander Berkeley ... Christopher Crawford (Adult)
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Storyline

The relationship between Christina Crawford and her adoptive mother Joan Crawford is presented from Christina's view. Unable to bear children, Joan, in 1940, was denied children through regular adoption agencies due to her twice divorced status and being a single working person. Her lover at the time, Metro-Goldwyn-Mayer lawyer Greg Savitt, was able to go through a brokerage to adopt a baby girl, who would be Christina, the first of Joan's four adoptive children. Joan believes that her own difficult upbringing has made her a stronger person, and decides that, while providing the comforts that a successful Hollywood actress can afford, she will not coddle Christina or her other children, she treating Christina more as a competitor than a daughter. Joan's treatment of Christina is often passive-aggressive, fueled both by the highs and lows of her career, the narcissism that goes along with being an actress, and alcohol abuse especially during the low times. However, Joan sees much of ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

The greatest role of her life...was her life. See more »

Genres:

Biography | Drama

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Did You Know?

Trivia

Soon after this film was released came Frances (1982), another biopic about old Hollywood actress Frances Farmer. Jessica Lange, who portrayed Farmer, later went on to play Joan Crawford in Feud: Bette and Joan (2017) See more »

Goofs

When Christina arrives home from Convent school, the driver of the car opens his door and the camera crew is reflected in the door. See more »

Quotes

[discovers her boyfriend making out with Christina in the stable]
Vera: Swell. This is really swell.
Tony: Vera...
Vera: I'm going to tell. Oh, I am, I am going to TELL.
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Alternate Versions

Due to the damage on the film's master, all current video/television prints are missing the dramatic music as Joan destroys her rose garden. See more »

Connections

Referenced in Svengoolie: Creature with the Atom Brain (2020) See more »

Soundtracks

To Each His Own
Written by Jay Livingston (as Livingston) & Ray Evans (as Evans)
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User Reviews

 
Words Can't Do Justice
1 September 2005 | by evanston_dadSee all my reviews

It seems almost pointless for me to add any comments here, since everyone else who's posted has done such a great job of summarizing this film's merits, but I can't resist. How do you rate a movie like this? On the one hand, it's one of the worst movies I've ever seen: completely lacking in coherence, shameful acting, writing so bad it seems to be making fun of itself. In fact, I'm still not convinced this movie isn't supposed to be a parody of Christina Crawford's book rather than a serious attempt to adapt it to the screen. On the other hand, it's such a rip-roarin' good time of a show that I'm tempted to give it 10 stars on the strength of its sheer entertainment value alone.

Faye Dunaway gives the most jaw-droppingly mesmerizing freak out ever captured on screen, whose bizarreness cannot even be topped by Halle Berry's Oscar acceptance speech. Dunaway must have realized early on that she was a rat in a sinking ship, but instead of deserting, she decides instead to devour the crew. I don't know if her performance comes anywhere close to capturing the real Joan Crawford, but if Crawford was even a tenth of a percent as loony as Dunaway portrays her here, I would have been high-tailing it to Canada if I were either of her children. The fabulous lines, many of which are quoted on this site, can't really be done justice when removed from the context in which they appear, and you really have to see the faces of the actors as they're delivering them to get the full effect. The wire hanger scene is of course a classic, but it's really the floor scrubbing scene immediately following, with Dunaway in kabuki makeup squatting on the floor like a Sumo wrestler, that remains more memorable. Watching Joanie jog is a sight to behold, especially when she starts talking to herself and scrunching her face up as if she's imitating Alvin or one of his chipmunks. There's the "I can handle the socks" moment, one of the most seductive moments (hee, hee) in film history, and of course the coup de grace comes when Joanie tackles Christina across the coffee table and begins banging her head into the floor like she's in a women's prison movie.

The editing in this film is atrocious. There's no sense of time; events follow each other in a loosely chronological fashion, but they don't make dramatic or narrative sense. Frank Perry, the director, must have been dozing off through much of this production; either that or his film crew carried out a mutiny, tied him up, threw him in a shed, and went ahead without him. But it seems churlish to criticize a film like this for its poor film making. It's like kicking a dead horse.

All I can say is, if you watch this movie with the right people in the right frame of mind (i.e. with alcohol), you will be howling. I watched this with a group in college, and we had to periodically pause the movie in order to allow everyone to recover before continuing. Thank you, Ms. Dunaway, for giving us "Mommie Dearest." The world will never be able to repay you for your kindness.

Grade: F or A+ (depending on your perspective and level of sobriety)


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Frequently Asked Questions

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Details

Country:

USA

Language:

English

Release Date:

25 September 1981 (USA) See more »

Also Known As:

Mommie Dearest See more »

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Box Office

Budget:

$5,000,000 (estimated)

Gross USA:

$19,032,261

Cumulative Worldwide Gross:

$19,032,261
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Company Credits

Production Co:

Paramount Pictures See more »
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Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Metrocolor)

Aspect Ratio:

1.85 : 1
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