A timid and mute seamstress goes insane after being attacked and raped twice in one day, in which she takes to the streets of New York City after dark and randomly shoots men with a .45 caliber pistol.
An artist slowly goes insane while struggling to pay his bills, work on his paintings, and care for his two female roommates, which leads him taking to the streets of New York after dark and randomly killing derelicts with a power drill.
Strippers in Manhattan are being stalked and maimed by a psycho-killer. A conflicted ex-boxer-turned-talent-manager and his business partner and friend, who represent some of the girls, set out to find him before he strikes again.
Billy Dee Williams,
A debauched Hollywood movie actor tries to piece together one wild night in Miami years earlier which remains a drug-induced blur, and soon finds out that some questions about his past are best left unanswered.
In Manhattan, Thana is a timid and mute woman that works as a seamstress in the fashion industry and spends most of her idle time at home. One night, she gets raped in an alley while going back home after hours and when she arrives at home, she gets raped again by another criminal. However, she reacts and bludgeons the assaulter to his death with a flatiron. The disturbed Thana loses her sanity and uses a .45 caliber pistol to shoot men on the streets of New York. She dresses suggestively and roams the dark streets alone, wreaking vengeance upon anyone who tries to take advantage of her. Eventually, her secret life overflows into her regular life in the fashion industry.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The scene on the crowded street with Thana and the Photographer was filmed from a camera placed atop a parked van on Fifth Avenue that was manned by Abel Ferrara and covered with a tarp. The man and woman seen walking behind Thana and the Photographer are the female boom operator and a male crewman. The woman is clearly holding onto the man in a certain odd way to hide the microphone under the man's jacket to record the Photographer's speaking dialogue. See more »
There is no evidence to suggest that the character Thana has ever been shown how to handle an automatic pistol, let alone been trained how to fire one, let alone achieved any proficiency; yet within two days of her being raped and acquiring the pistol, she is able to hit four men circling her, at night, each with a single shot, in rapid succession. See more »
The British video release, on Warner's Maverick Director's label, was cut by 1m 42s by the BBFC. Early copies of this version, released in 1997, were accidentally mastered with the uncut version. These were quickly recalled and replaced with the BBFC approved version, but some uncut copies were sold - they can be identified by the code on the spine of the tape (082897). The cuts were made to the rape scenes and to a shot of Thana severing a dead man's arm with a bread knife. The use of a set of nunchakus was also removed. See more »
The 1970s were THE decade for American exploitation movies with the likes of Roger Corman, Jack Hill, and Larry Cohen Jr creating some of the most entertaining trash ever made. For the most part the 1980s were a big let down in this department. Porkys-like sex comedies and awful buddy action movies and the like generally failed to reach the heights of the glory days of A.I.P. There were a few exceptions ('Chained Heat', 'Maniac' and 'The Exterminator' immediately spring to mind), and 'Ms.45 ' (a.k.a. 'Angel Of Vengeance') is in my mind THE single best exploitation movie of the decade. Abel Ferrara, who later made brilliant movies like 'Bad Lieutenant' and 'The Funeral', had previously made a porno movie and the infamous "video nasty" 'The Driller Killer' before this, which could well be the best rape revenge movie ever made. Ferrara's genius touch was the casting of the late Zoe Tamerlis. She is stunningly beautiful and her face is very expressive. Making her character mute makes the movie an unforgettable experience. It's really difficult trying to "sell" this stunning movie to someone. You'll either love it or you just won't "get it". I think it works very well as a post-'Death Wish' vigilante movie, but just as 'The Driller Killer' is more than "just" a slasher, this movie has a lot more to it, and that is almost completely down to Zoe Tamerlis. 'Ms. 45' might be b-grade trash to many, but it is uncompromised, something you very rarely see these days. I think it stands alongside 'Repo Man', 'Videodrome', 'Blue Velvet', 'The Evil Dead', 'The Ninth Configuration', 'Raising Arizona' and 'The King Of Comedy' as one of the most extraordinary movies released in a decade dominated by mediocre popcorn movies forced on viewers by Spielberg, Lucas, Hughes, Bruckheimer and Simpson.
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