Explores adultery and jealous fantasies, the end of innocence, the moral and spiritual conflicts of a priest and a nun in love. The stories define the exploration of women and the cultural upheaval of the early 70s.
Fred Schepisi's film, 'The Devil's Playground' is an intimate portrait of Tom, a thirteen-year-old struggling in spirit and body with the constraints of living in a Catholic seminary. It is... See full summary »
Jimmie Blacksmith, the son of an Aboriginal mother and a white father, falls victim to much racist abuse after marrying a white woman, and goes on a killing spree and finds himself on the run in the aftermath.
Angela Punch McGregor
Revisionist western about fallen preacher Shay, who guns down his wife Raysha for running off with another man. Wandering, he meets single mom Laurie. However, helpless sheriff Scoby wants Shay to help him fight the villainous Clavers.
William D. Wittliff
German Emperor Barbarossa will stop at nothing to conquer and build his empire. But a young man from Milan, along with his army of 900 men known as the Company of Death, is prepared to challenge the Emperor.
Karl Westover, an inexperienced farm boy, runs away after unintentionally killing a neighbor, whose family pursues him for vengeance. He meets Barbarosa, a gunman of near-mythical proportions, who is himself in danger from his father-in-law Don Braulio, a wealthy Mexican rancher. Don Braulio wants Barbarosa dead for marrying his daughter against the father's will. Barbarosa reluctantly takes the clumsy Karl on as a partner, as both of them look to survive the forces lining up against them.Written by
Jim Beaver <email@example.com>
The film's screenplay was inspired by tales told to writer William D. Wittliff by his grandfather during his childhood living on a Texan ranch in the Blanco Hill country. Wittliff came up with an outline of the story whilst driving in Texas from Austin to Dallas. Wittliff had previously written Willie Nelson's Honeysuckle Rose (1980) and had adapted Nelson's 1975 concept album Red Headed Stranger (1986) when it was in development for Robert Redford, his script later being filmed with Nelson in it. See more »
(at around 1 min) Willie meets Gary for the first time with his gun drawn on him. Seconds later a gunman charges Willie and Willie has to draw his gun to shoot the man down. See more »
Bet you didn't get me no damn armadillo for me did you by God?
[pulls out dead armadillo and throws in on the ground]
Supose you want me to cook the son-of-a-bitch for you too?
See more »
The title role of Barbarosa is played by Willie Nelson and he's a former Texas Ranger turned outlaw who's on the run from his various crimes and from his in-laws who don't like him very much. They resent this Anglo marrying into their family and family patriarch Gilbert Roland got his leg shot off while trying to break up that marriage. He's lost several other family members in trying to kill Nelson to avenge that.
But Nelson picks up Gary Busey a farm kid on the run from a feud himself because he accidentally killed his brother-in-law. Busey takes up with Nelson and his outlaw ways and the two become an amiable pair.
Judging by the other reviewers Barbarosa seems to have a bit of a following. I wouldn't call it great by any means, still it's certainly entertaining enough for the discriminating western fans.
Barbarosa's significance to me is that it is the farewell performance of Gilbert Roland whose career went back six decades into the silent era when he was touted as a would be Valentino successor. His career never quite fit that mold, but he was always a favorite of mine. The part as the family patriarch is not the usual carefree, but tough Gilbert that we usually see. He's an understandably bitter man in this film and it was a good performance to go out on.
Western fans won't mind this one and Nelson and Busey have a nice chemistry between them.
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