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Blade Runner (1982)

Trailer
1:02 | Trailer
A blade runner must pursue and terminate four replicants who stole a ship in space, and have returned to Earth to find their creator.

Director:

Ridley Scott

Writers:

Hampton Fancher (screenplay), David Webb Peoples (screenplay) (as David Peoples) | 1 more credit »
Popularity
390 ( 27)
Top Rated Movies #169 | Nominated for 2 Oscars. Another 12 wins & 16 nominations. See more awards »

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Cast

Cast overview, first billed only:
Harrison Ford ... Rick Deckard
Rutger Hauer ... Roy Batty
Sean Young ... Rachael
Edward James Olmos ... Gaff
M. Emmet Walsh ... Bryant
Daryl Hannah ... Pris
William Sanderson ... J.F. Sebastian
Brion James ... Leon Kowalski
Joe Turkel ... Dr. Eldon Tyrell
Joanna Cassidy ... Zhora
James Hong ... Hannibal Chew
Morgan Paull ... Holden
Kevin Thompson ... Bear
John Edward Allen John Edward Allen ... Kaiser
Hy Pyke ... Taffey Lewis

Remembering Rutger Hauer (1944-2019)

We celebrate the life and legacy of Rutger Hauer, the award-winning actor best known for Blade Runner and The Hitcher.

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Storyline

In the twenty-first century, a corporation develops androids to be used as slaves in colonies outside of the Earth, identified as "replicants". In 2019, a former Police Officer is hired to hunt down a fugitive group of replicants living undercover in Los Angeles, California. Written by MadMovieManiac

Plot Summary | Plot Synopsis

Taglines:

A Futuristic Vision Perfected [2007 Final Cut] See more »


Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Did You Know?

Trivia

Rachael's lifespan remains a matter of debate. Rick Deckard initially states that he did not look at it, but at the end of the Theatrical Version, he mentions that Rachael was special, and Dr. Elden Tyrell made her without a termination date. This scene was deleted from most other versions of this movie, including Ridley Scott's Final Cut of this movie, leaving the matter open. As stated in the opening narration, and in Bryant's explanation, a replicant's age limit is something that is added to their creation process, and not stated to be a baseline hallmark of all replicants. This movie even implies that the four-year lifespan is a relatively new safety attribute, possibly unique to Nexus-6 models. As Rachael is described as a replica of Tyrell's niece, it is likely that he would have wanted her to live longer than four years. Blade Runner 2049 (2017) sheds some more light on the issue, by revealing that in the wake of Tyrell's death, his company went on to produce Nexus-7 and -8 models, some of whom have clearly lived for several decades. This opens the possibility that Rachael was one of the first Nexus-7 models, with implanted memories and possibly an open-ended lifespan, although neither movie gives any closure on the subject. See more »

Goofs

(at around 1h 2 mins) During the fight scene between Deckard and Leon there's a point where Deckard gets thrown into the windshield of a car. However, when he is thrown and still in the air you can clearly see the windshield is already smashed with the imprint of his body, before he ever hits the actual glass. According to Paul Sammon however, this is not a goof - the window is broken because the car is supposed to be a derelict, not due to a continuity error. See more »

Quotes

[first lines]
Female announcer over intercom: Next subject: Kowalski, Leon. Engineer, waste disposal. File section: New employee, six days.
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Crazy Credits

In the "happy ending" Theatrical/International cuts, the credits play over the gorgeous scenery. In later Director/Final cuts, they play over a normal black background. See more »

Alternate Versions

Some television broadcasts have a narrator reading aloud the opening scrawl. See more »

Connections

Referenced in Billions: The Oath (2017) See more »

Soundtracks

Love Theme
(uncredited)
Written by Vangelis
Saxaphone solo Dick Morrissey
See more »

User Reviews

 
An incredibly beautiful-looking film as one would expect with director Ridley Scott
11 August 2008 | by Nazi_Fighter_DavidSee all my reviews

But it's almost like an art movie, the first science-fiction art film… It's a futuristic film beautifully put together… It's really impeccably made by one of the great visionary directors… And you really saw a future that looked very different from the future you had seen before… A future that looked very believable like the visual-effects shots of the flying car going over a futuristic city… The fight sequence doesn't prepare you for the traumatic emotional side that there is in the film, it leaves you sort of broken…

There is a beautiful, delicate emotional great scene that I remember when I first saw the movie… I'm in the theater and I'm so drawn in what Rutger Hauer's doing… I'm so drawn in by what the theme of the movie has brought us to… The magnificent moment where he is letting go of life… And in those last moments of letting go of life he's really learned to appreciate life to the point where he spares Deckard's life, and where he's even holding a white dove because he just wants to have something that's alive in his hands… It's an amazing sort of crescendo that's going and there's Rutger saying: "I've seen things you people wouldn't believe. All these moments will be lost in time like tears in rain." Hauer puts all the things that are so amazing about people: sense of poetry, sense of humor, sense of sexuality, sense of the kid, sense of soul…

Scott brought out the best qualities in his performers… He coaxed and very gently manipulated performances from his actors that in some instances I think they've rarely topped… You feel the story, you feel the emotions of the characters and you will be lost in the middle of this wild world, you know, it's so rich and it's painful… I mean it's a very bluesy, dark story and told very compassionately…

The overpopulation, the sort of crowd scenes is so rich and varied and there's such an extreme detail designing the magazine covers, designing the look of the punks, the Hare Krishnas, the biological salesman, everything is designed… You have just Piccadilly Circus punks walking by… You have a sense of layers in that society… That is one of those things that you see again and again… The city landscape with the big billboards à la Kyoto or Tokyo… Scott was able to create the look based on what goes on in various cities all over the world… Whether it is Tokyo, Kyoto or Beijing or Hong Kong or whatever, you're right in "Blade Runner" country…

"Blade Runner," to me, embodies the elegance, the power, and the uniqueness of a film experience… It's the most classical, beautiful, purest movie-making writing and then the film-making itself is… The images and the sound and the music, it's pure cinema… Ridley came out with an amazing, brilliantly executed future of an absolute dystopia… The intensity of his perfectionism on "Blade Runner" made the movie… This is a master at his best


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Frequently Asked Questions

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Details

Country:

USA

Release Date:

25 June 1982 (USA) See more »

Also Known As:

Dangerous Days See more »

Filming Locations:

London, England, UK See more »

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Box Office

Budget:

$28,000,000 (estimated)

Opening Weekend USA:

$6,150,002, 27 June 1982

Gross USA:

$32,868,943

Cumulative Worldwide Gross:

$41,492,614
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

| (Workprint Version)

Sound Mix:

70 mm 6-Track (70 mm prints)| Dolby Stereo (35 mm prints)| 12-Track Digital Sound (IMAX 12 .0 Surround)| Dolby Atmos

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »

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