Ellen Ripley is rescued by a deep salvage team after being in hypersleep for 57 years. The moon that the Nostromo visited has been colonized, but contact is lost. This time, colonial marines have impressive firepower, but will that be enough?
A human soldier is sent from 2029 to 1984 to stop an almost indestructible cyborg killing machine, sent from the same year, which has been programmed to execute a young woman whose unborn son is the key to humanity's future salvation.
A US research station, Antarctica, early-winter 1982. The base is suddenly buzzed by a helicopter from the nearby Norwegian research station. They are trying to kill a dog that has escaped from their base. After the destruction of the Norwegian chopper the members of the US team fly to the Norwegian base, only to discover them all dead or missing. They do find the remains of a strange creature the Norwegians burned. The Americans take it to their base and deduce that it is an alien life form. After a while it is apparent that the alien can take over and assimilate into other life forms, including humans, and can spread like a virus. This means that anyone at the base could be inhabited by The Thing, and tensions escalate.Written by
Rob Bottin had contacted Stan Winston early on in his prep work to secure them should he need their assistance which he wound up doing. Bottin was glad to pass the Dog-Thing over to Winston. He said: "it got to the point where I was thinking 'if I have to do another stinking mechanical dog, I'll go nuts!'" In another interview, he said: "I'd already done The Howling, and I didn't want to see another dog! I didn't care if it was mutated, I didn't care if it was riding a skateboard. And I did not want to do Cujo either. No more dogs!" See more »
(at around 1h 11 mins) When Nauls is let back inside and the men question him, there are multiple continuity goofs with where Palmer is standing and how he is holding the flamethrower. See more »
The Universal logo doesn't appear until right after the movie's over See more »
In the theatrical version the cook is listening to Stevie Wonder's "Superstition". Because Universal did not secure rights for the home video release, the song was replaced. However, for more recent releases, Universal was able to use "Superstition" because they relicensed the song. See more »
One Chain Don't Make No Prison
Performed by The Four Tops
Courtesy of MCA Records, Inc. See more »
Good things come to those who wait
* * * * ½ (4½ out of 5)
Directed by: John Carpenter, 1982
Looking back on John Carpenter's The Thing today a highly treasured cult favourite one has to wonder why it was dismissed by both the audience and critics when it first came out in 1982.
Steven Spielberg's extra terrestrial adventure about a sweet alien that phoned home (that stole the hearts of both children and adults world wide) had opened just two weeks before and was on its historic box office rampage. Bad scheduling may have had a greater impact than anything else on the fate of Carpenter's first big studio effort for Universal Pictures. Nobody was prepared moreover wanted anything so dark, gory and scary as this genuine remake of the famous 1951 original. This was the time of E.T.: The Extra-Terrestrial.
It then makes for great movie history trivia, that The Thing has gained such a remarkable afterlife on video, DVD and television. Both financially and critically. Carpenter's version is less a remake of the Howard Hawks' version than a more faithful adaptation of John W. Campbell's short story "Who Goes There?' (on which both were based), and critics today point out how well Carpenter plays his characters against each other. Kurt Russell will never top this one, and he gets a brilliant sparring from the entire cast.
It opens in Antarctica with a sled husky running from a pair of crazed and armed Norwegian men in a helicopter. The scene is long, slow and uneasy. It feels like the Apocalypse. It oozes doomsday.
This scene comprises one of the greatest opening sequences in film history.
Ennio Morricone's moody synth score (heavy on naked thumping bass lines in classic Carpenter style), the windswept massive white of the desolate polar ice and the majestic husky running across the tundra chased by the chopper, compromises a completely mesmerizing piece of scenery.
A satisfying example of a movie that today 18 years after looks downright muscular in its simplicity.
The budget was big ($14 mill), yet it allowed Carpenter to visualize his ideas better than ever before. There's a brooding darkness to this film, making the whites and blues of the icy Antarctic claustrophobia seem poetic and almost angelic. Dean Cundey's extraordinary photography created a palpable chill to every shot. The careful preparation (the crew went into a record 11-month pre-production) paid off immensely.
Horror specialist Rob Bottin was handpicked for the many gory and grotesque special effects. Be warned there's a lot of splatter and gore here. The Thing is actually notorious for its creature morphing scenes. Some find them disgusting, some mere cult.
An argument could be made against The Thing being an Alien rip-off; it has its origins in an old sci-fi story and it creates tension by popping a crowd of people (note: all-male) on an isolated outpost (an Antarctic research facility) terrorized by an alien life form.
Where Carpenter was clearly inspired by Ridley Scott's 1979 masterpiece, his own alien movie is original and intriguing in its own right. There's a rhythm and an environment that equals Scott's in every way.
The husky was in fact half-wolf and half-dog, and it was noted that it never barked or growled on or off the set (Horror Takes Shape, the making of - DVD version).
Watch in awe at the scene where it walks through the hallway and stares at a human shadow, slightly tilting its head forward in stalking position like a wild wolf. This is a fine piece of animal training, sure, but that's not the point. This is as spooky as anything ever made in a horror movie.
Carpenter had all the right tools here, and he utilized them to perfection, making The Thing his best movie alongside Halloween.
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