A young psychic on the run from himself is recruited by a government agency experimenting with the use of the dream-sharing technology and is given the inverse task of planting an idea into the mind of the U.S. president.
Max von Sydow,
Oct.4 and Dec.26 the Strieber family drives from NYC to their cabin in the woods. Both nights there are some powerful lights outside and maybe aliens. The dad is mentally affected by the "bad dream", goes to the shrink and is hypnotized.
A spy is brought back from cryogenic suspension after being almost killed in a plane crash returning from a mission to learn about a deadly new weapon being developed in the East. But the ... See full summary »
Brilliant researchers Lillian Reynolds and Michael Brace have developed a system of recording and playing back actual experiences of people. Once the capability of tapping into "higher brain functions" is added in, and you can literally jump into someone else's head and play back recordings of what he or she was thinking, feeling, seeing, etc., at the time of the recording, the applications for the project quickly spiral out of control. While Michael Brace uses the system to become close again to Karen Brace, his estranged wife who also works on the project, others start abusing it for intense sexual experiences and other logical but morally questionable purposes. The government tries to kick Michael and Lillian off the project once the vast military potential of the technology is discovered. It soon becomes obvious that the government is interested in more than just missile guidance systems. The lab starts producing mind torture recordings and other psychosis inducing material. When ...Written by
Eric van bezooijen <firstname.lastname@example.org>
Several more shots of "Hell" were created but cut from the final print for pacing. One of these was termed "Condo Hell" and featured many rapidly changing faces drifting slowly towards the viewer against an austere, high-tech looking background. Some of this can be seen in the trailer for the film. "Cancer Hell" was the crew's term for the gory-looking shots of tormented souls. See more »
The Pinehurst Resort is at minimum 270 miles from the Wright Brothers Museum, which is at least a 4.5 hour drive at 60mph, so there is no way he could have gotten there in mere moments as depicted in the film. See more »
After the final credit has rolled, 'TO NATALIE' appears for a couple seconds See more »
In the psychotic episode sequence when Michael's (Christopher Walken) son Chris (Jason Lively) wears the headset, there's a slight difference between the 70mm version and 35mm version. In the 70mm version of Chris' hallucination when Michael turns on a lever sending presumably an electrical current to Chris' head, the camera cuts to and remains on a shot of a circular device with electricity running through it as we hear Michael say 'Now you're gonna find out it's mine!'. In the 35mm version, the shot arrangement is the same except that it cuts back to a close up of Michael saying the line 'Now you're gonna find out it's mine!'. See more »
Anybody notice certain similarities 'twixt this film and the movie "Strange Days"? In that movie they have perfected a memory-recording device that can be played back on small tapes. Is "Brainstorm" so forgotten that nobody else has made the connection?
"Strange Days" was heralded for its originality, but some of us know better. People who are addicted to the tapes in "Strange Days" are called "tapeheads". I'd like to ask John Cusack and Tim Robbins if they think *that's* original.
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