Axel Foley, while investigating a car theft ring, comes across something much bigger than that: the same men who killed his boss are running a counterfeit money ring out of a theme park in Los Angeles.
Louis Winthorpe is a businessman who works for commodities brokerage firm of Duke and Duke owned by the brothers Mortimer and Randolph Duke. Now they bicker over the most trivial of matters and what they are bickering about is whether it's a person's environment or heredity that determines how well they will do in life. When Winthorpe bumps into Billy Ray Valentine, a street hustler and assumes he is trying to rob him, he has him arrested. Upon seeing how different the two men are, the brothers decide to make a wager as to what would happen if Winthorpe loses his job, his home and is shunned by everyone he knows and if Valentine was given Winthorpe's job. So they proceed to have Winthorpe arrested and to be placed in a compromising position in front of his girlfriend. So all he has to rely on is the hooker who was hired to ruin him.Written by
Remarkably similar story to a Three Stooges short from 1935 entitled Hoi Polloi. In the short two society men have the nature/nurture argument and bet $10,000 that one of them can convert the Stooges into gentlemen. See more »
During the frenzied trading floor scene, just after the announcement of the Secretary of Agriculture saying,
"Ladies and Gentlemen, the Orange Crop Estimates for the next year..."
The very next frame shows Dan Akroyd with his order pads facing the camera, completely covered in scribbles. No note taking or information on who he bought or sold to. See more »
[holding a breakfast tray while Louis is still asleep]
Your breakfast, sir.
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Ron Taylor is credited as 'Big Black Guy' and James D. Turner as ' Even Bigger Black Guy' See more »
When Aired on Spike TV the scene of the train speeding between Philadelphia and New York is cut as well as the scene where The Dukes and Bily Ray and Louie are walking outside of the World Trade Center. In this edited version as soon as Billy Ray and Louie go down the escalator at 30th street station in Philadelphia it cuts straight to The World Trade Center right where Louie says "Well this is it the last bastion of real pure capitalism on earth". See more »
Unusually good 80's comedy... contains a lot of sad truth
I couldn't remember much of this movie when I borrowed it from a friend to watch for the second time... I can't have been very old when I first saw this, because there were not much more than one scene that I recognized. Even the title seemed new to me. Furthermore, I don't recall thinking about the film... about what it meant. This contains a lot of sad truth. The scenes of Aykroyd's character going from the peak of America's business life to rock bottom in a disturbingly short amount of time provide food for thought. Landis presents these events without pretense or heavy-handedness... he gives us the facts as they are. No bias. This direct, almost indifferent tone makes it all the more scary... this is the way it is, and that's accepted. The movie also has some insight to prove on racism and greed. Paul Gleason, whom I have only seen in The Breakfast Club(and Not Another Teen Movie, spoofing his character in aforementioned movie) plays a radically different role, yet still shows some of the authority he's famous for as the principal in The Breakfast Club. That was amusing to watch for someone who enjoyed said film so much. Jamie Lee Curtis bares a lot of skin, for those in the audience looking for that. Aykroyd and Murphy are both extraordinary. They get to play with their characters a lot, to great effect. They create so many funny moments, there are simply too many to list or for mere words to do justice; you'll just have to watch the film for itself. If you are a fan of either actor, you won't be disappointed. The language surprised me, with how uncensored it was, compared to today's standards. The plot is interesting, and based on an intelligent idea. The pacing is dynamic. The acting is all top-notch. The humor is mostly good and tasteful, with few but glaringly obvious exceptions(the fate of Beeks being an almost offensive one). The film has more heart than most of its kind... if you watch only one movie of this type, let this be it. I recommend this to fans of the actors and/or director, and people intrigued by the general idea. If you are even considering watching this... take my advice and do so. It is intelligent without being preachy and funny without trying too hard. John Landis has yet again created something big. 8/10
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