A wealthy mystery man named Charlie runs a detective agency via a speakerphone and his personal assistant, John Bosley. His detectives are three beautiful women, who end up in a variety of difficult situations.
Stubble-faced detective Crockett lived in a sailboat guarded by his alligator Elvis. His partner Tubbs was a black New York cop looking for his brother's killer. Together they took on the Florida drug world. The show influenced men's fashions toward Italo-casual and interior decor toward the Miami look. Very trendy music and unusual guest performers.Written by
Ed Stephan <firstname.lastname@example.org>
According to Sonny Crockett's character history, he volunteered for military service in Vietnam in the early 1970s. In real life, Don Johnson attempted to join the United States Marine Corps around that time. However, unlike Crockett who served a combat tour in Vietnam, Johnson was rejected due to a criminal conviction for drug possession. See more »
Ricardo Tubbs could certainly quit the NYPD and join the Miami-Dade police force. However, it would take him years to be assigned as a detective on that force as there would be dozens of officers with seniority over him. See more »
This is America, you need to be in debt, only way banks can get money back.
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Three episodes of the series have these additional songs playing at the closing credits instead of the show's original theme song: "Calderone's Return": Tina Turner - "What's Love Got to Do With It?"; this song plays over footage of Crockett and Tubbs riding a speedboat, plus flashbacks of Tubbs and Angelina. "Phil the Shill": Phil Collins - "Life is a Rat Race" and "Freefall" (final episode): Terry Kath - "Tell Me"; this song plays over a montage of scenes from the show. See more »
One of the best showcases for what the 80s were all about
At the time of writing, the anti-80s sentiment that was so strong particularly in the 90s has more or less disappeared. Finally, we can again appreciate this strange decade's fashion. Miami Vice was cutting-edge, the coolest of the coolest, and a must-see for those fascinated by 80s aesthetics. Some of the episodes are actually slow and contemplative, focusing much more on building a cool atmosphere rather than on endless action scenes. Somehow, it captures much of the optimistic "no problem" attitude of the decade that has recently been dismissed as "kitsch". At least, this is the case for the first couple of seasons. The speculative elements that at the time raised some criticism look innocent and almost charming compared to what's being shown today. You can see cool design, cool clothes, cool architecture, cool attitudes, cool cars, cool boats, listen to cool music. Though one may like or dislike the style, everyone will see that there has been put quite an enormous effort into all this. As for the stories, they fit the spirit of the series quite well - they're interesting enough to catch your interest - never complex, but not devoid of intriguing and well-developed characters. This is simply one of the best showcases for what the 80s were all about.
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