User Reviews

Sometimes I'll watch a movie from the '80s and wonder what the heck people were thinking. Then I remember the rampant cocaine use throughout the United States during the decade, and then things begin to make more sense.

This is one of the zaniest goofball comedies you'll ever see. It has absolutely zero interest in making any sense, so you might as well check your logic and your entire brain at the door. If you're willing to accept it for the fantastical farce that it strives to be, you'll enjoy yourself. For the most part.

The issue is that even without your brain you're going to have a hard time looking past the fact that these two 15-year-old boys have created a 23-year-old-woman to be their girlfriend. And she's totally down with it. She makes out with one of the boys for an uncomfortably long time (as if any amount of time would be comfortable). The scene is so creepy and cringeworthy that it's miracle that anyone thought it was acceptable to keep in the movie.

Perhaps no one batted an eye at the scene during the time of the film's release, though I find that hard to believe. Today, the scene has aged so poorly that it overwhelms the entirety of the movie and invalidates the whole thing. Though, to be fair, the rest of movie does little to deserve validation. We're talking about a movie that includes a toy Barbie turning into a real-life woman with superpowers, a motorcycle mutant whose day job is teaching, and a man being turned into a literal pile of talking feces.

I had heard people revere this movie as a classic, which is now unfathomable to me. The adult on child make out scene is going to haunt me for quite a while. I implore you to spare yourself that unfortunate fate and watch something else.

"We need more input. We gotta fill this thing up with data. We gotta make her as real as possible, Wyatt. I want her to live. I want her to breathe. I want her to aerobicise."

As I must confess that I only saw the movie for the first time about 6 years on a VoD service when I needed something to cheer me up. The movie was released in 1985, which meant I was only a 1 year old at the time of its release, but unlike some of John Hughes' other efforts such as Home Alone, Ferris Bueller's Day Off and The Breakfast Club, which I did watch growing up, Weird Science took its time in gaining my attention.

I'm not entirely sure how or why I missed out on Weird Science growing up, because looking at it now it had everything I could have wanted in a movie when I was younger. Two nerdish boys, who somewhat reflected my own time at school, goofy special effects, some brilliantly funny jokes and a smoking hot woman in the form of Kelly LeBrock all make up a delightfully silly movie about two nerds who create their perfect woman.

The premise is the best kind of nonsense, as two highschool nerds, Gary (Anthony Michael Hall) and Wyatt (Ilan Mitchell-Smith), decide one Friday night, after watching Frankenstein on the TV nonetheless, that they are going to create something of their own. After hacking into a government computer network, for more power, and then connecting a barbie doll to Wyatt's computer a lightning bolt strikes which causes all sorts of mayhem only for Lisa (Kelly LeBrock) to emerge from the carnage.

The science behind Weird Science is pure 80's nonsense. I doubt anyone seriously believed any of this was at all possible, especially at a time when technology was really only just finding its feet. Still, it's this kind of loopy science fiction that gave many an 80's movie its charm, and charm is something that Weird Science has by the bucket load.

Once the initial three leads are set up, the story moves quickly, as our protagonists move from staying in watching movies on a Friday night to bar crawling their way through the city as Lisa encourages them to let loose and have some fun for a change. Lisa is the kind of creation that can somehow manipulate environments and seemingly create things at will, as she has to make fake ID's for our two heroes in order for them to be able to drink, drive and drink and drive legally.

Hughes makes the clever decision to focus on the characters and not so much on the plot here. The plot is established quickly, leaving the endearing charm of the three main characters to hold things together. Anthony Michael Hall, starring in his third Hughes directed movie by this point, gets some of the best lines in the movie and really excels in a bar scene explaining to his new friends how the girl "with the big titties" broke his heart. While Mitchell-Smith plays the straight guy who has to be the foil to Gary and his own older brother Chet, played by Bill Paxton.

Both Michael Hall and Mitchell-Smith are charming in their roles despite being the school nerds. They are ably supported by a superb cast who, despite limited screentime for some, manage to leave their mark on a movie that could easily have forgotten about them (see what I did there?). Robert Downey Jr. makes an early career appearance as one of the bullies who continually picks on Wyatt and Gary and then stupidly believes he has a chance with Lisa. Vernon Wells essentially makes an appearance as the same character he played in Mad Max 2, which further adds to the bizarre elements of the movie. While the previously mentioned Paxton plays Wyatt's hardass military brother, who likes to give Wyatt a hard time throughout the movie, but pays for it when he encounters Lisa late on and who gives him more than he bargained for. When asking him to keep quiet about the movies events, she exclaims: "I can be a real serious bitch, if I don't get what I want!"

Kelly LeBrock threatens to steal the show several times throughout the movie, getting some great lines and delivering them with a poise that makes her character even more likeable. On the John Hughes documentary, Don't You Forget About Me, LeBrock admits to her character being "Mary Poppins with breasts" and in all honesty she is correct. Despite being sexy, she is never there for sex or to really pleasure the boys in any way, but more to give them a guiding hand and teach them a thing or two about self confidence. She is the emotional core of the movie, loving the boys, nurturing them and sticking up for them when they either can't or won't.

That is Hughes' greatest strength here, as he directs a movie that is so daft in principal, that he manages to make a character piece about two teenage boys growing up being bullied and laughed at throughout their entire school life, or being told they will amount to no good from their overbearing parents. To then find the self confidence to break out of their shells and and become more than they thought they could. The struggles of teenage life are apparent in many of his efforts, particularly his earlier movies, and they remain here too. Despite the special effects and nonsense science, Weird Science is simply a, very funny story of two teenage boys encountering things for the first time in their lives. From drink, to women, cars to fights a simple tale exists of two boys growing up.

In summary: A fine effort from Hughes, with a young cast on top form, Weird Science is a superior piece of 80's nostalgia that still stands up today.