A young British woman is hired as a governess by a wealthy Argentine family. Through her position, she slowly sees how the upper class of society is slowly crumbling, and how a popular ...
See full summary »
Young Catherine Morelli (Julie Christie), who lives in Rome, goes to Geneva to find romance at her father's wedding. There she begins a nearly nymphomaniacal pursuit of a mystery-fantasy man called Gregory (Michael Sarrazin).
Kitty Baldry (Julie Christie) is a haughty society queen with a tunnelled view of life. Kitty's complacency is rocked when her husband, Captain Chris Baldry (Sir Alan Bates), returns from ... See full summary »
In 1840's Buenos Aires, Argentina, a beautiful young socialite named Camila falls in love with Ladislao, a Jesuit priest. After several failed attempts at fighting his own feelings, he ... See full summary »
A viceroy and an archbishop take their posts in Mexico. A local nun, Sor Juana Inés de la Cruz (1651-1695), intrigues them. The viceroy and his wife find her brilliant and fascinating. The ... See full summary »
A young British woman is hired as a governess by a wealthy Argentine family. Through her position, she slowly sees how the upper class of society is slowly crumbling, and how a popular movement is preparing to install itself in power.Written by
Miss Mary was meant to be an excellent motion picture. It is well written, with intelligent dialogue, the color photography is stunning. The cast was well chosen and includes some of the best Argentine players, who brilliantly support the wonderful work of Julie Christie. Maria Luisa Bemberg has shown her directorial talent before.
But... this picture in completely incoherent. The editor makes the action go back and forth, inserting flashbacks that could have been more comprehensible if shown in the natural order. Miss Mary is a movie with no sense of time. We never know if the sequence we are watching happens in 1938, in 1945, or in between. We never know when the action goes from the "estancia" to Buenos Aires. It has been a loss for the art of the cinema, that modern editors have forgotten the classic grammar of the great directors of the past, such as the fading ins and fading outs that indicated the pass of time, and now limit themselves to cut and cut and cut. The sense of continuity and the sense of time have been lost. And Miss Mary is a sorry example of what has happened to movie editing since the 70's.
3 of 12 people found this review helpful.
Was this review helpful to you?
| Report this