A seemingly indestructible android is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
Chris Taylor is a young, naive American who gives up college and volunteers for combat in Vietnam. Upon arrival, he quickly discovers that his presence is quite nonessential, and is considered insignificant to the other soldiers, as he has not fought for as long as the rest of them and felt the effects of combat. Chris has two non-commissioned officers, the ill-tempered and indestructible Staff Sergeant Robert Barnes and the more pleasant and cooperative Sergeant Elias Grodin. A line is drawn between the two NCOs and a number of men in the platoon when an illegal killing occurs during a village raid. As the war continues, Chris himself draws towards psychological meltdown. And as he struggles for survival, he soon realizes he is fighting two battles, the conflict with the enemy and the conflict between the men within his platoon.Written by
During the opening credits, Big Harold (Forest Whitaker) falls and rolls down a hill. Whitaker claims it was a real, unintentional fall. See more »
In the attack on the camp, we see two NVA/VC soldiers acting as suicide bombers (one falls and explodes, the other makes it into the communication bunker before blowing up). In the script, these two men are identified as sappers. NVA and VC Sappers were specially trained combat engineers/reconnaissance commandos who used stealth to infiltrate a camp's defenses and take out strategic targets, such as barbed wire obstacles or bunkers, with explosives before the main attack. Although there were indeed reports of Viet Cong and North Vietnamese troops using suicide bombers during the war, sappers were never used as suicide bombers because they were considered too valuable to expend. See more »
[seeing body bags]
Oh, man. Is that what I think it is?
All right, you cheese-dicks, welcome to the Nam. Follow me!
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TV version has much of its dialogue redubbed and shots refilmed, replacing such lines as "He thinks he's Jesus F---in' Christ!" with "He thinks he's George Freakin' Washington!" See more »
The Vietnam War has been one of the controversial wars in history and was an unpleasant experience for everyone involved. Oliver Stone harnessed these experiences to make Platoon; a film where he could illustrate to everyone what Vietnam was like from his perspective.
In my opinion, this is the best war movie ever made. The sheer horror of war is captured so well in everyway. The fear of death, compatriots dying, divisions in the platoon, guilt of killing; it's all there and Stone doesn't try to disguise it. Platoon is very honestly written and it is this honesty that makes the film so great. Platoon isn't an anti war movie and it certainly does not glorify war in anyway, it is simply how war is in its entirety. There are some shocking scenes such as the one in the Vietnamese village but there are also more light hearted moments such as where the troops on Dafoe's side are partying and having a good time. On base camp, there is great contrast with the mood but on the forest, it is just fear, aggression and blood, nothing else.
Taylor's (Charlie Sheen) story is very good as he experiencing war at the same time of the audience. Before the war, he was a rich kid who loved his grandma and it is how war changes him that is truly fascinating. The character story that always receives most praise however is that between Barnes (Tom Berenger) and Elias (Willem Dafoe) is very compelling and leads to some great scenes with them and carves an interesting divide within the camp. This film is big on character and explores many relationships but (take note Jarhead) doesn't sacrifice any action time for these scenes. Stone struck a perfect balance between action and story.
Acting from everyone involved is very good. Sheen as the naïve newcomer is very good and after this, should have done much better for himself than he did. Dafoe and Berenger, once again steal the attention off the lead. Their extreme contrasting personalities is brilliantly done and raises the standard of the film. Berenger is truly terrifying, he didn't hold back in this one. Dafoe is much more sympathetic and will speak his mind to anyone. Johnny Depp makes one of his early film appearances with a small, yet memorable role. The way Sheen is wearing Depp's bandana after Lerner (Depp) gets taken by the chopper is discretely done but touching.
Platoon is the best war movie there's ever been. Stone wrote and directed this film with such passion that it couldn't be anything but good. A great mix of characters, a great cast and such well crafted action scenes are all what you need for an exceptional war movie and they're all here. The film ends perfectly as we are given a chance to reflect and take it in before the credits start rolling. Stone, who often misses the point with his films, hit the nail on the head with this one.
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