Ted Kramer's wife leaves him, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.
Gandhi's character is fully explained as a man of nonviolence. Through his patience, he is able to drive the British out of the subcontinent. And the stubborn nature of Jinnah and his commitment towards Pakistan is portrayed.
This sweeping account of the life of Pu-Yi, the last emperor of China, follows the leader's tumultuous reign. After being captured by the Red Army as a war criminal in 1950, Pu-Yi recalls his childhood from prison. He remembers his lavish youth in the Forbidden City, where he was afforded every luxury but unfortunately sheltered from the outside world and complex political situation surrounding him. As revolution sweeps through China, the world Pu-Yi knew is dramatically upended.Written by
Puyi's younger brother, Pu Chieh, and Li Wenda, who helped Pu Yi write his autobiography, were brought in to act as advisors on the film. See more »
The emperor was not in the Forbidden City to witness the expulsion of the eunuchs. This action was carefully planned with few people knowing, since the emperor could trust very few of his intimates. The order to remove the eunuchs was received in the City while the emperor was visiting at a friend's home. Also, not all of the eunuch's were dismissed, as the empress dowager (the wife of the late emperor) begged Pu Yi to allow a few of her personal servants to remain. See more »
[setting a recurring theme of imprisonment throughout the film]
Open the door! Open the door! Open the door!... Open the door!
See more »
The Criterion Collection DVD and Blu-ray releases are re-framed in director of photography Vittorio Storaro's preferred Univisium 2.00:1 format. This was the intended ratio for the film, despite it being commonly projected in 2.39:1 during its theatrical release. See more »
Bernardo Bertolucci's "The Last Emperor" is a monumental, perfect film, and stands as one of the great artistic achievements in any artistic medium.
Told in a complicated flashback/ flash-forward style, it's the story of Pu Yi (born 1906) who was the last absolute monarch of China. During his lifetime he falls from the Lord of Ten Thousand Years, the emperor/God of billions of Chinese, to an anonymous peasant worker in communist China.
Pu Yi was the child emperor from 1908 until the Chinese revolution in 1911 when he had to abdicate. He was allowed to remain in the Forbidden City but was stripped of his power by the communists. He was expelled from the city in 1924 by a warlord. In 1932, Puyi was installed by the Japanese as the ruler of Manchukuo, a puppet state of Imperial Japan. At the end of World War II, Pu yi was captured by the Soviet Red Army and turned over to the Chinese communists. Considered a traitor, he spent ten years in a reeducation camp until he was declared reformed. He voiced his support for the Communists and worked at the Beijing Botanical Gardens.
This film vividly portrays the change from the imperial and religious traditions of ancient China to the godless totalitarianism of modern communist China, so the film is, on one level, the story of China's revolutionary transition from imperialism to communism.
Visually the film is stunning especially the scenes in the Forbidden City. It was the first film to receive permission to film in the Forbidden City.
The film can be enjoyed on the first viewing but really demands more than one viewing and some knowledge of history. In this respect it resembles Akira Kurasawa's masterpiece "The Seven Samurai.
The cast includes John Lone as emperor Pu Yi, Joan Chen, and Peter O'Toole.
The film won 9 Oscars including best director and best film. A must see on DVD widescreen or in the theater.
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