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Batman (1989)

PG-13 | | Action, Adventure | 23 June 1989 (USA)
Trailer
1:22 | Trailer
The Dark Knight of Gotham City begins his war on crime with his first major enemy being Jack Napier, a criminal who becomes the clownishly homicidal Joker.

Director:

Tim Burton

Writers:

Bob Kane (Batman characters), Sam Hamm (story) | 2 more credits »
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Popularity
184 ( 435)
Won 1 Oscar. Another 8 wins & 26 nominations. See more awards »

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Cast

Cast overview, first billed only:
Michael Keaton ... Batman / Bruce Wayne
Jack Nicholson ... Joker / Jack Napier
Kim Basinger ... Vicki Vale
Robert Wuhl ... Alexander Knox
Pat Hingle ... Commissioner Gordon
Billy Dee Williams ... Harvey Dent
Michael Gough ... Alfred
Jack Palance ... Grissom
Jerry Hall ... Alicia
Tracey Walter ... Bob the Goon
Lee Wallace ... Mayor
William Hootkins ... Eckhardt
Richard Strange ... Goon
Carl Chase Carl Chase ... Goon
Mac McDonald ... Goon (as Mac Macdonald)
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Storyline

Gotham City. Crime boss Carl Grissom (Jack Palance) effectively runs the town but there's a new crime fighter in town - Batman (Michael Keaton). Grissom's right-hand man is Jack Napier (Jack Nicholson), a brutal man who is not entirely sane... After falling out between the two Grissom has Napier set up with the Police and Napier falls to his apparent death in a vat of chemicals. However, he soon reappears as The Joker and starts a reign of terror in Gotham City. Meanwhile, reporter Vicki Vale (Kim Basinger) is in the city to do an article on Batman. She soon starts a relationship with Batman's everyday persona, billionaire Bruce Wayne. Written by grantss

Plot Summary | Plot Synopsis

Taglines:

Only one will claim the night. See more »

Genres:

Action | Adventure

Certificate:

PG-13 | See all certifications »

Parents Guide:

View content advisory »
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Did You Know?

Trivia

Contrary to popular belief, the film was never considered to be comedic in tone, as an intention of producers was trying to distance Batman from the camp portrayal of the 1960s TV Series. Nevertheless, many media outlets, particularly tabloids, made random speculations on traditionally comedic or non-dramatic actors for the film's cast. Even near the time of release, fans who only knew Batman from the camp era were surprised by the movie's dark and dramatic tone, which was more in line with the Batman comics. See more »

Goofs

(at around 1h 11 mins) During the fight in the alley after the chase, a goon with two swords appears, and Batman knocks him out. The actor in the Batsuit is clearly not Michael Keaton - the jaw is slightly offset. After this, it is Keaton again. See more »

Quotes

[first lines]
Passenger: Excuse me.
Tourist Dad: I'm sorry, this is my cab.
Passenger: Sorry.
Tourist Dad: Listen, I was here first!
[as the cab drives away]
Tourist Dad: Oh, God! Oh, taxi? Taxi!
See more »

Crazy Credits

(VHS): Before film starts, there's a diet coke ad with Michael Gough's character and then a Warner Bros. catalog ad with Bugs Bunny & Daffy Duck. The catalog that Bugs Bunny shows the viewers has the Batman logo in regards to the film See more »

Alternate Versions

Some TV airings were cut for violence. Cuts included Grissom falling dead after the first shot rather than the second, and the hand-buzzer scene ending as soon as The Joker has given Bob his assignment thus cutting out completely The Joker's one-sided conversation with Rotelli's corpse. See more »

Connections

Featured in Batman Heroes: Vicki Vale (2005) See more »

Soundtracks

Beautiful Dreamer
Written by Stephen Foster
Performed by Hill Bowen & Orchestra
Courtesy of CBS Special Products, a Service of CBS Records, a division of CBS Records Inc.
See more »

User Reviews

 
A little song, a little dance, Batman's head on a lance
21 November 2000 | by CuriosityKilledShawnSee all my reviews

If you were around in summer 1989 then you'll remember that Batmania was EV-ER-Y-WHERE! You couldn't look anywhere without seeing the Bat Logo in some incarnation. The film was a mega-hit. People were queueing up around the block for hours (the literal meaning of a blockbuster). I remember being in a car, driving up Lothian Road in Edinburgh and seeing a long line of people queuing at the box office of the Cannon Cinema (as it was then) and being jealous that I wasn't old enough to see it. My lot of movies that summer was restricted to Ghostbusters II and Indiana Jones and the Last Crusade, both of which I saw in Florida. Batman had a 12-rating in the UK, and was upped to 15 for video. This "grown up" rating gave it an alluring mystique as was always the case with such movies to my hungry, impressionable mind.

The marketing team at Warner succeeded in immersing the public consciousness with the big-screen coming of the Dark Knight. Up until this point the Batman series from the 1960s is how the vast majority of the audience regarded the Batman character and universe. Tim Burton corrected all of that by giving us a dark, sinister and Gothic world with rich production design and a great score by Danny Elfman (who has made a career out of recycling the same old generic cues in nearly every movie he has scored). The original material is respected (to a degree), and the characters are deep instead of just campy. Burton also retained a lot of the noir elements that have been present in the old Batman serials and many of the comic books.

Michael Keaton is the best Bruce Wayne in my opinion. He's a rich, socio-phobic megalomaniac who has more money than sense and is often bumbling and clumsy, very different from Adam West's turtleneck playboy. As Batman he's silent and imposing, the polar opposite of Christian Bale's overplayed attempt, which I don't think anyone was really impressed by. Batman needs a counterbalance and I believe that Heath Ledger helped up Bale by accident

Jack Nicholson is a "good" Joker too, not quite as iconic as Ledger's take on the character, but still a role that has defined his career. I like that they acknowledge his intelligence and gave him a new edge by making him artistically gifted, but not much is done with it when it should have been a heavier driving force behind his insanity.

Anton Furst's Oscar-winning design of Gotham City is, to me, THE aesthetic that all other attempts failed to match. The smoke-blackened, cramped, and claustrophobic buildings look and create a very oppressive atmosphere, like a New York City that has not had planning permission for 200 years. The matte paintings are gorgeous and create pure escapism in a way that green screen digital mattes just cannot replicate.

It may not be as mature as Nolan's work but it has an edge that no other recent comic-book movie has. It's just a shame that the late-80s writer strike happened just a few days after Sam Hamm submitted his script to Warner. He was unable to make further drafts and rewrite scenes so Burton had some British writers make changes to the script (it was shot at Pinewood) which involved making Jack Napier/Joker the killer of Thomas and Martha Wayne. Sam Hamm was against this, as well as every single Batman fan on planet Earth. If there is one major, and valid, fault that audiences rightfully complain about then this major change to the established lore is it.

Rightfully a classic, and, aside from some weak writing, it's better than ALL of today's comic-book movies (please just make them stop!). If Batman had failed, then the sub-genre would be written-off forever. It's just a shame that Warner squandered this lightning in a bottle after two movies.


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Frequently Asked Questions

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Details

Official Sites:

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Country:

USA | UK

Language:

English | French | Spanish

Release Date:

23 June 1989 (USA) See more »

Also Known As:

Batman See more »

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Box Office

Budget:

$35,000,000 (estimated)

Opening Weekend USA:

$40,489,746, 25 June 1989

Gross USA:

$251,348,343

Cumulative Worldwide Gross:

$411,556,825
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

70 mm 6-Track (70 mm prints)| Dolby (35 mm prints)| DTS (DVD version)| Dolby Digital (DVD)| Dolby Atmos (Blu-ray release)

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
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