Following a ghost invasion of Manhattan, paranormal enthusiasts Erin Gilbert and Abby Yates, nuclear engineer Jillian Holtzmann, and subway worker Patty Tolan band together to stop the otherworldly threat.
Five years after the events of the first film, the Ghostbusters have been plagued by lawsuits and court orders, and their once-lucrative business is bankrupt. But when Dana has ghost problems again, the boys come out of retirement and are promptly arrested. The Ghostbusters discover that New York is once again headed for supernatural doom, with a river of ectoplasmic slime bubbling beneath the city and an ancient sorcerer attempting to possess Dana's baby and be reborn. Can the Ghostbusters quell the negative emotions feeding the otherworldly threat and stop the world from being slimed?Written by
David Thiel <email@example.com>
While Dan Aykroyd and Harold Ramis were eager to move forward on a sequel, several factors led to the five-year gap between the sequel and the original. Bill Murray had been on an extended sabbatical from acting and was angered by new Columbia head David Puttnam calling him "an actor who makes millions off movies but gives nothing back to his art" at a British-American Chamber of Commerce luncheon. Further, Puttnam resented the blockbuster films, like the original, that his studio hit big with in the 1980's. When Puttnam was fired in the fall of 1987, his replacement, Dawn Steel made a Ghostbusters sequel a priority. Michael Ovitz, who represented Murray, Aykroyd, Ramis, and Ivan Reitman at Creative Artists Agency, arranged a meeting in early 1988 to smooth tensions and reservations that the four men had had in the ensuing years after the original's success. Ovitz's conflict resolution tactic worked, and production commenced shortly after the end of the 1988 Writer's Guild of America strike. See more »
Vigo possesses the Museum curator to capture Oscar for him so he can get out of the painting and into the baby's body. But despite the Ghostbusters retrieving the baby when they arrive at the museum and preventing the possession, Vigo is able to exit the painting and retrieve him himself anyway. Since Vigo is gaining power the closer it gets to Midnight when he can actually transfer his soul into Oscar, it's not far fetched to believe that this combined with his actual near possession of the baby could've given him enough power to briefly escape the painting to defeat the Ghostbusters. See more »
Con Ed Supervisor Fianella:
What's going on here? Hey, what's the story?
Hey what? You boneheads are going to come to harass me on again? I got 3 thousand phone lines grounded here, I got about 8 million miles of cable I gotta check, you're gonna come and shake my monkey tree again?
Con Ed Supervisor Fianella:
What are you talking about buddy, the phone lines are over there.
[Turns to Egon]
What did I say to you?
[Begins slapping Egon's hardhat]
Those phone lines are over there. What did I say? How many times?
Hey, hey. You're not with Con Ed, or the ...
[...] See more »
Slimer is credited as a cast member during the closing title sequence. See more »
An original shot of a ghost coming through a large arch in the streets of New York had a giant skeleton standing in the archway. The cut shown in theatres featured a large, reptillian monster. See more »
Ghostbusters 2 is a fair sequel that finds the boys in grey five years later, not doing too good. Of course, it's not long before evil spirits pop up again in Manhattan and they're back doing what they do best. What makes this one work as well as the first is the relationship between the main characters. Bill Murray gets the great one liners again, and his scenes with Sigourney Weaver are just as goods as the first film. Dan Aykroyd and Harold Ramis provide enough silly techno jargon and odd references to slime and ghosts to keep you smiling. Still, you can't beat a 100 foot marshmallow man in Manhattan.
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