Directed by
| Tobe Hooper | ||
Writing Credits
| Tobe Hooper | ... | (story) |
| Tobe Hooper | ... | (screenplay) and |
| Howard Goldberg | ... | (screenplay) |
Cast (in credits order) verified as complete
Produced by
| Henry Bushkin | ... | executive producer |
| Sanford Hampton | ... | associate producer |
| Jerry Lambert | ... | co-producer (as Jerrold W. Lambert) |
| Jim Rogers | ... | producer |
| Arthur Sarkissian | ... | executive producer (as Arthur M. Sarkissian) |
Music by
| Graeme Revell | ||
Cinematography by
| Levie Isaacks | ||
Editing by
| David Kern | ||
Casting By
| Carol Lewis | ||
Production Design by
| Gene Abel | ||
Art Direction by
| Richard N. McGuire | ... | (uncredited) |
Set Decoration by
| Ann Job | ||
Costume Design by
| Carin Hooper | ||
Makeup Department
| William Tony Hooper | ... | makeup effects (as Tony Hooper) |
| Michael R. Jones | ... | special makeup effects artist |
| Eric H. Lasher | ... | special makeup effects artist |
| Kerry Mendenhall | ... | hair department head |
| Bill Miller-Jones | ... | makeup artist |
| Steve Neill | ... | special makeup effects |
| Doreen F. Schultz | ... | makeup artist |
Production Management
| Sanford Hampton | ... | production manager |
Second Unit Director or Assistant Director
| Stephen David Brooks | ... | second unit director |
| Michael Looney | ... | second assistant director |
| Robinson Miller | ... | second second assistant director |
| Paul Moen | ... | first assistant director |
| Kristi 'Kat' Morias | ... | second assistant director |
Art Department
| Blake Beltram | ... | carpenter |
| Frank Bertolino | ... | property master |
| John Garrett | ... | swing |
| Richard G. Huston | ... | scenic artist |
| Charles Lance | ... | supervising scenic artist (as Lance Simco) |
| Bill H. Roberts Jr. | ... | property master |
| Christine H. Scott | ... | set dresser |
| Robert A. Sturtevant | ... | lead propmaker |
| John Eaves | ... | storyboard artist (uncredited) |
Sound Department
| Barney Cabral | ... | Supervising Sound A.D.R. Editor |
| Kelly Cabral | ... | assistant sound editor |
| Lisa Cabral | ... | apprentice sound editor |
| Patrick Cabral | ... | foley artist |
| Tim Chilton | ... | foley artist |
| Craig Felburg | ... | sound mixer |
| Phil Haberman | ... | sound editor |
| Cameron Hamza | ... | sound mixer |
| Mark Hollingsworth | ... | sound editor |
| Donlee Jorgensen | ... | sound editor (as Don Lee Jorgensen) |
| Stanley Kastner | ... | re-recording mixer (as Stan Kastner) |
| Elizabeth Kenton | ... | assistant sound editor (as Liz Kenton) |
| Don MacDougall | ... | re-recording mixer |
| Jane McCord | ... | apprentice sound editor |
| Ken Stephens | ... | boom operator |
| Christopher M. Taylor | ... | boom operator (as Christopher Taylor) |
| Scott Wolf | ... | sound editor |
| Asher Yates | ... | sound editor (as Ascher Yates) |
Special Effects by
| William Tony Hooper | ... | special mechanical effects (as Tony Hooper) |
| Eric H. Lasher | ... | special effects |
Visual Effects by
| Stephen David Brooks | ... | optical and visual effects supervisor (as Stephen Brooks) |
| Clint Colver | ... | animation supervisor |
| Roger Dorney | ... | post-production optical supervisor |
| John Dykstra | ... | special effects consultant |
| William Tony Hooper | ... | optical fire effects (as Tony Hooper) |
| Michael Douglas Middleton | ... | visual effects optical still photographer |
| Joseph Yanuzzi | ... | optical effects editor |
Stunts
| Rick Barker | ... | stunt coordinator: second unit |
| Monty Cox | ... | stunts |
| Glory Fioramonti | ... | stunts |
| Greg Gault | ... | stunt coordinator: first unit |
| Paula Marie Moody | ... | stunts (as Paula Moody) |
| Don Pike | ... | stunts |
| Pat Romano | ... | stunts |
| Debby Lynn Ross | ... | stunts (as Debbie Ross) |
| Dick Warlock | ... | stunts (as Richard Warlock) |
Camera and Electrical Department
| Brian Bernstein | ... | second assistant camera |
| Molly Cheshire | ... | best boy electric |
| Richard Crompton | ... | dolly grip |
| Dana Gonzales | ... | first assistant camera |
| Todd Griffith | ... | key grip |
| David Hayball | ... | gaffer |
| William K. Koski | ... | electrician |
| Eric H. Lasher | ... | still photographer |
| Michael Lund | ... | second assistant camera |
| John Nuler | ... | steadicam operator |
| Monica Schad | ... | assistant camera (as Monica Carey) |
| Mónica Silvera | ... | clapper loader |
| Monty Spillers | ... | best boy grip |
Costume and Wardrobe Department
| Julia Gombert | ... | costume supervisor |
Editorial Department
| Syd Cole | ... | negative cutter |
| Jeff Smithwick | ... | color timer |
Location Management
| Seth Cirker | ... | location manager |
Music Department
| Dick Bernstein | ... | music editor |
| Joel Valentine | ... | music sampler (as J. Valentine) |
Script and Continuity Department
| Nancy Karlin | ... | script supervisor |
| Jeanne Talbot | ... | additional script supervisor |
Transportation Department
| Herman Hadler | ... | picture cars |
| Lawrence Morgan | ... | transportation coordinator |
Additional Crew
| Rita Marie Bartlett | ... | production assistant |
| Stan Giesea | ... | journalist |
| Rochell Linker Goodrich | ... | production coordinator |
| Nan Herst | ... | unit publicist |
| Marc Kunis | ... | production accountant |
| Zachary Selig | ... | consultant: paranormal phenomena |
