We open up on the evening of March 5, 1982, with the dead body of John Belushi being reeled into a morgue. Suddenly, he awakens as if nothing had happened to him, and is about to undergo an autopsy. Frightened and confused, John goes back to retrace his steps, and find out what went wrong with his life. Meanwhile, journalist Bob Woodward researches Belushi's life as he prepares to write a book about the late comic actor. The story climaxes with Woodward directly conversing with Belushi during the actor's dying moments.Written by
Hey, that's Arnie! That's my manager, Arnie Fromson! And he's with Woodward... Bob fucking Woodward! I can't believe it! I've always wanted to meet that guy! Hey, Arnie! Arnie! Hey, Arnie! Arnie! What's Arnie talking to Bob Woodward? I can't believe it, Bob Woodward! I used to do that guy!
And now he's doing you.
What do you mean?
He's gonna be your biographer.
My biographer? Bob Woodward? I'll go down in history!
Yeah! He's gonna do for your what he did for Nixon.
He's gonna call the ...
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It's like a deeply unsettling version of Scrooged, based upon the life of a real person. I can understand why his friends and family were outraged, however, to an interested bystander it emerges as an oddly fascinating - albeit imperfect - movie.
It's character assassination, which doesn't in itself mean this is a bad movie, just a distasteful one. I thought it was a really good film. Perhaps one that should never have been made, but maybe that's why it's so powerful.
Every film has an agenda, so this one is no different... but just because it stays fixated on one angle doesn't mean that there's no insight at all to be gained from it.
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