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Darkman (1990)

Trailer
1:52 | Trailer
A brilliant scientist left for dead returns to exact revenge on the people who burned him alive.

Director:

Sam Raimi

Writers:

Sam Raimi (story), Chuck Pfarrer (screenplay) | 4 more credits »
3 wins & 8 nominations. See more awards »

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Fan film depicting Darkman.

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Cast

Cast overview, first billed only:
Liam Neeson ... Peyton Westlake / Darkman
Frances McDormand ... Julie Hastings
Colin Friels ... Louis Strack Jr.
Larry Drake ... Robert G. Durant
Nelson Mashita Nelson Mashita ... Yakitito
Jessie Lawrence Ferguson ... Eddie Black
Rafael H. Robledo Rafael H. Robledo ... Rudy Guzman
Dan Hicks ... Skip (as Danny Hicks)
Ted Raimi ... Rick (as Theodore Raimi)
Dan Bell Dan Bell ... Smiley
Nicholas Worth ... Pauly
Aaron Lustig ... Martin Katz
Arsenio 'Sonny' Trinidad Arsenio 'Sonny' Trinidad ... Hung Fat
Said Faraj ... Convenience Store Clerk
Nathan Jung Nathan Jung ... Chinese Warrior
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Storyline

Peyton Westlake is a scientist who has discovered a way to produce synthetic skin. This could revolutionise skin grafting, except for one minor glitch; the synthetic skin degrades after 100 minutes of exposure to light. When gangsters attack Peyton, he is horrifically burnt, and assumed dead. In his quest for revenge, Peyton, aka the Darkman, is able to take on the appearance of anyone (using the synthetic skin,) but he only has 100 minutes per disguise. Written by Rob Hartill

Plot Summary | Plot Synopsis

Taglines:

They destroyed everthing he had, everything he was. Now, crime has a new enemy and justice has a new face. See more »


Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

24 August 1990 (USA) See more »

Also Known As:

Darkman See more »

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Box Office

Budget:

$16,000,000 (estimated)

Opening Weekend USA:

$8,054,860, 26 August 1990

Gross USA:

$33,878,502

Cumulative Worldwide Gross:

$48,878,502
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Joel Coen and Ethan Coen, close friends of Sam Raimi, did some uncredited doctoring on the finished script. See more »

Goofs

Security cameras do not record sound, only images. See more »

Quotes

[first lines]
Eddie Black: [on phone] 'Cause he's an asshole! Tell him no. Tell him no, too. Him, tell "fuck you." No, I'm gonna be here a minute. Got some guy coming up who thinks he's gonna muscle me out of my property. What's it matter! Just another tough guy, that's all.
See more »

Crazy Credits

The opening credit sequence is full of dark clouds and brief images of Darkman. The second A in the title is shaped like Darkman's silhouette. See more »

Alternate Versions

German VHS versions were cut by a few seconds to secure a "Not under 18" rating. See more »

Connections

References The Phantom of the Opera (1925) See more »

Soundtracks

Dancing Freak
(uncredited)
See more »

Frequently Asked Questions

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User Reviews

Was _very_ impressed -- what could have been a forgettable Z-movie turned out to be something rather profound
30 January 2000 | by polaris93See all my reviews

This movie might have joined the ranks of the utterly forgettable Z-movies of the genre had it not been for excellent direction, superb characterization, and outstanding acting on the part of Liam Neeson, who played Peyton Westlake/Darkman, and Larry Drake, who played his enemy, the arch-villain, Durant. The movie presents the destruction of a man by a psychopathic monster for utterly trivial reasons -- and makes it clear that however horrifying the physical damage perpetrated on Peyton Westlake by Durant's minions might be, the effect on his soul and spirit is far worse. At the same time, it showed that in spite of what happened to him, Westlake/Darkman was able to rise above it at least enough to choose the life of a giver of justice rather than one of evil, as the physically unscarred drug-lord Durant & Co., the _real_ monsters in this film, had. This film does _not_ glamorize psychopathic, criminal violence in any way, but rather shows it for what it really is: repellant, ugly, and contemptible, destroying life and everything that supports it without a qualm for no better reason than cheap thrills or a very minor profit. This is _not_ a typical Hollywood film, nor just a cheap garage-flick monster movie special. It shows with graphic realism exactly what is left when conscience, civilization, and the rest of the more delicate mechanisms that constitute our humanity are stripped away: pure beastliness, without glamour and without redemption of any sort. -- And it shows, as well, that even when everything is taken from a man, he can rise above it, choose to remain a man, however damaged, rather than sinking down to the level of the beast.


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