Directed by
| David Elfick | ||
Writing Credits
| Morris Gleitzman | ... | (screenplay) |
Cast (in credits order) complete, awaiting verification
Produced by
| Irene Dobson | ... | producer |
| David Elfick | ... | producer |
| Nina Stevenson | ... | associate producer |
Music by
| Garry Hardman | ||
Cinematography by
| Ellery Ryan | ||
Editing by
| Stuart Armstrong | ||
Casting By
| Christine King | ||
Production Design by
| Michael Bridges | ||
Art Direction by
| Jennifer Carseldine | ||
Costume Design by
| Bruce Finlayson | ||
Makeup Department
| Lesley Vanderwalt | ... | makeup artist |
| Cheryl Williams | ... | hair stylist |
Production Management
| Catherine Knapman | ... | production manager |
Second Unit Director or Assistant Director
| Nick Cole | ... | third assistant director (as Nicholas Cole) |
| Colin Fletcher | ... | first assistant director |
| Sarah Lewis | ... | second assistant director |
Art Department
| Robert Alcock | ... | storyboard artist |
| Mark Dawson | ... | props buyer |
| John Osmond | ... | stand-by props |
| Kristin Reuter | ... | props buyer |
| Bill Undery | ... | scenic artist |
| Julianne White | ... | art department coordinator |
Sound Department
| Paul 'Salty' Brincat | ... | sound recordist |
| Cate Cahill | ... | sound effects editor |
| Julius Chan | ... | re-recording mixer / sound effects editor |
| Andy Duncan | ... | boom operator |
| Gerry Long | ... | foley editor |
| Ian McLoughlin | ... | re-recording mixer |
| Ralph Ortner | ... | foley editor |
| Andrew Plain | ... | sound editor |
| Shawn Seet | ... | assistant sound editor |
Special Effects by
| Chris Murray | ... | special effects supervisor |
Visual Effects by
| Roger Cowland | ... | visual effects |
Stunts
| Dean Bennett | ... | stunts |
| Tony Lynch | ... | stunt performer |
| Luke Quinton | ... | stunts |
Camera and Electrical Department
| Greg Allen | ... | 3rd electrics |
| Ian Bird | ... | A camera dolly grip / grip |
| Ray Brown | ... | key grip |
| Peter Bushby | ... | best boy |
| George Greenough | ... | underwater photography |
| Warren Grieef | ... | grip |
| Barry Baz Idoine | ... | clapper loader |
| Simon Lee | ... | gaffer |
| Brian McKenzie | ... | still photographer |
| Vaughan Ottaway | ... | 4th electrics |
| John Platt | ... | focus puller |
| Mark Thompson | ... | camera assistant |
| Aron Walker | ... | assistant grip |
| David Williamson | ... | camera operator |
Costume and Wardrobe Department
| Julie Barton | ... | stand-by wardrobe |
| Sandi Cichello | ... | costume supervisor |
Editorial Department
| Nicholas Holmes | ... | additional editing |
| Robin Judge | ... | assembly editor |
| Deborah Reid | ... | assistant editor |
| Simon Wicks | ... | laboratory liaison |
Location Management
| Peter Lawless | ... | location manager |
Music Department
| Mark Moffatt | ... | additional music |
| John Stuart | ... | additional music |
Script and Continuity Department
| Jackie Sullivan | ... | continuity |
Additional Crew
| Nick Alimede | ... | caterer |
| Kerrin Begard | ... | assistant accountant |
| Rebecca Coote | ... | production assistant |
| Lyndie Menken | ... | production runner |
| Sharon Miller | ... | production coordinator |
| Shelley Neller | ... | publicist |
| Basia Plachecki | ... | producer's assistant |
| Jill Steele | ... | production accountant |
| Cassie Vaile | ... | caterer |
| David Vaile | ... | caterer |
