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Después del sueño (1992)

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Cast overview, first billed only:
Carmelo Gómez ... Amós (as Carmelo Gomez)
Antonio Valero ... Blasco
Lluís Homar ... Baltasar Otal (as Lluis Homar)
Eulàlia Ramon ... Pepita (as Eulalia Ramon)
Judit Mascó ... Salud (as Judit Masco)
José Jordá José Jordá ... Abelardo Roces (as Jose Jorda)
Václav Vodák Václav Vodák ... Antonio Lanza (as Vaclav Vodak)
Carlos Hipólito ... Ballesteros (as Carlos Hipolito)
Roberto Martín Roberto Martín ... Anselmo Roces (as Roberto Martin)
Helio Pedregal Helio Pedregal ... Ginés Sanjuan
Ana Belén ... Ángeles (as Ana Belen)
Fiorella Faltoyano ... Aurora
Agustín González ... Sempere (as Agustin Gonzalez)
Fernando Rey ... Ramiro Lanza
Cesáreo Estébanez Cesáreo Estébanez ... Emilio (as Cesareo Estebanez)


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Release Date:

9 October 1992 (Spain) See more »

Also Known As:

After the Dream See more »

Filming Locations:

Santander, Cantabria, Spain See more »

Company Credits

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Technical Specs


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Did You Know?


Concierto para violonchello y orquesta wq 172
Written by Carl Philipp Emanuel Bach
Performed by Orquesta Amadeus
Conducted by Wolfgang A. Izquierdo
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User Reviews

Charming but slow Mario Camus movie with a twisted intrigue and good interpretations
13 November 2019 | by ma-cortesSee all my reviews

Mario Camus' personal film about the ¨Return¨ , as an old Spanish man (Vaclav Vodak) returns Santander from Russia , he is an exiled veteran from Spanish Civil War (1936-1939) , after fifty years he goes back to see his brother (Fernando Rey) and to meet his nephew Amós Carro (Carmelo Gómez) , a movie fan person , and to die in his intimate land : the wonderful city of Santander . But his arrival creates a complex story about a missing painting that uncovers a cobweb of lies , dark plots , intrigues and romances among various characters .

This is a provoking but slow-moving drama with suspense , concerning a few roles who suffer the consequences of their decisions , as well as a twisted intrigue about a Pablo Picasso painting that results to be the McGuffin of the movie . There Mario Camus deals with the personal ¨Return¨ , this issue was also treated in ¨Volver a vivir¨(1967) and ¨La vieja Musica¨(1985) . The script takes us into the human reality on these characters , victims of their own inner ghosts , wrong decisions and love stories . Here we find acute descriptions about interesting characters , some atmospheric settings as well as attractive and troublesome roles . And with that appealing plot , I welcome the sublime complexity with which the story is concerned , full of twists and turns , and in which stands out the peculiar atmosphere that provides photography . It is a noir and thought-provoking drama about a man who goes back his natal Santander living long time ago in Russia . His arrival in Santander causing emotion , distresses , moving old stories , passions , and sadness . There is also a real homage to cult cinema , as starring well incarnated by Carmelo Gómez , is usually watching classic and cult films , as Mario Camus pays tribute to his very beloved pictures . The main strength of the film resides on the adequate interpretations . Here stands out Carmelo Gómez , and Antonio Valero , two famed Spanish actors . Support cast is pretty well , these roles are habitual archetypes rather common in this thrilling genre , such as : Lluis Homar as an eye private , Ana Belén as Femme fatale , Fiorella Flatoyano as a predating lawyer , Eulalia Ramón , Fernando Rey , Agustin Gonzalez , and the model and newcomer actress Judit Mascó who in ¨El largo invierno¨ had Yoga Award to Worst Spanish Actress , among others .

Adequate and evocative cinematography by Jaime Peracaula shot in Santander and Madrid ; however , being necessary an alright remastering . Along with appropriate production design by veteran Rafael Palmero . And classic musical score by Johannes Sebastian Bach , Concierto para violonchello y orquesta 172 , written by Carl Philipp Emanuel Bach , performed by Orquesta Amadeus , conducted by Wolfgang A. Izquierdo . The motion picture was well directed by Mario Camus following his particular style . Camus was born in Santander , Cantabria , location in which often shoots his films . Camus's early films were the interesting "Young Sanchez" , along with ¨Los Farsantes¨ and ¨Con Viento Solano¨ . He worked with Carlos Saura in several screenplays during the early 60s as ¨Los Golfos¨ (1960), ¨ Llanto Por Un Bandido¨ (1964), and also directed some shorts . Camus shows a penchant for literary and perhaps he's the best Spanish film adapter, a fact that will be a constant in his films . His first feature films were ¨Los Farsantes¨ (1963) and ¨Young Sánchez¨ (1964), this is one of the greatest movies about boxing which won the Best Film Award at the Buenos Aires Festival . Mario has an important career with film and television adaptations quite remarkable , as he efficiently directed yarns based on notorious writers such as Perez Galdos , García Lorca , Cela Camilo José Cela and Miguel Delibes . During various decades he touched styles varying from romantic comedies and musicals with ¨Rafael¨ to splendid adaptations from famous novels , as is the case of the prestigious TV series "Fortunata y Jacinta" (1979) . In 1983 he was given the 'Medalla Oro De las Bellas Artes' (Arts Gold Medal), and one year later he prepared his most successful work both with public and critic : ¨Los Santos Inocentes¨ (1984), an adaptation from the novel by Miguel Delibes . Mario is an expert on interesting dramas as proved in ¨ The house of Bernarda Alba¨ , ¨La Colmena¨ which won the Golden Bear Award at the Berlin Film Festival , ¨The days of the past ¨ and many others . Rating : Acceptable and decent film ; it's an enjoyable film , though slow-moving , at times .

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