Cast overview, first billed only: | |||
Michelle Pfeiffer | ... | Lurene Hallett | |
Dennis Haysbert | ... | Paul Cater | |
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Stephanie McFadden | ... | Jonell |
Brian Kerwin | ... | Ray Hallett | |
Louise Latham | ... | Mrs. Enright | |
Peggy Rea | ... | Mrs. Heisenbuttel | |
Beth Grant | ... | Hazel | |
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Johnny Ray McGhee | ... | Mechanic |
Cooper Huckabee | ... | Deputy Swinson | |
Troy Evans | ... | Lt. Galvan | |
Mark Jeffrey Miller | ... | Trooper Exley (as Mark Miller) | |
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Pearl Jones | ... | Mrs. Baker |
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Janell McLeod | ... | Station Cashier |
Bob Minor | ... | Barricade Policeman | |
Rhoda Griffis | ... | Jacqueline Kennedy |
Michelle Pfeiffer stars in an Oscar®-nominated role as a Dallas hairstylist whose trip to President Kennedy's funeral takes a powerful turn. Devastated by the president's assassination, Lurene Hallett (Pfeiffer) boards a bus for the Washington funeral where she meets a perplexing father and his daughter who greatly impact her journey.
In 1963 Dallas, a Jackie Kennedy-obsessed beautician hopes to travel by bus to JFK's funeral, but gets involved instead with a troubled black man and his estranged little girl. Handsome production, nice details, but a curiously minor film that never quite kicks into gear. Occasionally, the way the racial prejudices are shown--from both black and white characters--is heavy-handed, though director Jonathan Kaplan does subtle work as well, performing a nimble balancing act while the screenplay works overtime being "heated" and "emotional". Michelle Pfeiffer's performance is alternately grating, unconventional, sweet and perplexing; we don't get to know her Lurene too well, and the actress has to rely on shtick for some of her major scenes; Dennis Haysbert as her traveling companion is a tower of quiet strength, and his handsome, aw-shucks smile isn't over-used. The plot is wrapped up neatly at the end, a tricky feat since the finale takes place some 12 months from the rest of the story--a gimmick that doesn't always work, but here it satisfies the viewer by showing lives changed and what might lay ahead. Potentially a heady mix of race-relations and something even deeper (and no-less complicated): forbidden love. Yet the picture somehow whittles down these complex issues into a road-movie formula. ** from ****