User Reviews

Craig Sheffer (as Norman) and Brad Pitt (as Paul) are Montana sons-of-a-preacher man Tom Skerritt (as Reverend Maclean). You will immediately notice the breathtaking Montana scenery - photography by Philippe Rousselot, direction by Robert Redford, with an obviously adept cast and crew. The kids playing the younger Macleans were quite an asset; I did recognize Joseph Gordon-Levitt in an impressive debut (though not his first). As I was watching, I thought: well, it looks all nice, but what's happening? I was unsure about the film's focus. The film is often slow and confusing, even if you are familiar with the Norman MacLean story; and, this is a somewhat alternate version/vision of the original written work.

And, I realized what I was watching. It happened twenty minutes (or so) after the kids "grew up" - this is the story of Norman Maclean's remembrances… the touching stones of his life. They may not be the things you'd believe an old man remembers; but, by the end of the film, you know. You'll understand the focus on his brother, with that magical quality that just slipped away… Perhaps, there was no perfection there; but, you'll know why Norman sees it. You'll know why that memory of the perfect fly fisherman is there.

Just a few other thoughts: At the risk of over-analyzing, I felt the characters of Norman, Paul, their father, and Redford merging into ONE character at the end of the film; I wonder if Redford intended it that way? His direction, narration, and lead performances seemed blend together… Directing, Preaching, Fishing, the River - it all runs together; and, we're all water. The end of the film is very powerful.

********* A River Runs Through It (1992) Robert Redford ~ Brad Pitt, Craig Sheffer, Tom Skerritt, Brenda Blethyn

I have seen all the films directed by Robert Redford and appreciated his love of the American people and the land. In A River Runs Through It, Redford displays the lyric romanticism and visual splendor of the high Rocky Mountains of Montana as if he were a 19th century landscape painter of the ilk of Thomas Moran or Albert Bierstadt. This film makes love to the visual and the word with text by author Norman Maclean, and stunning camera work by Phillippe Rousselot (Serpent's Kiss, Reigne Margot).

Redford's cast is perfect. Tom Skerritt is the Rev. MacLean, a man whose methods of education include fly fishing as well as the Bible, Brenda Blythen, the mother, and his sons, Craig Schaffer and Brad Pitt create a family whose interactions reflect the same problems all encounter with growing teenage sons, and later, complex young men. Both Schaffer and Pitt are totally believable as the brothers whose love of fly fishing and each other will tie them together forever. It is the relationships between men, father and sons, brothers, and their women to the outside world that grounds A River Runs Through It to a vein of storytelling that is missing in so many of Hollywood films produced in recent years.

What makes these relationships special however, is the attention Redford gives to the language as spoken in dialogue. This is a literate script, beautiful to hear and unforgettable when coupled with the stunning Montana rivers and mountains. The words and setting are equal to performances by a cast that rises to their material. While the idea of fly fishing may seem an odd device to center a story, it is not so implausible in Redford's directorial hands. Given the material, Redford's elegant ode to a simpler time and life is worth revisiting again and again.

Enjoyed this film produced by Robert Redford which deals with a Presbyterian Minister who has two sons, one is reserved and the other is a hell raiser. This film takes place in Montana and the beauty of their rivers and wonderful land and its beautiful mountains. Tom Skeritt, (Rev. MacLean) plays the role of a very loving parent of Norman MacLean, (Craig Sheffer) who is basically a very straight arrow and also his brother Paul MacLean, (Brad Pitt) who is a newspaper reporter and has a very wild way living especially with drinking and plenty of women. There is a sweet romance between Norman MacLean and Jessie Burns, (Emily Lloyd) who fall in love with each other and these two people try to guide Paul MacLean into a better way of living but he just cannot seem to settle down. Great film about what life is really about in many families. Enjoy

I have read the short story by Norman Maclean, and the movie did justice to Norman Maclean's writing. My husband tends to reread it occasionally, and I myself have read it over and scenes of the movie keeps coming to mind. We have videos of many of Redford ‘s movies and we have watched "A River runs through it" many times. Redford is part of the "famdamily" as he is always around. We never get tired of Redford's perception of Norman Maclean writings, and the beauty of Montana. The script reminds me very much of my own upbringing as my father had the same calling as Mr. Maclean's father. According to "A River Runs Through It," "Methodists are Baptists who can read," a line which by the way is not in the short story, but I think that is a funny line! My husband and I are well-read Baptists!

I have heard a movie critic state that the pace of this movie is too slow. I disagree. As one search for inner peace, this is the type of movie that will make you contemplate the beauty of nature in three/four rhythm of the metronome. The photography is outstanding! The acting is great. I love the scene where Norman and Paul as boys talked and wondered whether one could be a fly fisher or a boxer! Then as adult Paul played by Brad Pitt (Se7ven) is the "perfect guy" who needs help with his alcoholism but will not accept it. The same applies to Neal Burns, who uses worms as bait, he also needed help but would not accept the fact that he needed help. The scene where Paul refuses to eat oatmeal and the entire family has to wait an eternity to say grace! Finally after hours, they all kneel around the table to say: "Grace!" and they all leave. But the oatmeal stayed on the plate! That scene where the two love birds and their tattoos on their posteriors! That is funny! The sunburn! The drive back home where Jessie Burns (Emily Lloyd) decides to go via the train line! Beautiful dialogue when Norman proposes to Jessie because he wants her to come to Chicago with him!

Redford himself does a superb job as a narrator. I could not stop myself from comparing Brad to the young Redford (Barefoot in the Park). The nominated Director, Producer, Actor, is a visionary who deserves to be praised for his advancement not only in the cinema in the US but around the world. I am glad to live in nineteen hundred because I have seen the beginning of the black and white television, the movies and all the technology and special effects, to be able to watch videos at home and to live in the same century as Redford because I have had the chance to see his works. Redford needs no special effects to show us the beauty of Montana in this masterpiece. The river to me means that line that separates life from death, memories and realities. Redford shows the hands of the Creator so magnificently and a river runs through it.

When I first saw this movie I was with my dad. He encouraged me to watch this movie because it was one of his favorites. After watching the movie it instantly became one of mine.

A River Runs Through It is about two brothers who each take a different path in life. Norman Maclean (Craig Sheffer) is the older of the two brothers and sets out on the path of education. Paul Maclean (Brad Pitt) is the rebellious younger brother who travels on a path full of obstacles.

The story follows these characters as the each walk their own path. There is no downside to this film. You will be entertained the whole way through. The acting, directing, and script are all perfect. The two things that are exceptional are the cinematography and the score. Both bring you into the world Robert Redford creates.

This is an all around great film that is destined to be a classic. It sure is in my book. If you haven't seen it definitely watch it as soon as you can, because it will stay with you forever.

I am a film buff and I must say that out of all the movies I have seen over the years, "A River Runs Through It" is #1 on my list of great films. It ranks as my all time favorite.

I recently bought the DVD and was amazed that, despite having seen this film for the umpteenth time, I am still incredibly moved, often to tears.

The final narrative, to me, is the ultimate motion picture experience and delivers the promise of what certain movies can do if they set their sights high enough...and that is elevate the viewer and give them an experience that transcends beyond the mere act of watching, but gives lessons in life that one will remember and use for years to come.

More than anything, "A River Runs Through It" is about family and how the choices we individually make may take us down different paths, but can never dilute our bonds and love. Watching it, I am constantly reminded of the paths my own brother and I have made and how differently our lives have turned out.

But back to the film. It is understated, and yet blissfully exquisite in expressing its passion for life.

I actually learned flyfishing after seeing this for the first time a decade ago. In this movie flyfishing is a spiritual experience and represents a total communion with nature. It is during flyfishing that, despite the paths the characters have chosen, they can toss everything else aside and be bound to each other for all time.

There are many movies I love, but this is the only one that causes me to get chills over and over again.

This movie is sheer perfection. I continue to be haunted by waters.

In The Legend of Bagger Vance, Redford showed the purity and tranquility of purpose to be found in golf. Here he does it with fly fishing. And just as he captured the period so well in that film, so, too, does he here; not only the look (notably the beautiful Montana landscape) and sound but the cultural (especially religious) folkways as well. The stars, Pitt, Skerritt, and Sheffer, are all perfectly cast and they are backed by a strong supporting cast. This movie is an excellent exposé of a rural American's journey through his formative years. Recommended, 7/10.

In a little town in Montana two brothers grow up. One of them is Norman (Craig Sheffer), the other is Paul (Brad Pitt). Their father is Reverend Maclean and they grow up with his lessons that has to do with religion, and the lessons of fly-fishing. In this movie fly-fishing represents life, a little.

The story is good and keeps your attention although there are some moments you need a little action. Probably the movie has this moments because it is not really about the events that happen, but about the message. Some things do happen though. Norman goes to Dartmouth to study. After six years he returns and gets involved with a nice girl named Jessie (Emily Lloyd) and he is invited to teach in Chicago. Paul has become a reporter and is known as the "fishing reporter". He is famous and it seems he has a nice life, but he drinks a little too much and gambles too much.

The movie is very well directed, it has a nice score and all of the actors are good. The most beautiful thing in this movie is the cinematography. The mountains, the woods and the river all look very beautiful. If the movie was only made for these things it was good enough to watch. Fortunately there is more.

Have you seen The Graduate? It was hailed as the movie of its generation. But A River Runs Through It is the story about all generations. Long before Dustin Hoffman's character got all wrapped up in the traps of modern suburbia, Norman Maclean and his brother Paul were facing the same crushing pressures of growing up as they tried to find their place in the world. But how could a place like post WW1 Montana be a showcase for the American family, at a time when the Wild West still was not completely gone? Just what has Maclean tapped into that strikes so deeply at who we all are and what we have to go through to find ourselves? As the movie opens, Norman is an old man, flyfishing beside a rushing river, trying to understand the course his own life has taken. The movie is literally a journey up through his own stream of consciousness, against time's current and back to when he was a boy. He and his younger brother Paul were the sons of a Presbyterian minister and devoted mother. The parents fit snugly into their roles. Mom takes care of house and home. Dad does the work of the Lord. The boys ponder what they will be when they grow up. Norm has it narrowed down to a boxer or a minister like his dad. Given the choice, little Paul would be the boxer, since he's told his first choice of pro flyfisherman doesn't even exist. The boys grow up and get into trouble with their pranks, fight to see who is tougher and do the things brothers do, all the while attending church and taking part in all other spiritual matters like flyfishing. They are at similar points in their lives before college. But when Norm returns from his six years at Dartmouth, things are very different. Paul is at the top of his game. Master flyfisherman. Grad of a nearby college and newspaper reporter who knows every cop on the beat and every judge on the bench. Norman is stunningly well educated for his day but has little idea what to do with his life, even as his father grills him about what he intends to do. You're left feeling that at least to Pops, God will call you to your life's work. But you have to stay open and ready to receive it -- all your life. Father has always taken his boys to reflect by the side of the river and contemplate God's eternal words. "Listen," their father urges. It's both Zen and Quakerly. Pretty radical for a stoic clergyman. But with all the beauty and contemplation, and even though the Macleans are truly a God-fearing, scripture-heeding household, how is it that Rev. Maclean's family is unraveling? Paul is true perfection as he fishes the river, but he's feeling the pull of gambling and boozing, while his family doesn't know how to keep him from winding up where he seems to be headed. Mom, Dad and Brother all seem to have the same quiet desperation of not knowing what they should be doing and why they can't seem to help. Pauly just waves it all off with a grin and his irresistible charm. But the junior brother is losing his grip. Norman starts getting his life on track, finding love and career, but Paul continues to slide. The family that loves him watches helplessly. Mother, Father, Brother flounder in their own ways trying to help, but none very effectively. How can a family that loves each other so much be so ill-equipped to handle this? How can someone be so artful and full of grace when out in God's nature, yet be somehow unfit or unwilling to fit into the constructs of society that God's peoples have made for themselves? These are all questions Norman will ponder his entire life. The eternal words beneath the smooth stones of the river forever haunt him, yet keep their secrets. The movie is beautiful to watch. This is certainly God's country, and filming it won an Oscar. Director Robert Redford plays with the story from the book and teases the narration a bit to follow the emotional pattern he's presenting, and it works well. But do go back and read the book, too. You'll see Norman made connections with his old man even deeper than the movie can suggest -- and you'll see the places where the storyteller's very words gurgle and sing right off the page with an exuberance of a river running through it, leading into the unknown.

Upon seeing this film once again it appeared infinitely superior to me this time than the previous times I have viewed it. The acting is stunningly wonderful. The characters are very clearly drawn. Brad Pitt is simply superb as the errant son who rebels. The other actors and actresses are equally fine in every respect. Robert Redford creates a wonderful period piece from the days of speakeasies of the 1920s. The scenery is incredibly beautiful of the mountains and streams of western Montana. All in all, this is one of the finest films made in the 1990s.

You must see this movie!

Based on the memoirs of Norman MacLean, American literary scholar, A River Runs Through It is a memoir of him growing up in early 20th Century Montana as the son of a preacher, along with his younger brother. Craig Sheffer plays the young MacLean and his brother Paul is played by Brad Pitt. The parents are played by Tom Skerritt and Brenda Blethyn.

With some introductory material showing the characters as children and how their personalities developed, most of the film is concentrated on young Norman MacLean's first summer back in Missoula, Montana with the family after six years at the University Of Chicago. While Sheffer has been studying for his degrees, Pitt has taken a job as a reporter on a local paper.

Pitt had a reckless streak as a youngster and its become more pronounced as a young man. He's taken with some reckless habits, this was in fact the Roaring Twenties and Pitt is quite the child of that era. The only thing that father and both sons have in common is the love that Skerritt instilled in his sons for dry fly fishing. It's in those scenes that the family comes together.

Robert Redford got a real family feeling for the players portraying the MacLean family. Redford who grew up in the west also has a real feel for the environment. No accident that A River Runs Through It won an Oscar for Best Cinematography. It was also nominated for Best Musical Scoring and Best Adapted Screenplay from another medium.

A River Runs Through It was a big career boost for Brad Pitt. For a guy who admittedly has some outstanding looks which no doubt first got people's attention, Brad Pitt has shown an astonishing range of character development on the screen. Paul MacLean is as different from Heinrich Harrer, from Joe Black and a whole lot of others. In his 20 or so years of stardom, go down the list of roles and they range the gamut of the human experience.

And if you're not a particular Brad Pitt fan, you'll enjoy A River Runs Through It for the great nature cinematography that is the heart of this film.

I don't remember the book very well, apart from feeling that it was wildly overwritten--the author's sense of lyrical self-importance almost overwhelmed everything else. But the basic elements seemed like they'd adapt well to film. However, when this came out I heard very mixed things about it, mostly that it was very pretty to look at but not very compelling otherwise. So it's taken me a long time to get to it.

Indeed, it's a very good-looking movie, maybe more genteel than the story needed. You don't get much sense of conflict except in isolated scenes, and the dynamic between the brothers seemed less intense than what I remembered from the book--maybe because Brad Pitt is at the height of his "I don't need to act, just stand around and look pretty" early phase, his charaacter never seems much of a troubled soul, let alone a doomed one. The much more briefly seen figure of the romantic lead's brother is far vivid as someone who's his own worst enemy. Craig Sheffer's character is better defined, but on the other hand you can see why that actor's career didn't really take off--he's perfectly fine, but there's no memorable personality or particular charisma behind the competence. The supporting performances are decent enough.

It's an OK movie, but all its expensive craftsmanship can't substitute for the real inspiration this story really needed to come alive onscreen. Redford is usually a solid director, but he's very literal-minded, and has no particular flair for action or tension. He's good at elevating dialogue- and issue-driven material like "Ordinary People," but this film needed a poet's sensibility, and Redford is more like a dutiful transcriptionist. Then again, plenty of people think the book is a great work of art, because it acts the part of being one. Similarly, this movie may strike some as a classic because it looks and sounds as if stuffed with gravitas. I just wish I actually FELT that gravitas, rather than feeling the movie's earnest self-importance without being particularly moved by the characters, the story or even the picture-postcard photography.

Life is like a big river, sometimes calm, sometimes turbulent, but the same is, the river and life are always moving forward, never looking back. No matter which road we choose, we will see the unique scenery. All the destinies have been doomed at the very beginning. Brad Pitt is so handsome. This is youth.

When I saw previews for this film, I thought "Its a movie about fishing, why would I want to see that?" This is as much of a fishing movie as Hoosiers is about basketball, or Field of Dreams is about baseball.

The story is elegant, the narrative beautiful, the characters deftly drawn. The relationship between the father and two sons is really interesting, and I love the interplay between them. There is great sadness, and also great humour. While nostalgic, I don't think the film ever becomes maudlin, and by the time the film draws to its inevitable close, I feel the same sense of loss and regret every time.

This movie does what films are supposed to do - touch one's heart and mind.

The closing lines, taken from a short story by McLean, are as haunting as they are beautiful:

"But when I am alone in the half light of the canyon all existence seems to fade to a being with my soul and memories. And the sounds of the Big Black Foot River and a four count rhythm and the hope that a fish will rise. Eventually, all things merge into one, and a river runs through it. The river was cut by the world's great flood and runs over rocks from the basement of time. On some of the rocks are timeless raindrops. Under the rocks are the words, and some of the words are theirs. I am haunted by waters."

Great movie about rivers. There's a few of them around.

I love this movie so much for many reasons. Of course, the amazing performances from this talented and superb cast is the main reason to add this film to a favorites list. However, I was raised by similar folks, in a similar setting and with very similar values. I can relate to pretty much every aspect of the movie. From the preacher father right down to the siblings that are completely different....but then they're not. I have watched this movie at least once a year since it was first released. And at every viewing I cried like a baby. Not just a few tears but actually weep. The film is just so real and beautifully done that it alway releases many buried feelings. My favorite character is ,Craig Sheffer, Norman. Robert Redford did an amazing directing job and was the perfect voice for the narrator. All this said I still think the movie could have never been so wonderful if it were shot anywhere other than Montana. What a gorgeous state!

This autobiographical drama looks at a family in rural Montana in early 20th century. The cinematography crisply captures the beautiful Montana scenery. There are fine performances from Skerritt as a minister and Sheffer and Pitt as his sons, determined to forge their own identities. While the relationships among the three men are well developed, there is little here that is interesting. There is really no plot to speak of, and the deliberate pace makes it drag. Furthermore, fly-fishing scenes do not amount to a riveting movie experience. There is too much narration (provided by Redford, as the Sheffer character reflecting back late in life) and it is a bit pompous.

A stunning realization occurs when some sort of phenomenon takes place!! Be it, firecrackers going off, witnessing a robbery, a hurricane nonchalantly devastating everything in it's path, or, for that matter, any other spectacular occurrence !! In the case of the Maclean Family, however, reveille was something which was no more complex than their day to day lives..Montana in the early twentieth century was an environment which was rough and tumble...The Maclean family was comprised of four people, the father, a minister, who was ideologically driven to raise his family properly. His wife was God fearing, and dutiful. The two boys were, well...BOYS!!.. What else can you say?...Brad Pitt starred in this film before he was really THE!! Brad Pitt, and his acting performance in this film was, to say the least, remarkable!!!.. His brother, Norman, was the cerebral type, he was touched by emotions that were genuine, and motivated by a set of values that Missoula, Montana concurred with!! Paul (Brad Pitt) was a misfit from the offset, and lived on the edge...You would think that Montana in the 1920's had no such thing, yet somehow, gambling, drinking, and violent confrontations, were as much a part of Paul, as was his fly fishing rod!! Fly fishing!! Did I say that? Parenthetically, this was the core of this movie's theme!! The recreation of fly fishing served as the cohesive bond which homogenized the kindred spirits of the Maclean brothers, and to a lesser degree, the father!! I would describe the acting in this film as incredibly believable, and the cinematography went beyond sensational.. Put it this way, anyone who sees this film will want to live in Montana.. Breathtaking filmography of bluer than blue mountains and streams captured the youth and effervescence that the Maclean brothers had for life...Seldom in a film do you witness whereby feelings immediately invoke a dogged tenacity to accomplish whatever it may be that someone wishes to accomplish..The Maclean brothers lived life to the fullest, and for better or worse, the father knew that this was going to be the only way the two of them could become men!!...Robert Redford directs this film, and tells the story of the Maclean's through the perspective of the older brother, Norman...Norman gets offered a position at the University of Chicago at age 26, and marries the woman he will always be in love with...What this film also points out, is that the younger brother, Paul, has attained an accomplishment of his own by being the epitome of a remarkable fly fisherman!! The seedier side of life prevails in the younger brother's existence, and exerts an insidious form of consternation for the Maclean family!! As most human shortcomings go, the Maclean family made light of turbulent waters, (literally) and thus, established unity as a family, by putting necessary blinders on!!!

The end of the movie "River Runs Through It" presents an epigram of life through the eyes of the older brother.. For Norman Maclean, stoicism is a prerequisite to perseverance in his emeritus years!! Such a fate is largely due to the fact that reflecting on his life is tantamount to yearning for people who have passed away! The fond memories of his brother, his wife, his mother, and his father, must now be viewed philosophically!! For Norman, his life has been relegated to stubborn facts that have determined his dubious outlook, and precarious resolve! Something as simple as the statement "This was your life, and that is how you lived it" is a somber recollection of the joy, the sorrow, the regrets, and the love, he gave, as well as was the recipient of!! Best put in the last sermon he heard his father give, his father said "We can completely love someone without completely understanding them".. Whether you agree with what has happened in your life or not, it happened nonetheless! Norman Maclean must come to grips with the fact that his life has been fragmented by misunderstandings! Norman Maclean has become a decrepit octogenarian who is polarized by virtual conclusions to his life!! The murky waters of Montana's picturesque rivers serve as a vicious and desultory finalization to his years on earth!! Without question, the very prolific statement of "what seems complicated is really very simple" purveys a very acrimonious message in this movie...More simply put...The people and places which were important in Norman's life, are now only a bittersweet memory....merely a painfully intellectual rumination of events which are aggravated by the haunted waters of Montana's beautiful streams and rivers...To which, for the entire Maclean family, "all things merge into one and a river runs through it"