Wayne is still living at home. He has a world class collection of name tags from jobs he's tried, but he does have his own public access TV show. A local station decides to hire him and his sidekick, Garth, to do their show professionally and Wayne & Garth find that it is no longer the same. Wayne falls for a bass guitarist and uses his and Garth's Video contacts to help her career along, knowing that Ben Oliver, the sleazy advertising guy who is ruining their show will probably take her away from him if they fail.Written by
John Vogel <email@example.com>
The scene with Wayne and Garth talking on the hood of their car was the last scene filmed. Since everyone was tired and just wanted the movie done, they ad-libbed it. See more »
The scene in the donut shop takes place in a "Stan Mikita's donuts". However, as Glen starts walking, you can see the real Stan Mikita's building behind him. See more »
[in bed, flipping through tv commercials]
It's really good seeing you, Benjamin. You haven't been into Shakey's for so long.
Well, I've been real busy.
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A brownie recipe is given in the credits. See more »
In the broadcast version, many of the "inappropriate" parts are changed or cut. Some of the more interesting line changes are (see Quotes section for original lines): Wayne: Who's playing today? Tiny: Jolly Green Giants, Stinky Beetles. Wayne: Stinky Beetles? Are they any good? Tiny: They stink! Wayne: I lost my show, I lost my best friend I lost my girl! I'm being dumped on, that's all, dumped on... Garth: Benjamin is no one's friend. If he were an ice cream flavor, he'd be Jamocha Almond Idiot. See more »
The cultural references of Wayne's World may date it a bit, but the nature and personality of its humor set it apart. There is a kind of naive benevolence and boundless joy which makes this movie so lovable. Its aimless plot and exaggerated humor are cute, without ever transcending that barrier into maudlin sentiment. This is a difficult mix to achieve, especially when so many comedians go out of their way to achieve "street credibility" through as much forced vulgarity and stereotypical humor as possible. Campbell and Carvey's characters were the ultimate comedic anti-heroes for generation X, even more so than Jay and Silent Bob, Bill and Ted, or Beavis and Butthead. They championed amateurism, paraded self-affecting humor, and became worshiped for telling everyone they weren't worthy. If '60s pop culture encouraged people to "do your own thing," Wayne and Garth were the genuine article in the '90s. Two complete geeks had fun acting as themselves, and became celebrated in the process. One of the true comedy classics of our time. 8.5/10
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