Year of the Comet (1992) Poster

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7/10
A wonderful film for a rainy Sunday
otherRic27 September 2005
In an obvious homage to the wacky films of the '40's and '50's, year of the Comet is very good at being what it is - a fluffy film to be enjoyed lightly. It won't cure cancer, it won't change your political ideology, but it will make you smile, laugh, and have a nice 2 hours.

Tim Daly is effortlessly charming and Miss Miller is properly wholesome, as the role demands. Nice one-liners and recurring jokes, a frothy but well-paced plot, and some excellent performances by character actors in supporting roles (I especially love the Scottish mother) make it easy to watch and enjoy.

Well, unless you want explosions and political subtext.
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7/10
Entertaining
tuppenceworth28 January 2009
As someone who very rarely leaves comments, I just want to say how much I have enjoyed this film. In fact the chances are I would have never watched this film, as its not the type of film I would have ever sought out, nor was I ever a fan of the lead stars.

As it was back in 1993 I happened to be working in a video store in which we were only permitted to watch PG films in-store for obvious reasons. This happened to be a new release which I put on one day. Generally I would have put it one and forgot about about it, like so many other films. However I was initially actually attracted to it by its soundtrack, then the fact it was filmed in Britain, made me more interested as at the time I preferred to watch British films, usually for their added realism.

Soon I was hooked to the film, although the acting looked a bit corny, I thought it was deliberate, and the dialogue was actually quite funny in its downbeat style. The story made the film a bit like a road movie with both lead characters initially almost irritated by each other. But the adventure they go on as they hunt for the elusive bottle of rare wine.

By the end of it I was in love with Penelope Ann Miller and almost whooping at Tim Daly. In fact I liked it so much over the course of 18 months I watched it around 25 times! I wouldn't claim its to everyone's taste, however if you want to watch an enjoyable film for a quiet night in, watch Year Of The Comet, I'm sure you won't be disappointed.
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7/10
A jug of wine...a monkey gland or two...and Louis Jourdan. At 73 he still has what it takes to murder with mannerly amusement
Terrell-416 March 2009
Warning: Spoilers
"They were your friends!" cries Maggie Harwood when she walks in on the pistol-holding, aged but well preserved Philippe. Lying on the rug behind him are his two, now dead, associates. "Well,' says Philippe, "we weren't that close."

Maggie (Penelope Ann Miller) is the heroine in this romantic comedy thriller. While the hero is the overly handsome, strong-jawed and mustachioed Oliver Plexico (Tim Daly), the real sex appeal comes from Philippe as played by 73-year-old Louis Jourdan. This was his last film. While many may remember him as the dashing and love-struck Gaston Lachaille in Gigi, he remains more fondly in my heart as Dr. Arcane in Swamp Thing. Like Dr. Arcane, Philippe is an incorrigibly well-mannered, egocentric and murderous creep. I suspect there are few actors as good as Jourdan who would be willing to semi-sing, while smacking his lips, leering and snapping his fingers, "There are chicks just ripe for some kissin' / And I mean to kiss me a few! / Then those chicks don't know what they're missin' / I got a lot of livin' to do!"

Jourdan does it. It's grotesquely funny.

The Year of the Comet is all about wine, and especially about an extraordinarily rare bottle of wine, an 1811 Lafite, that was once part of Bonaparte's cellar. In auction it could bring at least a million dollars. Maggie, who works for her father, the wine merchant Sir Mason Harwood (Ian Richardson), is sent to Scotland to appraise an extensive wine collection that Harwood and Company may be commissioned to place in auction. Maggie, who knows almost as much about wine as her father, may be "a funny, over-worked ragamuffin" but she got the assignment from her father by telling him he either gives her this chance to show just how good she is or she's quitting. Now she's knocking on the great oaken door of an isolated Scottish castle to appraise the wine. Unknown to Maggie, she's interrupting the torture of the owner by Philippe and his men. Philippe assures his victim that shoving the hypodermic needle with a certain drug right in the eyeball won't interfere with the man's vision...although it will cause exquisite pain later with each blink. All that we know is that there is a formula Philippe is determined to have. Maggie is taken to the cellar and this is when, brushing off centuries of cobwebs and grime while she looks at these hundreds of encrusted wine bottles, she makes her discovery...the 1811 Lafite. And it's just a short while later that Maggie makes more discoveries. First, she finds Oliver looking for her, the man who prefers beer and calls wine a beverage. She met him at a wine tasting at Harwoods. She and Oliver discover the body of the owner in the wine cellar and they discover Philippe and his crew absconding with the bottle of Lafite.

The chase is on! Sometimes Maggie and Oliver chase Philippe. Sometimes he's chasing them. They chase around with cars, motorbikes, helicopters, airplanes and rowboats. They chase scenically through the cold, rocky mountains of Scotland and the warm slopes of the French Rivera. Maggie and Oliver bicker, kiss, bicker, fall in love and bicker. And then they wind up having to listen to Philippe sing "Gotta lotta livin' to do." By now we've realized (this is no spoiler) that this adventure has as much to do with the secret formula and glands as it has to do with wine.

Year of the Comet strains to be a Hitchcock romantic thriller. While it doesn't come close it's an engaging, undemanding romp. The script is by William Goldman, a man who knows what he's doing with this sort of thing. Try Butch Cassidy and the Sundance Kid or The Princess Bride. He works wonders with the clichés he deliberately uses. The direction, however, is a letdown. It's clunky and never lets the script build much steam, either in the chases or in the romance department. I don't know what happened to Peter Yates, but the director of Bullitt, Breaking Away and Eyewitness just doesn't seem engaged. Miller and Daly are attractive enough, although Daly is better at being handsome than at being an amusing speaker of clever lines. Cary Grant needn't worry. The real pleasures of the movie, other than the plot, are Louis Jourdan (now nearly 90 and living in France) and Ian Richardson, such a sly actor. Ian McNeice as one of Philippe's men holds his own.

Year of the Comet is amusing fluff, undemanding and a pleasant adventure. I liked it enough to have watched it twice in four years.
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A Beautiful Lass in Beautiful Scenery
de_niro_200116 August 2000
This film is seen by quite a few people as a bit of a turkey but I liked it very much. One other correspondent said he watched it for Ian Richardson and Nick Brimble but my main reason for watching it was Penelope Ann Miller (as with Other People's Money). She's just gorgeous and the scene where Timothy Daly says "the first time I saw you I wanted to sleep with you" touched a chord with me. She's the epitome of the beautiful heroine. I'm a bit of a munro-bagger and have climbed a few of the mountains in the background of a few scenes in this film. Hummie Mann produced some nice celtic music for the Scottish scenes. It puzzles me though how Timothy Daly's character could remain so fit looking despite consuming vast quantities of beer (so addicted he'd brink a can of Bud in a sauna). I admit it could have been better given the vast assemblage of talent involved in it but Penelope Ann Miller brightens up the worst turkey.
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7/10
Uncommitted direction by Peter Yates, but with lots of charm and old fashioned bravura !!
DeuceWild_7729 October 2017
Lighthearted romantic comedy / adventure film that pays homage to the genre's classics from Hollywood Golden Era, in the vein of the resurgence of this kind of films in the 80's such as "High Road to China" ('83), "Romancing the Stone" ('84) and similar in tone to "American Dreamer" (also from '84) and "Miracles" ('86) with elements of a thriller, but in an uncommitted & unpretentious way, thrown into it.

The locations were very well spotted, from Scotland's Highlands to French Riviera, with veteran Peter Yates (the man behind such cult movies as "Bullitt" or "The Dresser") on the helm, offering a laid-back direction just for the fun of it, based on an original story by screenwriter William Goldman (who penned more 'serious' & intricate scripts like "Butch Cassidy and the Sundance Kid" or "Marathon Man"), both doing a movie about one of their favorite things in life: red wine.

Penelope Ann Miller, then a rising star, fresh from her co-starring roles in "The Freshman", "Awakenings", "Kindergarten Cop" and "Other People's Money" got her first leading role here as the mousy Margaret Harwood, the daughter of a posh wine merchant, Sir Mason Harwood (Ian Richardson), that discovers a rare bottle of wine, a vintage 1811 (sealed in the year of the comet) bearing a Napoleon's seal, in the cellar of an old Scottish Manor. This valuable antique is sold to a millionaire who sends his friend, Oliver Plexico (Tim Daly) to retrieve the bottle, but there are a bunch of unscrupulous competitors who want this find for themselves. Together, Margaret and Oliver will live the adventure of their lives, finding love along the way...

"Year of the Comet" is a harmless piece of escapism, nice to watch on a typical lazy Sunday afternoon: the characters are charming and interesting to follow; the plot is way too cartoon-ish to be believed, but applying the suspension of disbelief it works almost like a spoof of the genre, grabbing a less demanding audience and providing them a good way to spend a hour and a half.

Penelope Ann Miller and Tim Daly (sporting a sort of Tom Selleck's mustache) gave the best on their performances, the two have chemistry together and they delivered the goods with the heart on the material, unfortunately the critical and Box Office failure, killed their careers as leading performers. Miller still had the chance to work in the high profile, Brian De Palma's "Carlito's Way" (which got her some critical praise and was nominated for a Golden Globe), but after she has disclosed about her affair with the co-star and then a married man, Al Pacino, her career stalled and Tim Daly plans to aspire as a virile / charming leading star like Michael Douglas, went down the toilet, too. The classic french leading star, Louis Jourdan gives here his last breath on-screen, after more than 50 years of hard work in the business, offering a funny, witty and over-the-top performance as the stylish villain, a mix of his roles as the James Bond's nemesis in "Octopussy" and the evil Doctor Anton Arcane in "Swamp Thing" and its sequel.

In short, "Year of the Comet" was unfairly bashed when it was released, even if it isn't a great movie, it deserved better fate. Maybe if it was produced in the 80's, could have found an audience, but by 1992, the movie-goers were over-saturated of this peculiar genre and moved on to a more darker films...
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7/10
Nice Quirky Romance
imdb-1790417 March 2008
Warning: Spoilers
Off-beat quirky romance / semi-adventure film. If you like the more indie-film vibe, this movie is for you. It is a little predictable, woman has a job to do, man has to go with her for protection, and despite their opposite personalities and the plot twists, of course they fall in love. Main character, Margaret, is sent to retrieve a valuable bottle of wine to sell at auction...and Oliver is sent with her to protect her. But of course, others are out to get the bottle for themselves (this is where the adventure comes in). It does move slow in some parts but overall I had a good feeling when the closing credits appeared. I'm glad I saw this at home with a pause button and some of my own wine. So, sit back and open a bottle of your favorite wine and enjoy.
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5/10
With Talent Involved, What a Waste!
cariart7 July 2005
With Peter Yates, the cutting-edge director of "Bullitt" and "Eyewitness", Penelope Ann Miller, the gifted, fresh-faced 'Girl Next Door' who would reveal a breathtaking figure and sexuality in "Carlitto's Way", and Tim Daly, the handsome, witty star of TV's "Wings", involved in this film, all the elements were in place for a sexy, exciting "Romancing the Stone"-style adventure...but "Year of the Comet" would prove, instead, to be a pale shadow, a mish-mash of retread plot twists, silly climaxes, and uninspired performances.

The story, of an 'ugly duckling' daughter of a wine-selling family (Miller), journeying to Scotland to appraise an estate's wine cellar, and discovering a near-priceless Napoleonic vintage, might have, by itself, made a fair film...but tossing in subplots involving a suave villain (the legendary Louis Jordan, echoing his performance in "Octopussy") searching for a 'Fountain of Youth' formula while hiding in the castle, and a Scottish thug who steals the bottle (leading to an illogical helicopter/car/rowboat chase) manages to 'dumb down' the plot beyond redemption. Adding a final unsurprising twist...that Miller's companion through her 'adventures' (Daly) is actually rich (one wonders how he keeps his money, as blithely unconcerned and free-spending as he is)...simply cements the film as nothing more than a time-passer.

There are a few 'pluses' that keep the film from being a total waste; Scotland is, as always, gloriously beautiful; Jordan's head 'henchman' (the wonderful Nick Brimble) is a hoot, particularly when trying to pass himself off as a Scot police inspector; and Hummie Mann's score, influenced by traditional themes, is lovely, when the dumb dialog doesn't interrupt it!

How sad, so bad!
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7/10
Wine?
ahordifco30 July 2019
Enjoyed the movie so much I started to check out wine.
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2/10
Out-and-out misfire
vostf11 March 2012
William Golman says this is his most hurtful failure ("Which Lie Did I Tell" - published around 2000). Not just a movie that didn't do well at the box-office for some reason, a real stinking dud. He seems at a loss to understand what was wrong. His only hint is that people don't care about red wine. Wrong wrong wrong. Red wine in this movie is only part of the scenery, and the big heavy unbreakable bottle of Château Lafite 1811 (Year of the Comet) is just a McGuffin, albeit a poor one.

So William Goldman can't understand why people left, or more accurately fled, the free advance screening in Sherman Oaks that fateful night in 1992. Well the movie is really bad. Exposition is heavy handed, the girl is nice but the character passive and bland, the boy is just weak. Goldman had Cary Grant in mind to picture the male lead, well, let's just say that this cute boy Daly is hardly a decent supporting actor.

The movie is totally silly and Peter Yates fails to bring it to the level of an action comedy. Louis Jourdan's last job is what's most in line with a silly funny movie, the rest is mostly a script that doesn't take its story seriously enough for the big fat cheap jokes to work.

And by the way Year of the Comet is a really bad title for something that has as much to do with astronomy as with wine.
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6/10
Cotton Candy
imkleggett16 September 2007
On a rainy Sunday afternoon this would be fun with a friend. It's a silly, fluffy and self-indulgent love story, something that 50 years ago Cary Grant might have done. So what if background details are left out and the plot is nonsensical? It's a romance. (Okay, and the dialogue is sometimes a bit too cutesy and the hero does remind you constantly and annoyingly of The Sundance Kid.) There's room in the world for romp and caper and chase films too. (I only wish the scenery had been used a bit more. Both the Isle of Skye and Monaco can be charming places.) I liked the film when it first came out and watching it last night I enjoyed it again. Thanks, Bill.
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4/10
well...
myriamlenys1 March 2018
The two protagonists are charming and show considerable chemistry. There are also some funny scenes and one-liners to enjoy. Sadly all of this is wasted on a disjointed and mediocre little movie. Even the title is strangely misguided. Imagine, say, that you want to make a movie about the violent life and times of Cold War spies, who, occasionaly, meet near a train station in order to exchange coded messages. Would you name the movie after an antique locomotive ? Or after a certain kind of brisket that Stephenson liked to eat ? Or after the first cow killed by a train in the state of Ohio ?

Spare a thought for poor Mr. Jourdan, who looks as though he is planning to fire his agent by tying him to a barrel of gunpower.
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8/10
A wonderfully nice "inside" movie of the word of oenology
Wampusdude6 June 2005
Warning: Spoilers
The movie revolves around Penelope Ann Miller's character discovering, first a hidden wine cellar at a castle she's sent to catalog for her father's auction house.

Then she found a case holding a very large bottle...possibly Balthazar or even Nebudchannazer, of a 1811 Ch. Lafite...from a Year of the Comet, a vintage much more successful than the later 1887 Year of the Comet. Haley's, that is.

The movie becomes a romantic adventure-comedy, with Tim Daly pulling the Hero parts off. Louis Jourdan has the role of Mad Scientist, which he'd become excellent at :)

The huge surprise comes at the end, when the bottle is auctioned off and a surprise bidder buys it. And THEN shocks EVERYONE in the auction room by OPENING it. And selling glasses for, I think, ten-thousand dollars a glass, made out to a favorite charity.

Daly and Miller of course become an item.

This movie is beloved of wine geeks, like me. My nick in other worlds is the Winestone Cowboy (VBG)
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1/10
Horrible, horrible, horrible
McKiller18 August 2000
I have walked out of about 6 movies my entire life. This was one of the worst movies I have ever seen. I don't know how I sat through an hour of it. I must have been in a coma that night. I saw it in the theatre when it came out 8 years ago. I couldn't even remember the name, but I knew that Penelope Ann Miller starred in it. It must have really affected me to be wasting my time commenting on it today. Yech! Vomit! Barf!
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Good romanitc fun
tne_mitchell8 January 2004
I don't know why so many people think this is a bad film. I guess I'm no critic but I thoroughly enjoyed it. Beautiful locations. Attractive stars. And the "underdog" doesn't stay under for long. I'ts not rocket science, but who wants to watch rocket science at the end of a tough day. It's fun, romantic and something you can watch even if the kids are around. I'd give it the full 10 stars!
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1/10
Terrible film.
sallyp4223 May 2020
This film desperately wants to be a kooky caper film, but the acting is horrible. In capable hands, this might have been a fun adventure, but the acting is so terrible, the actors have no chemistry, and the plot is so jumbled and ridiculous. The dialogue is awful. This film has absolutely nothing better I do with wine!
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3/10
comfortable movie, boring and slow start with a good end
momomojojo19 February 2022
The nostalgic movie making is such nice.

The combination of wine makes it a element that is just a side element that does not bring alot. Music choice is very strange The unrealistic scenes are very lame The special effects are pity because they have used alot of real prop Strong female power is nicely done.

Do like how they bring sensitive topics and deal with it in the movie.

Nice twist at the end The surprising twist and turns are done good. Especially at the end what I really miss nowadays.

This movie is not a cheap one that you can notice.

Acting is a bit low quality.
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3/10
Ridiculous.
imseeg26 February 2022
The bad: the story is ridiculous. Simply ridiculous. What need I say more?

Not any good? NO. BECAUSE THE STORY IS ABSOLUTELY RIDICULOUS.

The subject SEEMS interesting (wine). Yummy. Bad thought process. Because this movie is about everything BUT wine. It's completely SILLY. Yes, SILLY.
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9/10
Great movie!
domino1322 February 2001
This movie was poorly promoted by the companies behind it - even though it is a great movie. This is one of the best romantic comedies I have ever seen. If you liked "The Cutting Edge" or "Romancing the Stone," you will like this one. I highly recommend it!
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8/10
very underrated film
epratt4 April 2002
The Year of the Comet is in a genre that is the perfect date movie. It is a romantic comedy that is in the guise of an action thriller.

This was William Goldman's first original script since Butch Cassidy. The film even features two actors from the Bond films: Art Malik and Louis Jourdan.

Go rent this movie if you want a surprising, unexpected treat.
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8/10
A film not to be taken seriously and for those with a good sense of humour
jac_mc9 January 2006
I thought it was a light hearted comedy, made me laugh.

It was just full of fun and entertainment.

The actors roles also poked a little fun at the nationality of all involved in this escapade as well as trying their hand at a Scottish or English accent was amusing.

It did show just how beautiful Scotland can be even when a helicopter lands on a croft scaring the poor farmers sheep! Taking us on a tour trying to catch up with the crooks who were always bungling everything they tried to was also funny.

Its a film that if you need to laugh or feel good, its one that will work for most people.
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8/10
Fun!
rockhopper10r11 September 2022
This movie has such as sense of fun! Penelope Ann Miller is the brainy, nerdy heroibe. Tim Daly is the dashing, almost-but-not-quite perfect hero. Louis Jourdan is an over-the-top villain. What more could you want 90 minutes? Some beautiful scenery and an amazing score? Check. Tim Daly shirtless at the height of his pulchritude? Check. A breezy, lighthearted adventure? Check. And it even has wine! Is it the greatest achievement in film history? Probably not. Does it accomplish its goal of being a comedic modern swashbuckle? Absolutely!

This is just a lot of fun and deserves to be better known.
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8/10
I will admit this isn't one of the best films ever made, but...
gallowayfc9 August 2004
I will admit this isn't one of the best films ever made, but it happens to be one of my favorites. I even purchased an additional tape just in case the first one breaks. Penelope Ann Miller is driving force behind all of this. In my opinion, this was her best performance, ever. Unfortunately, that isn't too saying much because she isn't that great of an actress-oh well, no one is perfect. Anyway, she fascinates me and I have a gut feeling that she is just amazing women. And I'm not just referring to the physical aspects. There are plenty of beautiful actresses out there. She is special because she is sexy and smart-not an easy combination to find. Of all the actress that I can think of, there are very few other examples.
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Charming and winsome
mercy-1516 September 2004
I found this to be a small film full of heart, a charming, winsome example of how powerful the story of two people can be. Full of humor, breathtaking scenery, and quirky characters, it's an enjoyable film to see again and again.

Tim Daly turned in an engaging performance as the mostly bemused Oliver Plexico. Penelope Ann Miller, later seen to devastating effect in The Shadow, turns in a light but powerful performance as the determined Margaret Harwood. Together, they battle enraged farmers, violent scientists, and each other before true love wins out--and the ending is as charming, quirky, and brow-raising as the rest of the film.

Truly, a wonderfully intimate little film about the perils of the wine business--and falling in love.
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8/10
very entertaining..
h_tuydes6 June 2005
Warning: Spoilers
It is a little bit cheesy but very entertaining movie. Sometimes the scenes are too exaggerated but especially with the performance of the male lead, it is very funny and entertaining. This movie made me feel like the actors and the producers enjoyed making it as much as I did when I watched it. There is some sort of easiness and natural flow in the storytelling.

I must admit I am a big fan of the lead actor, Tom Daly, from the TV show "Wings". I think he is really funny yet gorgeous. In this movie, he is the goofy and not-so-gentleman American chasing after this elegant European girl. Of course, the situations and contradictions are not very original, they are almost cliché, but he is very good at giving it a personal touch. I don't like writing spoilers but without giving away too much I must say, pay attention to the scene where he is in great pain after confronting the bottle box thieves, or when he is under the window of the girl. Also, the scene where he is trying to stall the bad guy saying "Maggie, Maggie, Maggie, .." numerous times. He definitely gives 110% effort in creating his character. Especially the mustache, funny, ridiculous yet still charming.. :) The lead actress is funny and beautiful, definitely carrying the hidden treasures of a beautiful,naive, stubborn and yet intelligent and diligent girl. Also, it is amazing how different she can look in different scenes, scenery, costumes, etc. But I must say, I am not that much impressed with her acting; a little weak compared to the main guy.

The supporting actors are great, too. I liked the lady who runs the local hotel/b&b talking to her son! Don't expect an Oscar-winning moment but truly delightful for a night in your cozy home with someone you love (guys,you will have fun, too, believe me) :)
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Death, Death, Death
jstrewth7 June 2008
In his book "Which Lie Did I Tell?", screenwriter William (The Princess Bride) Goldman talked in detail about how this film became doomed after a sneak preview screening ended with nearly the entire audience fleeing the theater by the half-hour mark (or so I remember reading).

While this film isn't as bad as it sounded, I still gave up on it halfway through.

To paraphrase The Unknown Movies website, it's rather hard to tell whether Goldman wanted to ape Romancing the Stone (a much better film, of course), especially considering he has long criticized Hollywood for avoiding original stories. On the other hand, the finished film seemed unbelievably rushed; it's as if I was watching a movie on television that had already joined in progress following a baseball game, or something.

So yeah, don't bother, unless you're really curious. I'll leave you with one amusing thing, however: when I turned off the tape, it was during the scene where Penelope Ann Miller and Tim Daly were in the helicopter as it was spiraling down to its doom; I just turned it off and quipped, "And the helicopter crashed and they both died. The end."
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