When an adorable baby boy is added to the Addams household, Wednesday and Pugsley do not hate him, they just aren't necessarily excited about his existence. OK...yeah, they do hate him. So they plot to get rid of him one way or another. Meanwhile, their parents hire a nanny for him and she charms Fester, but has evil intentions for him. The Addamses must stop her, but how?
The baby's name, Pubert, was the name originally suggested (and rejected) for Pugsley by Charles Addams when he was asked by the producers of The Addams Family (1964) to name the hitherto unnamed characters in his cartoons. See more »
During the house explosion, the interior view of Debbie's car has the driver's window closed (hence no force from the blast inside the car); however, when she gets out of the car, the window is down. See more »
[giving a funeral to a cat in a shoe-box]
Come, sorrow; we welcome thee. Let us join in grief, rejoice in despair, and honor the fortunate dead.
[the cat mews and Wednesday shakes the box]
[starts piling dirt on the box]
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Other than the title, there are no opening credits. See more »
When Joel first enters the Harmony Hut to join Wednesday and Pugsley, after Gary takes his book away, he looks around and shrieks in horror to see a poster of Michael Jackson on the far wall. This part has been removed from some TV broadcasts. See more »
No longer rehashing old material, they're even funnier this time.
One of my favorite films. Paul Rudnick clearly had a field day writing this screenplay.
As odd as it may seem, this sequel is in many ways superior to its predecessor. The first had to spend much of its time introducing the Family--and, just as importantly, paying (totally justified) homage to Charles Addams' brilliant cartoons and to the old television series. As a result, the plot felt forced, as if it had been the best way the writers could think of to showcase all the source material. In the end, one left the theater feeling that the movie had been 'about' the old sight gags. And then there was the totally shameless product placement...but I digress.
Addams Family Values, on the other hand, gets to be more playful. Because we all know who we're dealing with by now, we don't have to spend nearly so much time introducing the family and their skewed universe. Instead, the characters get more of a chance to develop as they glide blithely through a fuller, more cohesive story.
Paul Rudnick's screenplay is masterful--you'll be quoting from it for weeks. Raul Julia and Anjelica Huston are particularly marvelous as one of the most genuinely loving, passionate couples you've seen in ages. In a weird sort of way.
That dance number! Morticia's ever-present shaft of light! Christina Ricci as the sublime Wednesday! Joan Cusack, unhinged! A split-second cameo by Charles Busch! Oh, rapture. I could go on and on, but I'm running out of superlatives. Suffice it to say that this movie is well worth your time.
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