When an escort girl is found dead in the offices of a Japanese company in Los Angeles, detectives Web Smith and John Connor act as liaison between the company's executives and the investigating cop Tom Graham.
At the offices of a Japanese corporation, during a party, a woman, who's evidently a professional mistress, is found dead, apparently after some rough sex. A police detective, Web Smith is called in to investigate, but before getting there, he gets a call from someone who instructs him to pick up John Connor, a former police Captain and expert on Japanese affairs. When they arrive there, Web thinks that everything is obvious, but Connor tells him that there's a lot more going on.Written by
Peter Crombie, Sam Lloyd, and Daniel von Bargen all played a recurring guest role on Seinfeld (1989-1998) See more »
The first scene shows the Japanese girl to have a deformed left hand. In one scene where she stands up and pulls her blouse down, it is very clear that her left hand is normal. In a subsequent scene, when she is explaining herself to Web Smith, her left hand again appears deformed. See more »
Do you know what's true? When something sounds too good to be true, then it's not true.
See more »
There is a credit in Rising Sun thanking "The MIT Leg Lab" and "Marc Raibert and his Running Team." This refers to a short scene where the two detectives go out to a fancy-looking research lab (really a water treatment plant; also used as the set for Starfleet Academy on the TV series "Star Trek - The Next Generation). In the background of some of the shots there are two legged robots: one hopping in a circle in a tea-house; the other bouncing up a garden path. These robots are actually academic research projects from the MIT AI Lab's Legged Locomotion Lab. They really do hop about and maintain their balance. Power comes from off-board hydraulic pumps (hence the guy in the background (me!) pulling hoses for the robot), and body attitude is sensed with gyroscopes. A human with a joystick tells the robot what direction to go, and the control algorithms (which are the real subject of Leg Lab research) maintain speed, direction, and balance. However, the robots aren't designed for special effects. They're always being modified, and they tend to break down frequently. This made shooting in the hot july sun of the San Fernando Valley a real nightmare, with transputers crashing in the heat, stuck gyros, and hydraulic leaks. Three grad students and a professor worked steadily for about a month before Hollywood, and then five days on the set and on location to get the robots in about 15 seconds of film. The credits are: Marc Raibert (our prof), and Charles Francois, Rob Playter and Lee Campbell (me) who are students. We three students appear in the film in white lab coats acting like Robot Scientists!! See more »
Here's another film that cops too much flack. It's an underrated movie, which at times loses it's punch, but it becomes such an engrossing movie that gets with the times. It's set around a big computer organization, where everything's not black and white. We have a beautiful high priced girl/mistress, who's been accidentally strangled, or was she murdered, while engaged in a session of rough sex that got out of control. All evidence, instantly points towards Eddie Sakamoto, the son of the original owner of the business, I think, as he was in a relationship with the dead lass, and they had argued at the start while singing "Don't fence me in" at karaoke, where she just stormed out, where he gives chase. The exterior trick shot, outside the bar where the sports car is made to look really small as it takes off, outside the park, was a cool shot on Kaufman's part (this is the dude that made The Wanderers). Enter Connery, a cop was a mysterious past and Snipes who's assigned with him. The teaming up of these two is interesting. Like the Seagal characters, Connery's here is kept pretty secretive, as if almost boxed up. He's flawlessly great, disposing of tight situations, with a hand to the throat, when muscle bound geezers, give him trouble. We learn too about Snipes's background some, but this film really opens our eyes, to the deception in computer graphics, and the falsity of misrepresenting images, where's Eddie's may of been planted, preferably by the killer and his goons, possible employees of the business. RS is a nice cool mixture with the just the right of amount of sex, (it's hot, especially, naked sushi scene, much alike to the one in the dreaded, Showdown in Little Tokyo). There's nice looking broads, and some action, but on the surface, it's a drama thriller, but it's a very good drama thriller, right to the end, that has you wondering, if the supposed killer that dies at the end, is really our guy. These thrillers, who's victim is killed right at the start (Saigon, Basic Instinct) where the rest of the movie you're left to guess the killer, I love. RS has it all, = one big surprise, plus some of those great actors from Reservoir Dogs, Buscemi, playing a pussy character in this too. We even have a car chase, where at Snipes request, these homeboys stall these not so happy Asians. The interrogation scenes with Snipes, the interrogated set in before or after scenario's, I liked too which really gave it an interesting and serious angle. These after scenarios could have you thinking they took place after the end of the story, which is rather cool. After all poor Snipes has got enough personal problems. Also we have same real racial hatred going, thanks to a conflict of opinions, and ill favour. Don't believe the bad hype on this. Rent it today.
7 of 9 people found this review helpful.
Was this review helpful to you?
| Report this