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The Mask (1994)

PG-13 | | Comedy, Crime, Fantasy | 29 July 1994 (USA)
Trailer
1:57 | Trailer
Bank clerk Stanley Ipkiss is transformed into a manic superhero when he wears a mysterious mask.

Director:

Chuck Russell (as Charles Russell)

Writers:

Michael Fallon (story), Mark Verheiden (story) | 1 more credit »
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Popularity
1,044 ( 75)
Nominated for 1 Oscar. Another 6 wins & 19 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jim Carrey ... Stanley Ipkiss
Peter Riegert ... Lt. Mitch Kellaway
Peter Greene ... Dorian
Amy Yasbeck ... Peggy Brandt
Richard Jeni ... Charlie Schumaker
Orestes Matacena ... Niko
Tim Bagley ... Irv (as Timothy Bagley)
Nancy Fish ... Mrs. Peenman
Johnny Williams ... Burt
Reg E. Cathey ... Freeze (as Reginald E. Cathey)
Jim Doughan Jim Doughan ... Doyle
Denis Forest ... Sweet Eddy
Cameron Diaz ... Tina Carlyle
Joseph Alfieri ... Police Officer
B.J. Barie B.J. Barie ... Alley Punk #1
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Storyline

Stanley Ipkiss (Jim Carrey) is a bank clerk that is an incredibly nice man. Unfortunately, he is too nice for his own good and is a pushover when it comes to confrontations. After one of the worst days of his life, he finds a mask that depicts Loki, the Norse night god of mischief. Now, when he puts it on, he becomes his inner, self: a cartoon romantic wild man. However, a small time crime boss, Dorian Tyrel (Peter Greene), comes across this character dubbed "The Mask" by the media. After Ipkiss's alter ego indirectly kills his friend in crime, Tyrel now wants this green-faced goon destroyed. Written by Ian Pugh <skypilot@ezaccess.net>

Plot Summary | Plot Synopsis

Taglines:

Stanley Ipkiss is not the man he used to be. See more »

Genres:

Comedy | Crime | Fantasy

Motion Picture Rating (MPAA)

Rated PG-13 for some stylized violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

USA

Language:

English | Swedish

Release Date:

29 July 1994 (USA) See more »

Also Known As:

The Mask See more »

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Box Office

Budget:

$23,000,000 (estimated)

Opening Weekend USA:

$23,117,068, 31 July 1994

Gross USA:

$119,938,730

Cumulative Worldwide Gross:

$351,583,407
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (workprint)

Sound Mix:

DTS | Dolby (Dolby Stereo)| Dolby Digital (DVD)

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The character of Tina Carlyle was made for the film. She doesn't exist in the original comic books of the same name. She's a replacement of Kathy, a character in the comics who was the girlfriend of Stanley Ipkiss. See more »

Goofs

When Milo the dog has the mask and a guy with long blonde hair is pulling his back legs, in two brief shots it's another guy with short black hair. See more »

Quotes

Peggy Brandt: I'm with the Evening Star. Can you tell me what happened here?
Lieutenant Mitch Kellaway: No, and you can quote me.
Peggy Brandt: Well, it looks like some sort of Mob tactic.
Lieutenant Mitch Kellaway: There it is, boys, she broke the case. Come on, get these rubbernecks out of here.
See more »

Crazy Credits

The film title appears when the Mask is released from its underwater chest and floats to the surface. See more »

Alternate Versions

New Line's Special Edition DVD includes two scenes that were removed from the theatrical version prior to release:
  • a prologue, set in the 11th century, showing the arrival of a Viking boat to America; the Vikings come ashore, bury a chest that contains Loki's mask and then leave;
  • (SPOILER) a longer version of the scene where Peggy Brandt betrays Stanley. In the theatrical version she supposedly leaves the printing plant after getting her money; the longer version shows the Masked Dorian killing her by throwing her inside the presses.
See more »

Connections

References 4D Man (1959) See more »

Soundtracks

Gee Baby, Ain't I Good To You
Lyrics by Don Redman and Andy Razaf
Music by Don Redman
Performed by Susan Boyd
See more »

Frequently Asked Questions

See more »

User Reviews

 
Incredible success when seen as a surrealistic cinematic pastiche
22 February 2005 | by BrandtSponsellerSee all my reviews

Stanley Ipkiss (Jim Carrey) is a bit of a dorky pushover. For example, he buys hot concert tickets to try to get a date with a fellow bank employee he's been pining after, but she easily scams him into keeping the tickets for herself, and he is too weak to publicly object. But when he comes across an ancient mask of Lodi long ago discarded by Vikings who tried to bury the "troublesome object" at the "end of the Earth", he discovers it has the power to unlock his true self--suave, smooth-talking, manic, a bit dangerous, and a hopeless romantic.

The Mask was a perfect vehicle for Jim Carrey. It not only allowed provided the perfect justification to flamboyantly engage in his rubber-faced antics in a manner even more over-the-top than what he'd become famous for, but it provided an opportunity to stretch his acting chops towards a more serious side at just the right time in his career, paving the way for later work such as Man on the Moon (1999), The Majestic (2001) and Eternal Sunshine of the Spotless Mind (2004).

The success of the film wholly depends on Carrey, as he has to sell his characters' frenzied insanity so that it's believable as a reflection of Stanley's inner self while at the same time likable but teetering on the edge of becoming obnoxiously overbearing. Of course, the amazing special effects and make-up help, as well as the clever script and more than competent directing and cinematography, but with the wrong actor in the part, the whole affair could have easily collapsed. The other cast members are fine in supporting roles, with Cameron Diaz coming across as being almost otherworldly beautiful, but Carrey is rarely off-screen, and rightly so.

The Mask is notable for both spoofing almost the whole history of cinema while at the same time respectfully paying homage to it. The audience is treated to everything from silent film slapstick to lavish musical numbers (with excellent songs), frenzied Tex Avery-styled animation to gangster film suspense. On its surface, the film is a crazy, often funny, hyperactively paced cinematic pastiche.

The subtext about identity and public faces versus private selves is interesting, but not the focus. It would be fine to explore further, but to do so in this particular film would have taken too much time away from Carrey's surrealistic tour de force. Besides, we've had later films where that subtext has been closer to the heart of a story, such as Catwoman (2004), and where it was very thoroughly and competently dealt with.

Many aspects of The Mask differed from the comic book source material, but this is a case where the changes led to such an excellent result that most people have forgotten about the source material and primarily remember Carrey's performance in this film as definitive.


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