Directed by
| Michael Tolkin | ||
Writing Credits (WGA)
| Michael Tolkin | ... | (written by) |
Cast (in credits order) verified as complete
Produced by
| Keith Addis | ... | producer |
| Alison Balian | ... | associate producer |
| Iya Labunka | ... | co-producer |
| Arnon Milchan | ... | executive producer |
| Oliver Stone | ... | executive producer |
| Nick Wechsler | ... | producer |
| Janet Yang | ... | co-producer |
Music by
| Mark Mothersbaugh | ||
Cinematography by
| John J. Campbell | ... | (as John Campbell) |
Editing by
| Suzanne Fenn | ||
Casting By
| Deborah Aquila | ||
Production Design by
| Robin Standefer | ||
Art Direction by
| Kenneth Hardy | ||
Set Decoration by
| Claire Jenora Bowin | ||
Costume Design by
| Richard Shissler | ||
Makeup Department
| Deborah K. Larsen | ... | makeup department head |
Production Management
| Michele E. Carnes | ... | production supervisor |
Second Unit Director or Assistant Director
| Christine Larson-Nitzsche | ... | first assistant director (as Christine Larson) |
| Janet Van Etten | ... | second assistant director |
Art Department
| Rebecca Carriaga | ... | assistant property master |
| John A. Foote | ... | set dresser |
| Chris Forster | ... | construction coordinator |
| Jon Kuyper | ... | art department assistant |
| Wayne Shepherd | ... | lead man |
| Dan Spaulding | ... | set dresser |
Sound Department
| Ulrika Akander | ... | dialogue editor |
| Steve Bissinger | ... | sound effects editor |
| Gary Gegan | ... | re-recording mixer |
| Eric J. Goldstein | ... | additional boom |
| Peter Halbert | ... | boom operator |
| Stephen Halbert | ... | sound |
| Matthew Iadarola | ... | supervising re-recording mixer |
| David Jobe | ... | foley mixer |
| Steve Richardson | ... | sound editor |
| Tami Treadwell | ... | foley recordist |
| Hugo Weng | ... | dialogue editor |
Camera and Electrical Department
| K.C. Bailey | ... | still photographer |
| Kurt Braun | ... | steadicam operator |
| Alan Brownstein | ... | gaffer |
| Steve Hurson | ... | second assistant camera |
| Brent Lawson | ... | best boy grip |
| Bruce Lawson | ... | key grip |
| Juan Morse | ... | lighting technician |
| Steve Reinhardt | ... | best boy electric |
| Dale Robinette | ... | additional still photographer |
| Parker Swanson | ... | additional grip |
| Stephen Thorp | ... | electrician |
Casting Department
| Rich King | ... | extras casting |
Costume and Wardrobe Department
| Austin Myers | ... | assistant costume designer |
| Eva Prappas | ... | set costumer |
Editorial Department
| James Durante | ... | assistant editor |
Location Management
| Diane Friedman | ... | assistant location manager |
| Beth Tate | ... | location scout |
Music Department
| Mark Green | ... | music editor |
| Mitchell Leib | ... | music supervisor |
| Bruce Young Berman | ... | musician: guitar solos (uncredited) |
Script and Continuity Department
| Jane Goldsmith | ... | script supervisor |
Additional Crew
| Rebecca A. Battle | ... | assistant production coordinator |
| Maureen 'Mo' Crutchfield | ... | first assistant accountant |
| Robert Dawson | ... | title designer |
| David Hoge | ... | production assistant |
| Kelly Johnson | ... | key craft service |
| Jim McCarthy | ... | post-production accountant |
| Chris Paine | ... | assistant: Michael Tolkin |
| James Root | ... | key office production assistant |
| Azita Zendel | ... | assistant: Oliver Stone (uncredited) |
