Elvis Presley and a black "JFK" stay in a nursing home where nothing happens - until a wayward Egyptian mummy comes and sucks out the old people's souls thru their a-holes. The two decide to fight back.
Don Coscarelli has a knack for seeing the world through the eyes and heart of a young boy. He offers a Peter Pan-esque adventure to men from the boomers to present day, with each generation being introduced to a more innocent time.
A bunch of city slickers from different backgrounds go into the wild mountains to be one with nature, but basically to have a good time. However, a paramilitary group has chosen the same ... See full summary »
In the days leading up to Halloween in a Southern California suburb, 11-year-old Kenny and his best friend, Doug, play flag football, ride skateboards, get into mischief, and fend off the ... See full summary »
Having recently witnessed the horrific results of a top secret project to bring the dead back to life, a distraught youth performs the operation on his girlfriend after she's killed in a motorcycle accident.
James T. Callahan,
The Tall Man, that imposing menace from Morningside Mortuary, is back and once again haunting the thoughts of the now-adult Mike and his friend, ex-Ice Cream vendor Reggie. The two continue their hunt for the mysterious figure and in his path of destruction encounter a variety of dangerous situations, friends and enemies. They also must contend with the resurrected dead plus a growing number of the infamous and deadly silver spheres which aid the Tall Man as he sets his sights on indoctrinating Mike and finishing the fight begun so many years ago.Written by
(at around 1h 2 mins) The flying hearse was performed by stuntman Bob Ivy. Using a seven foot tall "pipe ramp," he managed to get the massive hearse airborne and it traveled over one hundred and sixty feet through the air. Ivy later played the "Demon Trooper" in Phantasm IV: Oblivion (1998) and the title role in Bubba Ho-Tep (2002). See more »
In the beginning of the scene where the group is sleeping in the desert, Reggie goes to get Mike while Rock lies next to him and Tim lies on the other side of the campfire. But when Reggie comes out with Mike, Tim and Rocky are next to each other. See more »
In versions released in the US, the opening credits read PHANTASM: LORD OF THE DEAD, but the end credits read PHANTASM III. See more »
An alternate ending was shot for Phantasm III, but later not used. It features Reggie and Tim visiting Alaska. Reggie digs a small hole in the ice and Tim places a small container (containing The Tall Man's gold sphere) into the ice. Reggie places a metal plaque over the hole and seals it up. The plaque reads "Here lies The Tall Man. R.I.P." See more »
Phantasm III keeps its promise of continuing with the Phantasm story and the Phantasm characters. Mike and Reg are back - and so is Jody from the first Phantasm. And let's not forget one of the creepiest screen villains in the last 30 years - Angus Scrimm as the ubiquitous Tall Man. This time around Reg and Mike continue to battle the Tall Man from the last scene in Phantasm II - eventually Mike is kidnapped and Reg finds some new pals - an eleven year old that has holed himself up in his house whilst battling intruders and killing many of them as well as a martial arts using woman with that Grace Jones look and the sizzle of speech that a film like this needs sometimes. We get the spheres, the mausoleums, the suspenseful, frightening scenes you know are coming but still are ill-prepared for, and some imaginative script-telling and directing from Don Coscarelli. Phantsm III has all that one might look for in a sequel like this and keeps the Phantasm flame burning gloriously brightly. The acting is as always very solid. Reggie Bannister is particularly good in his reprising role, and let's face it when Angus Scrimm says, "BOY!" that he makes even the most lithe heart beat a bit faster. Some of the plot elements like the little eleven year old are somewhat far-fetched as the three thugs in living and non-living form became tiresome. The layout of the film with its vast empty towns and sense of decay in the American heartland as well as the hugely reverential-look given to the mausoleum showcase Coscarelli's skills as a director with a wonderful eye for detail.
7 of 12 people found this review helpful.
Was this review helpful to you?
| Report this