When the menace known as The Joker emerges from his mysterious past, he wreaks havoc and chaos on the people of Gotham. The Dark Knight must accept one of the greatest psychological and physical tests of his ability to fight injustice.
Jules Winnfield (Samuel L. Jackson) and Vincent Vega (John Travolta) are two hit men who are out to retrieve a suitcase stolen from their employer, mob boss Marsellus Wallace (Ving Rhames). Wallace has also asked Vincent to take his wife Mia (Uma Thurman) out a few days later when Wallace himself will be out of town. Butch Coolidge (Bruce Willis) is an aging boxer who is paid by Wallace to lose his fight. The lives of these seemingly unrelated people are woven together comprising of a series of funny, bizarre and uncalled-for incidents.Written by
The reason Butch saved Marsellus from Zed and Manyard was because of honor, which is a major theme in all of Tarantino's films: Butch puts himself in Marsellus' position and decides that he would hate to be left to such a horrid fate; he cannot just leave somebody there, no matter who it is. Butch does the "right thing" to put it simply; he realises that Maynard and Zed cannot get away with what they are doing to anybody--who knows how many people they've raped, tortured or even killed in Maynard's basement? Butch may have also considered saving Marsellus an act of redemption. By saving his skin, he may have hoped that Marsellus would forgive him and let him go, if not, Butch may have killed Marsellus himself. Notice how Butch still stood ready to swing with the sword when he asked, "What now?" The former becomes the case, whether that was Butch's intention or not. Also, if Marsellus ever escaped and learned that Butch had left him there to his fate, Marsellus would sure unleash even more retaliation against Butch than he was subject to after double-crossing him at the fight. Consider the weapon Butch chooses: a samurai sword. The samurai are long-associated with honour towards their masters. If you want to simplify the overarching theme of the film, you could say it's about honor among thieves. There is also a clue to why Butch saves Marsellus, in the flashback scene with Christopher Walken's Captain Koons, and the young Butch. In the scene, Koons is relating his imprisonment with Butch's father, and tells Butch, Hopefully, you'll never have to experience this yourself, but when two men are in a situation like me and your dad were, for as long as we were, you take on certain responsibilities of the other. It's possible that these words came to Butch's mind as he was attempting to leave the pawn shop. See more »
(at around 1h 15 mins) In the "gold Watch" scene, Butch gets out of the cab, then it cuts to Butch paying Esmarelda Villalobos. When the view returns to the whole cab again, you can tell the cab is moved back from when they first arrived. See more »
Forget it. Too risky. I'm through doing that shit.
You always say that. That same thing every time, "I'm through, never again, too dangerous".
I know that's what I always say. I'm always right, too.
But you forget about it in a day or two.
Yeah, well the days of me forgetting are over, and the days of me remembering have just begun.
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In the opening credits, the music changes as if it were on the radio just as the credit for "Music Supervisor" appears on the screen. See more »
Although uncut in UK cinemas, the video versions were all re-framed to remove the sight of the needle piercing John Travolta's arm. This re-framed version is the one which was also shown on network TV (BBC 2). See more »
To put this in context, I am 34 years old and I have to say that this is the best film I have seen without doubt and I don't expect it will be beaten as far as I am concerned. Obviously times move on, and I acknowledge that due to its violence and one particularly uncomfortable scene this film is not for everyone, but I still remember watching it for the first time, and it blew me away. Anyone who watches it now has to remember that it actually changed the history of cinema. In context- it followed a decade or more of action films that always ended with a chase sequence where the hero saved the day - you could have written those films yourself. Pulp had you gripped and credited the audience with intelligence. There is not a line of wasted dialogue and the movie incorporates a number of complexities that are not immediately obvious. It also resurrected the career of Grease icon John Travolta and highlighted the acting talent of Samuel L Jackson. There are many films now that are edited out of sequence and have multiple plots etc but this is the one they all want to be, or all want to beat, but never will.
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