The Phantom, descendent of a line of African superheroes, travels to New York City to thwart a wealthy criminal genius from obtaining three magic skulls which would give him the secret to ultimate power.
Darkman and Durant return and they hate each other as much as ever. This time, Durant has plans to take over the city's drug trade using high-tech weaponry. Darkman must step in and try to stop Durant once and for all.
Law student Chris Moore is an urban daredevil who gets his kicks from racing across rooftops. When a secret organization approaches him with proof that he is actually the son of a legendary... See full summary »
Darkman returns to stealing from the bad and using the cash to continue his work on synthetic skin. But Dr. Bridget Thorne double-crosses him, implanting a device in his brain that lets Rooker control him and gain from his research.
A New Yorker on business in Nagoya meets a lady in the hotel bar. Returning to her room, 3 ninjas kill her and wound him. He sees the ninja boss' face. Ninjas try to kill him again but new samurai friends help, hide and train him.
Based on the 1930s pulp fiction and radio drama series, this movie pits the hero against his arch enemy, Shiwan Khan (John Lone), who plans to take over the world by holding a city ransom using an atomic bomb. Using his powers of invisibility and "The power to cloud men's minds", The Shadow (Alec Baldwin) comes blazing to the city's rescue with explosive results.Written by
Michael Ross <M.I.Rossfirstname.lastname@example.org>
During a discussion about the power source of the atomic bomb, or implosion-explosion device, beryllium spheres are mentioned as a trigger power source. Beryllium spheres are also the power source for the N.S.E.A. Protector in Galaxy Quest (1999). See more »
When Dr. Tam draws the design of the atomic bomb on the board, he only wipes away a small section of top-middle of the board (a circled ST can still be seen as he puts down the duster and picks up the chalk). When he finishes drawing the bomb design, everything that was originally on the middle of the board has been wiped and replaced with the bomb design. See more »
I don't really understand the bad rep this movie has gotten. Sure, its not "high art" (then again, Shakespeare, Dickens and Herodetus weren't meant to be, or perceived as, high art when they were written). What The Shadow was, and remains, in my eyes, is one of the best super-hero adaptations ever (the best until X-Men came out, in my opinion).
I'm not terribly familiar with the old radio drama Shadow, so I can't speak as to the details, but the feeling, the essence of the movie fits with what I've experienced. Much more importantly, it stand out well on its own.
Special effects play a major part, but are not of the over-played. Action is well done, and acting is acceptable, though rarely outstanding (the Shadow's cabbie Shrebnitz is an engrossing exception).
What really makes this movie stand out is the layering. Plots, characters, backgrounds, all are complex. The movie's basic plot is well-paced, occasionally a bit slow, but it makes up for it with the incredible wealth of details it packs in. Watching the movie, one gets the sense of an incredible amount of backstory for each character (little things, like the family life of some of the Shadow's agents, barely glimpsed, or even just the complex web of those agents across the city), or that around the corner there lies a world to explore.
This movie can be difficult to classify, which may lead to its unpopularity. Clearly its not a drama, not is it a comedy, nor even entirely an action. Scifi or fantasy are both possible descriptions, but they fail. The Shadow is comicbook style, in the truest sense of the genre. Complex characters, pull-pounding action, some jokes, some drama...it all mixes together. If you can get a bead on the style, its a very enjoyable movie, far ahead of most other super-hero films (Superman, Batman, the Phantom, etc.)
I recommend watching it, but only with an open mind.
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