The Phantom, descendent of a line of African superheroes, travels to New York City to thwart a wealthy criminal genius from obtaining three magic skulls which would give him the secret to ultimate power.
Darkman and Durant return and they hate each other as much as ever. This time, Durant has plans to take over the city's drug trade using high-tech weaponry. Darkman must step in and try to stop Durant once and for all.
Darkman, needing money to continue his experiments on synthetic skin, steals a crate of cash from drug lord Peter Rooker, attracting the gangster's attention. Rooker is determined to find ... See full summary »
Simon Templar (The Saint), is a thief for hire, whose latest job to steal the secret process for cold fusion puts him at odds with a traitor bent on toppling the Russian government, as well as the woman who holds its secret.
Based on the 1930's pulp fiction and radio drama series, this movie pits the hero against his arch enemy, Shiwan Khan, who plans to take over the world by holding a city ransom using an atomic bomb. Using his powers of invisibility and "The power to cloud men's minds", the Shadow comes blazing to the city's rescue with explosive results.Written by
Michael Ross <M.I.Rossemail@example.com>
In the first museum scene, as the director is walking towards the loading docks he passes a skeleton of what appears to be a unicorn. The first sight of it is the shadow on the wall behind him, then as he passes, you can clearly see what looks like a horn attached to the skull, of what looks like a horse. This is not correct. The skeleton is actually that of the dinosaur Iguanodon. When first discovered in the early nineteenth century, the skeleton was incomplete, and it was thought that the Iguanodon had a horn on his nose. It was later found that this was actually a spike, where Iguanodon's thumb should be. This skeleton is trying to capture that misunderstanding. See more »
While Moe's cab's design is based on a Cord automobile, it appears to have been built on a rear-wheel-drive chassis, based on its handling. The Cord was front-wheel-drive. See more »
A short comment about this movie from a German point of view, which may make a difference when we're talking about radio plays/comics adapted to the silver screen:
"The Shadow" as a radio play is virtually unknown around here. (I used the opportunity to check out some old recordings on the web, and it's _awesome_ to listen to!) So, German audiences will just walk into the theatre without any proconceived ideas about how it should be, expecting just any other adventure movie.
As such, IMHO it stood up well. Baldwin is cool; of course his demi-dark side begs for a comparision to Batman, but I think Baldwin wins in terms of credibility and depth of character. The gimmicks and gadgets are neat, Tim Curry as the half-villain is entertaining to watch as always (though he overdoes it a bit at times), the script is well-paced, the action is staged superbly, the music is gripping.
But most of all: Kudos to the production design/special effects/makeup team! They did a superb job in transforming the Shadow's 'invisibility' (as well as his overall looks) from a radio idea to the screen. It was awesome to watch, and at the same time a bit chilling and frightening.
Drawback: Beside the intentional jokes ("I'm not interested in your balls..."), some takes just seemed to be unintentionally funny- perhaps they went a little too far in trying to create a gloomy atmosphere...
Along with _The Rocketeer_, this one's also one of the unfortunately widely underrated films. Certainly not a milestone in film history, but a good and entertaining flick to watch with a bag of popcorn and a girl to hold in your arms during the scary moments. But I'm pretty sure- The Shadow... knows!
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