Some guys get all the luck, whether they like it or not. Chili Palmer happens to be in Hollywood collecting a gambling debt when he's struck by lightning (not literally). Called a natural for the movie business, he's snagged up by a producer. The rest is history.Written by
Joshua Davis <email@example.com>
When people in West Hollywood first saw the billboard with Danny DeVito dressed up as Napoléon Bonaparte credited with Martin Weir's name, they thought it was a real one, and DeVito might have changed his name. The film crew had to explain to residents it was just a prop in DeVito's latest movie. See more »
When Chili is at the airport and tries to fool the DEA agents into thinking he is opening locker C18, he moves from locker C18 to C17 (to the left) twice. See more »
A line of dialogue from John Travolta is missing from the UK 2-disc edition. The line "So You're Trying to Say You're Never Gonna Sleep Again?" comes directly after the credits as a question to Martin Ferrero's character. The line is dubbed and subtitled, and the music plays out as usual, so it's not an audio glitch. The line is present on the first UK MGM-release. See more »
Like an ol' familiar song, done with some twists. Nice casting
Barry Sonnenfeld was and maybe wasn't the right choice to make Get Shorty. He's a great visualist, and his films (Adams Family, Men in Black) are also very funny, but it's hard to say whether or not another director might've taken Elmore Leonard's sly comic novel more seriously or with less depth. As it is, however, Get Shorty is a cool little treat that doesn't over-stay its welcome, and provides its cast a plethora of witty dialog. John Travolta brings on some sharp attitude, knowing the angles and wanting, as his character Chili Palmer, to get into Hollywood and out of loan sharking. Gene Hackman's funny as a fledgling producer with his first, true big hit in his lap. And supporting parts from Delroy Lindo, Renne Russo, Danny De Vito (as 'Hollywood' as you'll ever see him), and James Gandolfini, are all very worthy. It's a worthwhile watch, with a dead-on score from John Lurie. But I would reccomend Out of Sight or Jackie Brown to Leonard fans looking for a great adaptation. It's a very good Hollywood picture (reflective of what it's about), though it's not a masterpiece. A-
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