A group of scientists try to track down and trap a killer alien seductress before she successfully mates with a human.A group of scientists try to track down and trap a killer alien seductress before she successfully mates with a human.A group of scientists try to track down and trap a killer alien seductress before she successfully mates with a human.
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Dennis Feldman's 'Species' is a severely underrated science fiction film from the 90s. The film touches on many themes, including the meaning of life, human desires, specifically procreation, human interaction, kindness/empathy, selfishness, fear, manipulation, intuition, following orders. It does so in a way that is mostly sublime enough that it comes across as genuine. For example there is a fairly believable romance buried in there underneath layers of alien slime. The dialog is mostly well written and to the point, the actors are great and there's lots of attention to detail. Combine that with some great and grotesque visuals, courtesy of the late Hans Ruedi Giger and some Cronenbergian body horror and you're in for a fascinating ride through Los Angeles.
The dialog doesn't always work, like when they're trying to track her down and are quickly jumping to conclusions about things that the audience already knows. Scenes vary in quality, some feel a bit rushed. While the effects are mostly excellent there are some subpar ones, too.
Overall I highly recommend it if you can get something out of sci-fi horror.
The dialog doesn't always work, like when they're trying to track her down and are quickly jumping to conclusions about things that the audience already knows. Scenes vary in quality, some feel a bit rushed. While the effects are mostly excellent there are some subpar ones, too.
Overall I highly recommend it if you can get something out of sci-fi horror.
Species is like a meeting between an amateur low budget film, and a big budget horror movie. On the one hand; the film has a great cast and is professionally produced, but on the other - the special effects wouldn't have looked out of place in an eighties film, and the plot concentrates mostly on its sleazy and often silly by-products. That being said, however, the movie is lots of fun; and overall I wouldn't hesitate to call it one of the best horror films of the nineties. The film takes obvious influence from a range of similar films, such as Tobe Hooper's Lifeforce and Jack Sholder's 'The Hidden', but it brings all of it's elements together well and somehow manages to feel fresh and inventive. The plot is pure hokum, but it works well; as alien-human crossover 'Sil' escapes from a testing lab with a team of professionals, comprising a psychic, an action hero, a woman etc, on her tail. Sil's ultimate goal is to reproduce, and to complete that aim she must find a man. So basically, what we have here is a sexy, horny, naked chick being chased around before she can have sex with someone. Sounds good to me...
I'm not quite sure how director Roger Donaldson managed it, but he's managed to get quite a few names to appear in his film; and most of them do well with their roles. Despite the fact that she probably isn't really, Natasha Henstridge looks clean and pure in the lead role; and this both ensures that she looks the part, and the film is great in that it carries off the juxtaposition of having a sweet-looking virginal woman act like a prostitute. Ben Kingsley is the biggest cast surprise, as the former Ghandi actor looks slightly out of place in a B-movie like this. Michael Madsen is absolutely great in his typecast action hero role and the cast is completed by a memorable performance from Alfred Molina, and a rather annoying one from Forest Whitaker. Marg Helgenberger fails to make much of an impression as Madsen's love interest. The two plots that run concurrently are played out well, and climax nicely. The special effects are key in a film like this, and even though they're cheap throughout - they do look fairly realistic. It's not until we get to the end and the director decides to spoil it with some abysmal CGI that the effects become a problem. But even so, Species takes its plot well and isn't too serious, and I've got to rate this as a really fun flick overall.
I'm not quite sure how director Roger Donaldson managed it, but he's managed to get quite a few names to appear in his film; and most of them do well with their roles. Despite the fact that she probably isn't really, Natasha Henstridge looks clean and pure in the lead role; and this both ensures that she looks the part, and the film is great in that it carries off the juxtaposition of having a sweet-looking virginal woman act like a prostitute. Ben Kingsley is the biggest cast surprise, as the former Ghandi actor looks slightly out of place in a B-movie like this. Michael Madsen is absolutely great in his typecast action hero role and the cast is completed by a memorable performance from Alfred Molina, and a rather annoying one from Forest Whitaker. Marg Helgenberger fails to make much of an impression as Madsen's love interest. The two plots that run concurrently are played out well, and climax nicely. The special effects are key in a film like this, and even though they're cheap throughout - they do look fairly realistic. It's not until we get to the end and the director decides to spoil it with some abysmal CGI that the effects become a problem. But even so, Species takes its plot well and isn't too serious, and I've got to rate this as a really fun flick overall.
Is 'Species' a groundbreaking, visionary SF movie? No, of course not. Is it silly, trashy, but FUN b-grade exploitation SF in the tradition of Tobe Hooper's 'Lifeforce'? You bet! It isn't quite as entertaining as 'Lifeforce', the original naked space chick movie, but it's a still pretty good way to waste an hour and a half of your life. Why it gets slammed so much is beyond me. Maybe people just don't have a sense of humour. The opening of the movie is terrific. In a lab we see a cold scientist (Ben Kingsley) overseeing the murder of a young girl (Michelle Williams), imprisoned in a glass case. Only she escapes by showing some super human strength. She is immediately pursued by dozens of soldiers, but manages to elude them. We then learn she is in fact a genetic experiment, a mixing of extraterrestrial and human DNA. Kingsley heads up a task force consisting of Michael Madsen, Alfred Molina, Marg Helgenberger and Forest Whitaker, each a specialist in a different field. Pretty soon our alien fugitive mutates into a gorgeous blonde (Natasha Henstridge), who spends most of her time topless. Kingsley and company face a race against time, they must capture the horny alien girl before she screws guys to death(?) or something... Who knows. Henstridge is great to look at and the above average cast give it their best shot with the lame dialogue and cliched scenes. Whitaker's empath character quickly irritates with his constant stating the bleedin' obvious, but I always get a kick out of watching Madsen, here in stereotypical tough guy mode. 'Species' is big dumb fun.
Some scientists working for the government tamper with a DNA sequence they got from a message from outer space. The subject turns into a little girl with amazing superhuman powers. She escapes and turns into a beautiful woman (Natasha Herstridge) who wants to mate and produce others like her. A team led by a head scientist (Ben Kingsley!) try to track her down.
OK--it's kind of silly but this moves quickly and is well-done. There are many excellent, if gruesome, special effects and the SIL creature at the end is truly astounding. The script is good (considering) and it actually makes sense...if you don't think about it too much.
Acting varies--Kingsley is TERRIBLE in his role. Michael Madsen is pretty good as part of the team as are Marg Helgenberger and (especially) Forest Whitaker. Herstridge is certainly beautiful but can't act--but the role doesn't call for acting.
I'm giving it an 8. It's no classic but it moves quickly and I was never bored.
OK--it's kind of silly but this moves quickly and is well-done. There are many excellent, if gruesome, special effects and the SIL creature at the end is truly astounding. The script is good (considering) and it actually makes sense...if you don't think about it too much.
Acting varies--Kingsley is TERRIBLE in his role. Michael Madsen is pretty good as part of the team as are Marg Helgenberger and (especially) Forest Whitaker. Herstridge is certainly beautiful but can't act--but the role doesn't call for acting.
I'm giving it an 8. It's no classic but it moves quickly and I was never bored.
Using information received from an extra-terrestrial radio transmission, scientists on earth are able to reconstruct alien DNA and then inject it into a human egg in accordance with the instructions from their source. The scientists are then shocked by the rapid rate of growth from the humanoid creature and fearing that they may have rushed too quickly into this experiment decide to destroy the young female before it can mature. Unfortunately, she escapes and within just a matter of days has attained full adulthood. It is at this point that the scientists realize that they have created a true monster with little concern about destroying anyone who gets in her way. They also discover that she wants to mate. Now rather than reveal any more of this movie and risk spoiling it for those who haven't seen it I will just say that Natasha Henstridge was perfectly cast as the beautiful but psychopathic creature named "Sil". I also liked the performance of Forest Whitaker (who played the empath by the name of "Dan Smithson") and Marg Helgenberger (as the micro-biologist named "Dr. Laura Baker"). In any case, I thought this was a pretty good Sci-Fi/Horror film and I have rated it accordingly. Above average.
Storyline
Did you know
- TriviaDuring the production, MGM opted not to shoot the "nightmare train" sequence to keep costs down. H.R. Giger was not willing to accept that, however, so he spent one hundred thousand dollars of his own money to finance the sequence.
- GoofsThe conductor gets half-sucked into the cocoon, resulting in her death. Sil later emerges from the messy cocoon, covered with its fluid and falling right on top of the conductor. But when Sil dons the conductor's clothes, they are spotless.
- Quotes
Xavier Fitch: We decided to make it female so it would be more docile and controllable.
Preston Lennox: More docile and controllable, eh? You guys don't get out much.
- Alternate versionsA cut version was shown theatrically in Germany, the uncut version was released on home video.
- ConnectionsEdited into The Chaos Factor (2000)
- SoundtracksSay You're Gonna Stay
Written by James LaBirt, Larry LaBirt, Kevin Oliphant and Darryl D'Bonneau
Performed by Darryl D'Bonneau
Courtesy of Jellybean Recordings, Inc.
Details
Box office
- Budget
- $35,000,000 (estimated)
- Gross US & Canada
- $60,074,103
- Opening weekend US & Canada
- $17,161,943
- Jul 9, 1995
- Gross worldwide
- $113,374,103
- Runtime1 hour 48 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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