Director Al Pacino juxtaposes scenes from Richard III, scenes of rehearsals for Richard III, and sessions where parties involved discuss the play, the times that shaped the play, and the events that happened at the time the play is set. Interviews with mostly British actors are also included, attempting to explain why American actors have more problems performing Shakespearean plays than they do.Written by
Ron Kerrigan <email@example.com>
While he was putting the film together, Al Pacino showed the film for his friend Director Harold Becker as Pacino didn't know where to go with all the footage he had amassed. Becker responded with "Make the film four acts" and that's when Pacino began to lay out the structure towards the final version of the film. See more »
In discussion, Pacino and co. are studying the "*G* of Edward's heirs the murderer shall be," and decide, since it's supposed to refer to Clarence, that they'll change it to "'C" of Edward's heir's." The problem is, since characters in the play are referred to both by their name and by their title, the prophecy very deliberately refers to Richard, Duke of GLOUCESTER and GEORGE, Duke of Clarence. With "G" the prophecy is true. If you change it to "C" the prophecy becomes false, and can no longer refer to two people. See more »
He's Got The Whole World In His Hands
Written by Robert Lindon and William Henry See more »
Great Great Great
Who would have thought that an Italian from New York City could play Richard the 3rd. ? Al Pacino is marvellous as he searches the stage and beyond for the true Richard the 3rd. Kevin Spacey, Winonna Ryder, and Alex Baldwin are just some who join him in the journey as he wonders the streets of New York and London for the true love of Shakespeare.
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