Fred Madison, a saxophonist, is accused under mysterious circumstances of murdering his wife Renee. On death row, he inexplicably morphs into a young man named Pete Dayton, leading a completely different life. When Pete is released, his and Fred's paths begin to cross in a surreal, suspenseful web of intrigue, orchestrated by a shady gangster boss named Dick Laurent.Written by
This was Richard Pryor's final film before his death on December 10, 2005, at the age of sixty-five. See more »
When Pete and Alice are having sex in the car, external shots show the car parked alongside a wall in a dark, tree-covered section of street. Yet in interior shots, the wall is many metres away in the far background and is brightly illuminated. See more »
[Pete, disturbed by the saxophone music on a radio, switches the channels]
What'd you change it for? I liked that.
Well, I don't!
I liked that.
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I started this film upon renting it one night at 11:00 PM. I finished at about 1 in the morning. I was so stunned and awestruck that I stayed up until 3 in the morning to watch it again. This is one of the most spell-binding movies I have ever seen. Each time I see it my theory of the plot thickens. What I love about the movie is that it leaves you with the option to fill in the blanks. You will keep asking what happened and why that happened, but that is what makes the movie so awesome. David Lynch's skewed opinion of reality is very inspiring and I feel that my reality has changed ever since I watched it. Having watched it 13 times I can pretty safely say that my theory of the plot is set, but I still love to ponder exactly why.
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