A day in the life of two film-school students trying to find love and another house-mate.

Director:

Emma-Kate Croghan

Writers:

Yael Bergman (screenplay), Emma-Kate Croghan (screenplay) | 2 more credits »
1 win & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
Matt Day ... Michael Douglas
Matthew Dyktynski Matthew Dyktynski ... Ari
Alice Garner ... Alice
Frances O'Connor ... Mia
Radha Mitchell ... Danni
Suzi Dougherty ... Savita
Kim Gyngell ... Professor Richard Leach
Suzanne Dowling Suzanne Dowling ... Dr. Russell
Torquil Neilson Torquil Neilson ... Toby
Christine Stephen-Daly Christine Stephen-Daly ... Susan
Dominic McDonald ... Zac
Alvin Chong Alvin Chong ... Alvin
Myles Collins Myles Collins ... Myles
Antony Neate Antony Neate ... Tony
Brigid Kelly Brigid Kelly ... Brigid
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Storyline

Two female students struggling to complete their university degrees seek a flatmate. At the same time Michael, a medical student, is looking for a new place to stay. Written by Ben Barnett <bhbar2@student.monash.edu.au>

Plot Summary | Plot Synopsis

Genres:

Comedy | Romance

Motion Picture Rating (MPAA)

Rated R for sexuality, language and some drug use | See all certifications »
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Did You Know?

Trivia

Shot over a period of 17 days. See more »

Goofs

In the long drive with Mia and Alice in the car, the weather outside is bright sunshine when the camera is on Alice but dull (perhaps) cloudy when it is on Mia. See more »

Quotes

Mia: I just wish you'd tell me when you're planning to be more independent.
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Connections

References The Unbearable Lightness of Being (1988) See more »

User Reviews

What are your three favourite films and why?
5 June 2001 | by feelinglistlessSee all my reviews

At the end of this film a major character point is concluded through the following question. I'm telling you this because I'm about to become hopelessly recursive and it's probably a good thing to point this out before we I go any further. The question is:

What are your three favourite films and why?

Not easy. I film fan will probably jibber and faint. Out of all of the films ever made ever? Are you joking? We like films for lots of different reasons. Within this film, the question seems to actually mean:

Which three films mean the most to you and couldn't you live without?

The exercise is simplified. The film fan sighs deeply and puts down their ‘Time Out Film Guide', safe in the knowledge they won't have to include anything because they feel like the have to – so out with Fellini, Bergman, Kurosawa and the gang. Just for fun, go away and write your answer to the question. You may be surprised.

Back? Good. Surprised? When you have to justify your favourite films and extra texture is added. It's as though you've got to look into yourself and find out who you actually are. The chances are you've actually just learned something about yourself. Why am I stringing this out? Because when I asked myself this question, here are the three films I came up with and the reasons:

When Harry Met Sally because I think I'm a New Yorker living in the wrong place and it makes me smile every time I watch it Star Wars because it always means I have something to talk about with total strangers Love and Other Catastrophes because it felt like the first film I've seen about me

See – told you this review was going to be recursive. Believe me, I was a shocked as you possibly might be. I thought ‘Ferris Bueller's Day Off' was a shoo-in. Anyone who's seen the film already will wonder what that means (especially anyone who knows me). But it's not for the reasons your expecting. This is the synopsis from the official website (reproduced here with much rebellion and without permission):

‘Mia and Alice have just moved into a warehouse apartment but are still minus a house mate. Danni, Mia's girlfriend is keen to move in, but Mia fears commitment. Mia, who can be a solipsistic bitch (but in the nicest possible way), is obsessed with her favourite lecturer and becomes embroiled in a bureaucratic nightmare as she pursues him to his new department. Alice, a frustrated perfectionist, is four years late with her thesis on "Doris Day as a Feminist Warrior." She is looking for the perfect man, but can't find anyone who fits her rigorous criteria. Feeling the need for a change she falls for the most unsuitable man possible - Ari, a Classics student, part-time gigolo and the Warren Beatty of the campus. Little does she know that she has her own secret admirer - Michael, a shy medical student who is living in the share house from hell and wants out. Her search for love transcends the boundaries of the University and their respective disciplines. Omnia Vincit Amor...Love Conquers All.'

I've edited that a bit – the synopsis at the website does somewhat give the plot away.

So you've read that and wondered still why it's about me. Are rather you've assumed it's because I saw this film and realised for the first time I'm g-a-y. Sorry to disappoint. I'm not g-a-y. I'm not even b-i. I'm definitely s-t-r-a-i-g-h-t, ask my friend Chris. So what then?

As a Late Reviewer might say: ‘There are a number of levels.'

I first saw the film three years ago when I bought it, ex-rental from a ‘Blockbuster' video shop in Birkenhead. It had no cover. I just remembered the title because I knew that one of the few quite good actresses to be shipped through ‘Neighbours' was in it. It sat on my shelf for a month. Then one afternoon I was at a loose end and put it on. Eighty minutes later I'd wondered what hit me.

On a basic level, it has everything I'd ever want from a film. There was my love of low budget films, the slightly grainy look, the ingenious camera angles, story told mainly in dialogue. All of the actors doing there best for the script, seemingly not caring if they don't look absolutely great during every second. The absolutely fabulous editing, scenes timed perfectly. As though Robert Rodriguez had decided to spend his $7000 making romantic comedy instead of ‘El Mariachi'. The music from a largely unknown set of musicians actually complements to action, a soundtrack album actually being a benefit not a marketing exercise.

But a lot of films fulfil these loves. The aforementioned ‘El Mariachi' for example. So what else?

The characters just are (I apologise to Louise if she's reading for the strain on the verb ‘to be' in that phrase). They exist within the story as though the writer just wanted people it would be cool to hang about with. They aren't there to fulfil the machinations of some theme or other. A lesser writer might have strained to make this another treatise on people coming to terms with their sexuality – and anyone who's followed the Jack-arc on ‘Dawson's Creek' will know how painfully that can be if not done right. Like many films in what is become an indie film sub-genre (‘Chasing Amy', ‘Sticky Fingers of Time', ‘Go Fish'), the characters are quite comfortable with their sexuality thank you very much for checking. It's not how you love, but who you love. The fact that Danni and Mia are both girls isn't the issue. Which makes watching the film a whole lot easier and more refreshing to watch. Chumbawamba are disproved: Homophobia might be the worst disease, but you can love who love in times like these.

And?

It's the script I've been writing in my head for years. The students away at college is a surprisingly untapped film genre (unless knives or frat parties are involved). Not quite teens, not quite adults, its difficult to completely get a handle on it. Perhaps it's just that writers feel that not much excitement can be wrung out of find a housemate or waiting for a course transfer. Emma-Kate Croghan, the writer-director of this piece seems to have succeeded. Are heart misses a beat when we find that Mia might not get her course transfer or when Alice fails to find a house mate. I showed it to my Greek friend Fani, who is much the same predicament as the characters and she loved it. Even though the film is Australian, the experience is universal.

But the get to the route of the matter, the film actually made me think about what I was doing with my life and my relationship to people. I realised that although it's important to have your ol' friends and family, that you shouldn't stop looking to be friends with new people, who might in turn become close friends (hey Fani!). It made me pull my socks up and go look for something better. And so it goes and so it goes and so it goes . ..

A mark out of five is meaningless. You must simply see this film.


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Details

Country:

Australia

Language:

English

Release Date:

28 March 1997 (USA) See more »

Also Known As:

Love and Other Catastrophes See more »

Filming Locations:

Australia See more »

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Box Office

Budget:

$250,000 (estimated)

Opening Weekend USA:

$22,807, 30 March 1997

Gross USA:

$294,212

Cumulative Worldwide Gross:

$294,212
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

1.85 : 1
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