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Lolita (1997)

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2:04 | Trailer
A man marries his landlady so he can take advantage of her daughter.

Director:

Adrian Lyne

Writers:

Vladimir Nabokov (novel), Stephen Schiff (screenplay)
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Popularity
1,085 ( 200)
2 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jeremy Irons ... Humbert Humbert
Melanie Griffith ... Charlotte Haze
Frank Langella ... Clare Quilty
Dominique Swain ... Dolores 'Lolita' Haze
Suzanne Shepherd ... Miss Pratt
Keith Reddin Keith Reddin ... Reverend Rigger
Erin J. Dean Erin J. Dean ... Mona
Joan Glover Joan Glover ... Miss LaBone
Pat Pierre Perkins Pat Pierre Perkins ... Louise (as Pat P. Perkins)
Ed Grady ... Dr. Melinik
Michael Goodwin ... Mr. Beale
Angela Paton ... Mrs. Holmes
Ben Silverstone ... Young Humbert Humbert
Emma Griffiths Malin ... Annabel Lee (as Emma Griffiths-Malin)
Ronald Pickup ... Young Humbert's Father
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Storyline

In early adolescence, Humbert fell hopelessly and tragically in love with a girl his own age, and, as he grew into adulthood, he never lost his obsession with "nymphets," teenagers who walk a fine line between being a girl and a woman. While looking for a place to live after securing a new teaching position, he meets Charlotte Haze (Melanie Griffith), a pretentious and annoying woman who seems desperately lonely and is obviously attracted to Humbert. Humbert pays her little mind until he meets her 13-year-old daughter Lolita (Dominique Swain), the image of the girl that Humbert once loved. Humbert moves into the Haze home as a boarder and eventually marries Charlotte in order to be closer to Lolita. When Charlotte finds out about Humbert's attraction to her daughter, she flees the house in a rage, only to be killed in an auto accident. Without telling Lolita of her mother's fate, Humbert takes her on a cross-country auto trip, where their relationship begins to move beyond the ...

Plot Summary | Plot Synopsis

Taglines:

Watch it and make up your own mind. See more »

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for aberrant sexuality, a strong scene of violence, nudity and some language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

France | USA

Language:

English

Release Date:

25 September 1998 (USA) See more »

Also Known As:

Lolita See more »

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Box Office

Budget:

$62,000,000 (estimated)

Opening Weekend USA:

$19,492, 26 July 1998

Gross USA:

$1,071,255

Cumulative Worldwide Gross:

$1,071,255
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Thomas Lennon auditioned for the role of Dick. See more »

Goofs

When Humbert is in a second meeting with Miss Pratt and Reverend Rigger, he puts down the cake he is eating twice without picking it up in between. See more »

Quotes

[first lines]
Humbert: [voiceover] She was Lo, plain Lo, in the morning, standing four feet ten in one sock. She was Lola in slacks, she was Dolly at school. She was Dolores on the dotted line. But in my arms she was always - Lolita. Light of my life, fire of my loins. My sin. My soul.
[whispered]
Humbert: Lolita.
See more »

Crazy Credits

After the credits are over there is a brief clip where Lolita is shown juggling a red apple. See more »

Alternate Versions

Two scenes involving nudity from the body double were originally intended to be included as supplemental footage in the UK DVD release but were refused a certificate by the BBFC. See more »

Connections

Referenced in And Now... Ladies and Gentlemen... (2002) See more »

Soundtracks

Don't Sit Under The Apple Tree (With Anyone Else But Me)
Written by Lew Brown, Charles Tobias and Sam H. Stept
Performed by The Andrews Sisters
See more »

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User Reviews

A powerfully moving adaptation
13 August 1998 | by Mr. GoreSee all my reviews

Briefly put, this film is a quite brilliant adaptation of the novel. While staying pretty faithful to the original source, Stephen Schiff's screenplay fleshes out the primary characters and their relationship, which plays out as a taboo but reserved love story. Maintaining the central themes, the plot is reduced to the essence of the major players and the linear events of the book. It's almost impossible to adapt a long book into the confines of a single average-length movie, but Schiff captures most of the important moments quite well and humanizes the characters who could have come off as bizarre depictions from Humbert's narrative.

Lyne's movie is at once haunting, compelling, and beautifully photographed. For all the controversy, it is a mature, reflective, and subtle film. "Lolita" is a challenging piece of work that sublimely reflects the pathos of the story and manages to retain bits of the complex humor of Nabokov. This "Lolita" abandons the notion of being a complete social satire and works as an essentially dramatic portrayal of a doomed, inappropriate romance that is ultimately a sad, tragic tale.

The performances are remarkable, especially those of Jeremy Irons and Dominique Swain. Irons is utterly perfect as the ill-fated wretch, Humbert Humbert. So understated but evocative with every move and gesture, he is the definitive Old-World European whose obsession bristles beneath his timorous demeanor. He evokes an incredible amount of sympathy for the character. Swain delivers an on-target portrayal of the flowering nymphet who toys with her burgeoning sexuality but hasn't overcome her fundamental brattiness. Swain elicits both allure and pity as the wayward character whose immaturity in mindset and behavior does not excuse her complicity in her affairs. Despite what some critics may have written, Melanie Griffith is fine in the small role as Lolita's overbearing mother. She is comically obtuse, and her veneer hits all the right, grating notes. Frank Langella rounds out the cast as the mysterious Quilty. He is appropriately shady, vague, and sinister when he appears from time to time, slowly revealing himself.

This is a real winner on many levels and should be up for several awards including best picture, director, actor, actress, and adapted screenplay. Showtime should be congratulated for its smart acquisition. I hope the movie finds its way to the largest possible audience.


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