A bright assistant D.A. investigates a gruesome hatchet murder and hides a clue he found at the crime scene. Under professional threats and an attempt on his life, he goes on heartbroken because evidence point to the woman he still loves.
An old Gothic cathedral, built over a mass grave, develops strange powers which trap a number of people inside with ghosts from a 12th Century massacre seeking to resurrect an ancient demon from the bowels of the Earth.
Feodor Chaliapin Jr.
Viola is a first time bank robber. She gets into a camper while trying to escape from the police. There are three teenagers in the camper and she convince them to help her to get into ... See full summary »
Set in 1943 Scotland during World War II, Janie is young housewife married to a man named Dongal, 15 years her senior. As part of a war rehabilation program, Janie and Dongal welcome three ... See full summary »
Antoine is a social wannabe who drops an elusive aristocrat's name to get into an exclusive party. The name - Jordan - gets him whisked by two burly bodyguards into the office of the host, ... See full summary »
Antoine de Caunes
Alan Furnace is a young man with the perfectly proper, quiet life of a London school teacher. But beneath all of that decency lies a burning desire for excitement and he just found it. She's a woman unlike any other: Unruly Irish eyes, Latin lips... her name is Beatrice, but on the streets they call her B. Monkey. She's about to take him on an outrageous, dangerous and sexy ride through the wild side of London.Written by
There are multiple scenes in the theatrical trailer not found in the finished release:
Beatrice standing with her back against the side of an escalator wearing a golden dress.
During the first date in the restaurant she places Alan's hand on her chest to feel her heart instead of just kissing his hand. She asks "Can you feel it?". He excitedly answers yes before she corrects him with "Not my breast, my heart".
A scene where Beatrice implores Alan to "say you love me, whatever happens" at Alan's boathouse.
After the first sex scene she tells Alan "you have to save me" whilst lying in bed facing away from him and looking into the camera.
A scene with Beatrice and Bruno fist bumping each other outside the café.
After visiting Mrs. Sturge Beatrice stops and screams "B Monkey read my name" in public whilst gesticulating wildly.
When Frank arrives at the cottage his reflection can be seen in his car door while he calls for Beatrice by yelling "B Monkey".
Paul's white car speeding out of control in a field before bursting into flames when it hits a wall. This is interspersed with shots of Beatrice screaming "No" whilst reaching out with one arm, a shot from behind her with the car in flames and finally with a shot of her face and tears flowing down it. This would seem to be an alternate ending.
Look Who's Perfect Now
Written and Composed by Eric Pressley / Gary Clark / Keely Hawkes (as Keeley Hawkes)
Performed by Transister
Published by Open Bar Music
Courtesy of Windswept Pacific Music Limited/Chrysalis Music Limited/EMI Music Publishing Ltd./Mechanical Panther Music
(P) Virgin Records Limited
Licensed by courtesy of Virgin Records Limited/Universal Music (UK) Ltd. See more »
I was very fortunate to be able to attend the world premiere of this excellent new film from Michael Radford, the director of Il Postino.
B MONKEY tells the story of the romance between a quiet, jazz-loving school teacher (played by the excellent Jared Harris) and the beautiful, mysterious and dangerous Beatrice (played by Asia Argento). Beatrice, or B. Monkey as she was known in her criminal life, tries to leave her old life behind her - but it proves very hard to shake off.
This is a great film and I enjoyed it immensely. It's a hugely stylish film and is beautifully shot. The acting all round is tremendous but special honours should go to Asia Argento who gives a powerful and captivating performance.
I really hope this film will do well around the world as it is greatly deserving of huge success.
I saw this film on Saturday November 7th 1998, at the London Film Festival
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